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Sympathy For Characters In Truman Capote's In Cold Blood

573 Words3 Pages

Truman Capote, the author of In Cold Blood, creates sympathy for almost every character the reader comes across. Through the use of manipulating the reader's emotions and connecting them to each character, Capote successfully pulls it off. There are four main groups that Capote chooses to create sympathy for the murder victims, the murderers, the law officials involved, and the ordinary citizens of Holcomb, Kansas. Truman Capote created the most sympathy for two characters, Perry Smith and Detective Dewey. From the beginning of the novel, Capote showcases Perry Smith a likable character. Although he ended up being one of the murderers of the Clutter family, the readers often felt sorry for him. In the beginning of the novel the reader finds out that Perry was actually very nervous about committing the crime, he and Dick were on the road to do. Capote made it seem like Perry …show more content…

Through similar tactics Capote allows the reader to feel sorry for Dewey, even though he is the man who catches the killing pair. Detective Dewey is first introduced in part two of In Cold Blood, where the readers learn that this would not be an easy case and the Dewey would be the head detective, even though he had personal ties with the Clutter family. The reader would automatically feel sorry for Detective Dewey because he was going to do heavy investigating on a murder of a family he knew and there was very little time to mourn the deaths. Detective Dewey spent countless hours trying to chase down every lead that popped up, taking family time away, which wears on all family members. The reader feels sympathy for Dewey as he loses time with his family around the holiday time because he has become so involved in the case. Capotes creates sympathy for Detective Dewey by allowing the reader to think about what it would be like to have family member who is extremely involved in work about the

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In In Cold Blood, Truman Capote used different rhetorical strategies to create sympathy and influence the idea that there are always two sides to every story. All throughout the book, Capote illustrated sympathetical emotion towards both types of characters, the protagonists and antagonists; Whereas in this case, Capote expressed the sides of the protagonist and antagonist.

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In Cold Blood Rhetorical Analysis Essay Although Capote conveys the Clutters as a simple mid western family, his primary purpose was to display how pivotal the Clutters were to the flow and function of Holcomb’s community, therefore; Capote asserts that everything in life is a chain reaction, nothing just affects one individual. Though the Clutters are seen to be a typical mid western family, with their traditional values, hard working spirit as well as with their high standards of class and dignity. They are to Holcomb what an engine is for a car. They are essential for the town to run properly. This practically seen through Nancy, arguably the most upstanding of all of the Clutters.

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In Cold Blood, written by Truman Capote in 1966 tells the story of the murder of a prominent family in 60’s Kansas. Capote traveled to the small town of Holcomb, and befriended many of the townsfolk and the detectives involved in the trial to tell the story of a violent event that shaped this community for the decade until the eventual conviction and execution of the killers. Because of information being told, Capote makes the choice of writing his novel as if it were a news report. This journalistic structure and word choice helps to establish the serious and dark tone of the novel.

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As Dewey arrives into a diner Capote provides insight into what this case is doing to him: “In fact, during the past three weeks Dewey had dropped twenty pounds. His suits fitted as though he had borrowed them from a stout friend, and his face, seldom suggestive of his profession, was now not at all so; it could have been that of an ascetic absorbed in occult pursuits”(Capote 149). Capote provides us with a very vivid representation of Dewey’s figure to indicate that this case is destroying him from the inside out. With this idea of Dewey falling apart readers can draw a parallel between him and Holcomb in the sense that Holcomb is “losing weight”, Holcomb doesn’t fit into its “suit”. This evil has murdered the very idea of a “safe”

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Truman Capote’s novel, In Cold Blood epitomizes the shifting sentiments related to the murder of the Clutter family which range from terror, to sorrow, to pride, and all mixed emotions in between. Yet through Capote’s particular descriptions about each character, the connection between their feelings and their actions become further clarified. In effect, the readers experience feelings of sympathy for the victims, their friends and family, the investigators, and even the brutal murders of the innocent family. In order to craft this association, Capote employs a pathos appeal to amplify the audience’s ability to sympathize with each and every character.

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Truman Capote’s nonfiction novel, In Cold Blood, effectively explores the effects of the Clutter family’s unexpected murder on the small community of Holcomb, Kansas. This unexpected murder had lasting and detrimental effects on the people of the town. Having been in Kansas during the time the trials and court cases had been executed, Capote observed that the murder had destroyed the community’s sense of trust, shattered their image of the American Dream, and prompted them to reevaluate their stance on the death penalty. The sudden murder of the Clutter family played a huge role in shaking the foundation of trust that had been built up throughout the years in the small town of Holcomb.

