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Taboos In A Streetcar Named Desire

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The play “A Streetcar Named Desire” by Tennessee Williams is a story of taboos from the 1950’s. The story begins with the arrival of a young southern belle named Blanche DuBois at the house of her sister in New Orleans. As the play continues deceit, romance, and conflict follow Blanche and her sister Stella. The addition of Stella’s husband Stanley, Tennessee Williams creates an catalyst to the taboos he desires for his story.In the play “A Streetcar Named Desire” Tennessee Williams shows the inevitability of change through the symbols of sex, alcohol, and appearances.

“A Streetcar Named Desire” addresses changes inevitability through the alteration of appearances.Blanche speaks to Stanley about the loss of Belle Reve and within their conversation …show more content…

Blanche pretends to be uncomfortable with the open sexuality that Stella and Stanley share as she wants to act as though nothing has changed since the loss of Belle Reve. With only a mere sheet separating the two bedrooms Blanche feel as though she is right next to the sex life of her sister and with her attempt at staying to her old ways she acts as though this is highly strange, while still appearing grateful. The change brought on by the loss of Belle Reve has forced Blanche to change from the actual southern belle persona to one that is far more realistic. With the loss of Belle Reve Blanche began to act self detrimentally: “ They told was her she better move on to some fresh territory. Yep, it practically a town ordinance passed against her!”(Williams VII.101). The act of sex always brings change in this play. Blanche’s relations with an underage student forced her to leave Laurel, which lead to the start of this play with Blanche coming to Stella’s house. Her arrival inturn leading to the relationship she shares with Mitch leading to the breakup of the two when Blanche was questioned about her

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1465 Words | 6 Pages

Stanley is a blunt, practical, and animalistic man who has no patience for subtleties and refinement. His animalistic character shows the moment he meets Blanche, when he, moving with “animalistic joy” (24), “sizes” Blanche up with “sexual classifications” and “crude image” in his mind (25). Under his stare, Blanche draws “involuntarily back” (25), a movement that foreshadows their later conflict and her subsequent demise. His practical and straightforward side shows when he interrogates Blanche about the sale of Belle Reve to make sure that his wife is not swindled. His straightforward, practical nature makes him “boom” out of impatience (46) and demands Blanche to cut straight to the point when she tries to talk in an indirect, subtle manner as befit a Southern gentlewoman.

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It is what is haunting Blanche’s life, it is what has made her mentally unstable. Throughout the play, she has been hiding her past from people so she looks like

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Examining Marriage in Tennessee William’s A Streetcar Named Desire Tennessee William’s 1947 play A Streetcar Named Desire takes place in Elysian Fields, New Orleans, and portrays the marital situation of this time. This play illustrates conflict over the marriage of Stella and Stanley. This marriage can be seen as strict, and controlling but also full of lust.

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841 Words | 4 Pages

In the beginning of the play, Blanche and New Orleans are anticipated as totally incongruous together. The reason why this controversy is created between Stellas sister and New Orleans, is that Blanche comes from Belle Reve, a completely different city, and she is not used to the life in the place where Stella has settled down, as she is described as a highbrow person, from an elevated social class who is well refined and very delicate. Her character is also noticed from the fluffy bodice clothes and the white gloves that she is wearing, as well as the cultural language that Blanche uses to communicate with the others. On the other hand, New Orleans is a small city, with old white painted houses with rickety stairs, with an atmosphere of decay, full of bars where the loud disturbing sound of the tinny piano is heard, and people that behave differently from what Blanche expected.

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1526 Words | 7 Pages

Thesis: Light is symbolic of realism or to put it cruder the ugly reality. Darkness is symbolic of fantasy or the fabrication created by characters. Introduction: Throughout the play and film adaptation of, A Streetcar Named Desire, we view the main characters progression throughout the thought provoking story.

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In the play A Streetcar Named Desire by Tennessee Williams, the main characters, Blanche Dubois and Stanley Kowalski, share a great dislike and distrust towards one another, ultimately becoming the basis for the story’s conflict. Their common contemption stems from their contrasting personalities and backgrounds, their incompatibility of being able to function under the same environment, and inability to adapt to the situations they find themselves in. Although Blanche detests Stanley and the manner in which he behaves in, she realises that he is a necessary part for Stella’s life in New Orleans, an environment that greatly differs from the southern aristocracy that Stella and Blanche once lived in. Blanche expresses this idea by stating, “Oh,

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741 Words | 3 Pages

Stanley’s sexuality affects Stella and Blanche heavily throughout the play. Blanche’s own sexuality and that of her late husband’s also contributes significantly to her life. The interactions between the main characters amplify the statement that sexuality is a primitive, powerful force, capable of creating or destroying life. The relationship between Stanley and Stella Kowalski is an example of the power of sexuality’s ability to create life.

