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Synopsis Of The Movie 'Citizen Kane'

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Citizen Kane
A review by team 5
(Robert Werlein, Keeley gray, and Nick Mackay)

Citizen Kane, released in 1941, was written, produced, and directed by Orson Welles with the assistance of Herman J. Mankiewicz in writing the screenplay, co producer George Schaefer, cinematographer Gregg Toland, music by Bernard Herrman, and the editing of Robert Wise. Welles starred in his own film along with Joseph Cotten, Everett Sloane, Ruth Warrick, Dorothy Comingore, and George Coulouris.

Citizen Kane is set in the United States of America (for most of the film), tells the story of an empire directed by Charles Foster Kane (Orson Welles). The story however is told by people who knew him in his past and the story is collected by Mr. Bernstein (Everett Sloane) who travels over the states to try and find the meaning of Kane’s last words: “Rosebud.” Bernstein’s journey takes him to old friends, Jedediah Leland (Joseph Cotten), Mr. Kane’s old guardian, Walter Parks Thatcher (George Coulouris) and wives of his past, Susan Alexander Kane (Dorothy Comingore) and Emily Monroe Norton Kane (Ruth Warrick). …show more content…

The dialogue was realistic. The theme present in the movie is “money can't buy happiness.” Some symbols in the movie are the sled, “rosebud”, which is the sled that kane had as a kid, and were his final words right before he died. The snow globe, representing how peaceful his life would have been if he hadn't been adopted by the banker. Statues, representing how he could never control people, so he bought statues so he could feel like he was in control of

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Charles Foster Kane, who was he really? By Thompson ... (1941) Charles Kane was a man that some of us hated or some us loved. He was a mysterious man, we know nothing of him, however we have heard of him. From friends, family, or especially in the newspaper, but who was he really?

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(Connell 16). Rainsford and Kane both faced internal conflicts about how they are going to survive. They can either run away, die like cowards, or they can stay and try to survive against their problems. Kane does not deserve to be alone in his fight against the antagonist, Frank Miller, because he has helped his town so much, but no one shows gratitude by volunteering as a depute. In this film a character named Baker states “I don’t believe it!

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The Film Citizen Kane was a groundbreaking film in the 1940’s, the way Orson Wells depicts his film with different lighting, cinematography, choice of camera shots and mise-en-scene throughout this movie truly showed the masterpiece that this film is. In the Film Citizen Kane, it was the first movie that went against true Hollywood cinema by introducing flashbacks throughout the movie to show us how Charles Foster Kane changes throughout the movie. Throughout this movie the audience can see how Charles Foster Kane undergoes a variety of physical and emotional changes from when he was just a young boy all the way until his unfortunate death. Power, that’s all that Kane wanted in the start of the film. In the beginning of the film Kane gets ownership of the struggling New York Daily Inquirer, Kane suggests that he wanted to use journalism to apply to the public and protect the interest of ordinary people.

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From the moment the film starts it is clear from the "No Trespassing" sign that the director is taking us somewhere we are not welcome. The close ups of the chain link fence and the iron gates are further evidence of the inaccessibility of the castle in the distance. The images of the emptiness in the gondolas and a decaying golf course suggest that this place was built by someone of wealth. Then we are introduced to a single word “Rosebud” having just tuned into the movie I had no clue what the word means. From there we are thrown into an ocean drowning down memory lane the moment we are introduce to Charles Kane, it’s always from someone else perspective that gives us a distorted view of this man.

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There are many things that make “Citizen Kane” considered as possibly one of the greatest films every made; to the eyes of the passive audience this film may not seem the most amazing, most people being accustomed to the classical Hollywood style, but to the audience with an eye for the complex, “Citizen Kane” breaks the traditional Hollywood mold and forges its own path for the better. Exposition is one of the most key features of a film, it’s meant introduce important characters and give the audience relevant details and and dutifully suppress knowledge in turn. “Citizen Kane” does not follow this Classic Hollywood style exposition, instead going above and beyond to open the film with revealing as little information as possible and confuse/intrigue

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Citizen Kane by Orson Welles is a cinematic classic, released in 1941. Citizen Kane challenged traditional narrative and technical elements of classic Hollywood cinema. Kane was narrated by several people that include their take on Kane’s life. The story unfolds by many flashbacks and is told by different perspectives over the years through different narrations. Charles Foster Kane was a millionaire, head of newspapers and died saying “rosebud”.

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(Citizen Kane, 1941) Kane’s parents used the power of money as an accessory for giving him away to a billionaire. Since that day, the protagonist went through a traumatizing experience, insecurity and redisposition due to his parents’ actions, which marked the beginning of his tortuous need, to be loved. This unreturned love created a sense of fear and mistrust to love something or someone, only to experience abandonment again was something Kane never got a chance to learn. Citizen Kane broke all the rules because of Welles, there were no

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Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud? '. The camera angle in the deathbed scene is deliberately shot from a low angle, which further implies the importance of the person lying in the bed as well as providing mystery as the viewer is not yet privy to whom has just

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Citizen Kane challenged the traditional narrative and technical elements of classic Hollywood cinema mainly in the area of sound. Orson Welles was ahead of his time when he created his works of manipulating sound to transfer meaning in the film Citizen Kane. Welles used concealed hanging microphones to obtain different levels of sound throughout the film. The manner, in which the story was told, from Kane’s death flashbacked to his life of success and ultimate failure, was also a new style of storytelling for films. Welles also used symbolism with his last mumbling word “Rosebud.”

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Shot Analysis: Citizen Kane Orson Welles, director of “Citizen Kane”, is well known for his unusual directing methods that defied conventional cinematic techniques. Welles provided his audience with original forms of cinematography, narrative structures, and music. The scene I chose to analyze is extremely important to the plot of the film because Kane begins to realize that he is going through some serious financial problems. During the scene, Kane maintains a sarcastic mood, until he finally decides to surrender and signs the papers that transfer the ownership of his media empire to Mr. Thatcher.

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Directed by Orson Welles, the 1941 motion picture “Citizen Kane” is the story of the rise and fall of a great, influential man. The opening scenes of “Citizen Kane” are quite different from what follows during the rest of the film. Fading in and out of different landscapes instilled mystery. This mysterious vibe was carried on during Charles Foster Kane’s death through the use of shadows, quiet music, and close up shots. Isolated in his vast empire of a home, Kane uttered only one word before he passed: “rosebud.”

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Symbols Sleds Two sleds appear in Citizen Kane. Rosebud, the sled Kane loves as a child, appears at the beginning, during one of Kane’s happiest moments, and at the end, being burned with the rest of Kane’s possessions after Kane dies. “Rosebud” is the last word Kane utters, which not only emphasizes how alone Kane is but also suggests Kane’s inability to relate to people on an adult level. Rosebud is the most potent emblem of Kane’s childhood, and the comfort and importance it represents for him are rooted in the fact that it was the last item he touched before being taken from his home. When Kane meets Thatcher, who has come to take him from his mother, Kane uses his sled to resist Thatcher by shoving it into Thatcher’s body.

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