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Murder can be defined as “the unlawful premeditated killing of one human being by another”. How then, are others able to make us sympathize with not only murderers, but people who have committed horrendous crimes? For example, the media is constantly attempting to humanize rapists and even terrorists with phrases like “lone wolf” or “alienated and adrift.” Such phrases make some of us want to pity the criminal. This can be seen when we compare Perry Smith and Dick Hickock from Truman Capote’s In Cold Blood.

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In Cold Blood Personification

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Although, Holcomb is written as a picture-esque mid-west utopia in the first chapter of In Cold Blood, Capote uses personification, parallelism, and the inclusion of first hand accounts, to describe its shift from a neighborly society to one of locked doors in order to comment on how one event can completely alter a locations image. Through the use of personification, Capote describes the disillusion in the townspeople of Holcomb, product of the murder of the Clutter family. Capote writes that locks and bolts are the most popular item in a Garden City hardware store, and that the people disregarded brand identity just to have the security of the ownership of a lock. Capote latter writes, “Imagination, of course, can open any door - turn the key and let terror walk right in” (Capote 88), to show how paranoia has consumed the townsfolk are by expressing the false sense of security that a door lock provides. The use of “imagination can open any door”, implies that if someone needed to get through a locked door,

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Growing Up A Sociopath In Truman Capote's In Cold Blood

1483 Words | 6 Pages

Perry’s erratic spontaneous outbursts is what caused him to go through with the murders and slit Mr. Clutter’s throat which put him on the killing frenzy that ended the rest of the Clutters lives. Capote highlights Perry’s sociopathic tendencies by comparing them to that of Dicks Psychopathic tendencies which exemplifies how when put together they are at each others fault for the

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Analysis Of The Death Penalty In Truman Capote's In Cold Blood

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Contrastingly, the opposite opinion is revealed through the character Alvin Dewey in the book. Capote writes about Dewey’s beliefs on the case: “[The Clutter family] had experienced prolonged terror, they had suffered. And Dewey

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Rhetorical Analysis Of Truman Capote's In Cold Blood

539 Words | 3 Pages

How crazy would it be to interview criminals who murdered 4 people in cold blood? Well that’s exactly what Truman Capote did in this chilling book. In the novel In Cold Blood, Truman Capote used different rhetorical strategies to create sympathy and influence the idea that there are always two sides to every story. Some of the mainly used rhetorical strategies throughout the novel were imagery, diction, tone, and pathos. Furthermore, Capote also illustrated sympathetical emotion towards both types of characters, the protagonists and antagonists.

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Bias In Truman Capote's In Cold Blood

470 Words | 2 Pages

In doing so Capote invents a new genre of literature by telling the story through a new perspective. Capote as a writer chooses to put most of the focus of the book on the criminals, Dick Hickock and Perry Smith, particularly Smith. He follows Smith’s life story, and explains that Smith was abused as a child, and the reader is to infer that as a result he seeks approval from others. This approval is what leads him to kill, and invent stories about killing, as he wants Dick to think of him as macho. Capote provides a plethora of evidence to support this reasoning, “He was seven years old, a hated, hating half-breed child living in a California orphanage run by nuns- shrouded disciplinarians who whipped him for wetting his bed,” (93).

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Literary Techniques In Truman Capote's In Cold Blood

450 Words | 2 Pages

The non-fiction novel ‘In Cold Blood’ interestingly begins as a fiction novel would-with the author setting up the scene of the gruesome quadruple murder about to take place, unbeknownst to the victims. Capote describes the isolated flatlands of rural Kansas, and introduces the victims and their killers as if they were the main characters of a fictional murder mystery. What immediately struck me is how Capote uses literary techniques like the simultaneous narration of the lives of the killers and victims, and the fragmented retelling of the story not specifically in the order of events, which makes the story read more like a work of fiction than of pure journalism. As one gets engrossed in the book, it gets easier to forget that the story is based on truth and is not just a fictional story born in Capote’s head. Capote also demonstrates his mastery over the ‘thriller and suspense’ genre, detailing the Clutter family’s everyday lives, emotions and experiences but with progressively higher levels of anticipation as the pages go by, employing versions of the omnipresent phrase, ‘and that was their last’ for dramatic effect.

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