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778 Words | 4 Pages

It is Blanche’s obsessive desire for a clean slate that ultimately drives her streetcar into destruction. With each lie she tells, the last lie becomes a reality to her, and once her delusional reality begins to fade, Blanche recedes into a dark hole where neither she or anyone else could ever truly see herself

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1266 Words | 6 Pages

A streetcar named desire was written by Tennessee Williams in 1947, in purpose to show the “declining of the upper class and the domination of the bourgeois middle class in the U.S.A. where the south agriculture class could not compete with the industrialization.” Blanche Dubois the protagonist of our story, a southern beauty that is trapped by the restrictive laws of her society. But she broke them, and eventually put herself in a state, where she had no job and no house. So she had to go to her sister, Stella and live with her and her sister’s husband, Stanley. While staying there, she created a façade for her to hide her flaws and kept acting as a lady, where she is anything but that.

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1245 Words | 5 Pages

Not only has Tennesse Williams portrayed Stella and Blanche to be seen as delicate and dependent, our own society has created this image but this not only affects how individuals see themselves but affects relationships immensely. Tennessee Williams reinforces the stereotype in which women are often the victims of unfortunate fate within the usage of the character Blanche. Throughout the whole play, we have witnessed Blanche being on the bitter end of life's miseries as she has encountered the tough loss of Belle Reve, dealing with her ex-husband's suicide and the loss of her relationship with Mitch. Arguably, the expectations and beliefs of women were either to be a housewife or a mother, whereas Blanche shows neither, as a result of automatically feeling out of place possibly leading to her downfall. Blanche was constantly fantasizing about the traditional values of a southern gentlemen, proving her dependence on this sex.

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652 Words | 3 Pages

The themes of violence and power in ‘A Streetcar Named Desire’ hold an important role in the criticism of 1940s American society. Conflicts perpetuated by violence and power, such as abusive relationships and violent oppression are projected through the characters within the play.  Williams uses these conflicts to highlight his criticisms of faltering values and social norms, from the perspective of an individual constrained by the expectations of a strict, Southern society. To begin with, there is an indefinite violence between men and women within ‘A Streetcar Named Desire’. Stanley Kowalski, a focal character, is the epitome of male dominance and primitive aggression.

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698 Words | 3 Pages

The Fight for Dominance In today’s society, gender norms convince men that unless they are able to control women, they are weak. Considered the inferior gender, women must find new ways to prove their own strength, whether it be through manipulation or their sexuality. The battle between the two continues as men strive to remain dominant, often by immoral means, and women attempt to gain the upper hand. In the screenplay, “A Streetcar Named Desire” by Tennessee Williams, the sexual tension and struggle for dominion between Blanche and Stanley is evident, and as the play continues, Blanche's promiscuity and Stanley's predatory nature foreshadow an inevitable confrontation.

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1371 Words | 6 Pages

William’s play A Streetcar Named Desire presents a variety of perspectives on relationships, especially addressing the idea that bonds which aren’t bound by trust, loyalty and lust in an even balance will inevitably fail. Tennessee Williams uses the interaction between his characters, predominantly Blanche, Mitch, Stella and Stanley; to express a variety of ideas regarding relationships. These connections can be witnessed in scenes 2, 3, 6 and 11, through the use of stage directions, dialogue and expressionism to display different perspectives of character interaction. Trust acts as the foundation to any relationship, establishing a strong link between individuals and without it, the connection will eventually disintegrate.

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1547 Words | 7 Pages

Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.

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847 Words | 4 Pages

“A Streetcar Named Desire” is a very elegant film in which the Southern gothic culture is demonstrated profoundly. Tennessee Williams uses the characters in the play to bring about a sense of how corrupt society truly was in the 1940’s in the South. The 1940’s was marked by an immense amount of violence, alcoholism, and poverty. Women at the time were treated as objects rather than people. Throughout the play Tennessee Williams relates the aspects of Southern society to the characters in the play.

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