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Portrayl in women in literature
Gender portrayal in literature
Emily dickinson literary analysis
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"Snakes vs Delia” Hurston 's Delia Jones in "Sweat" is a woman who is trapped in her marriage with an abusive man. In the end Delia finally gets peace from the snake. She has been with Sykes for 15 years. The snake represents evil, fear, and is a symbol for Sykes himself.
“He picked up the whip and glared at her” (Hurston 1). That is a sentence from the short story, “Sweat,” by Zora Neale Hurston. That sentence basically describes the relationship between Delia and her husband, Sykes for the past few years. “Sweat” is about a washerwoman and husband and their abusive relationship. Her husband is upset that she cleans the “white folks” clothes in their home.
In Taking Off Emily Dickinson’s Clothes, by Billy Collins we are taken on a journey back to the nineteenth century, it is fascinating to contemplate Collins idea of the diminishing of Dickinson's clothes. Emily Dickinson took her liberty to compose such shrewd poetry that was revealed later after her death to the public. Dickinson’s poetry is found perplexing and dramatic, which is clear on why Collins would pick Emily Dickinson as his incentive for this poem. Throughout Collins poem, he uses extended metaphors to expose the reader to understand the profound thoughts of a poet. Collins also conveys figurative language in reference to Dickinson life that can persuade an effect on the reader when reading a
Obstacles and problems are part of life and everyone has to face them in order to lead a normal life. " Sweat" written by 'Zora Neale Hurston' and "A Rose for Emily" by 'William Faulkner' are the short stories of two ladies from different environments facing the same problem of a rough relationship and disturbed life. Looking into the characters, tone, and plot of "Sweat" and "A Rose for Emily", it can be seen that both the ladies have different approaches to tackle with their tragedies. Emily gets rid of her lover directly and disappears from the world whereas Delia left her husband to die intentionally and gets away from suppression. Emily is kind of anti-hero in "A Rose for Emily" whereas Delia is a hero in "sweat" as she has a positive approach.
The three texts, “The Drummer Boy of Shiloh” by Ray Bradbury, Soldier’s Heart by Gary Paulsen and Civil War Journal by Louisa May Alcott share the common theme of importance of an individual’s contribution during the Civil War. The main character, Joby, from “The Drummer Boy of Shiloh’ contributed to the Civil War by leading the whole army of soldiers into battle. Charley from Soldier’s Heart contributed during the Civil War by volunteering to fight in the war, as a soldier. Louisa May Alcott, the main character and author of Civil War Journal aided the wounded soldiers, as a nurse. Therefore, these three stories all bring the significance of an independent’s Civil War contribution to life.
In the short stories “A Rose for Emily” and “The Story of an Hour,” the authors use literary devices to create vibrant female characters. These literary devices include diction, imagery, language, and sentence structure. “The Story of an Hour,” written by Kate Chopin, opens with a woman, Louise Mallard, who has a heart disease, and her friends must gently break the news to her that her husband has passed away in a railroad accident. She mourns briefly, but then realizes that she can now live for herself, instead of just as someone’s wife. Shockingly, she walks downstairs after fleeing from her friends’ horrible news, and her husband walks in the door.
Jody was Janie’s second Husband. Janie and Jody meet as Jody first arrives to Eatonville, he stop at the store she works at and caught a glimpse of her pumping gas. Janie’s best feature was her long silky black hair which Mr. Straks instantly found attractive. Though Janie was already married she continued on pumping gas and flirting with Mr.Straks. Shortly after Jody’s arrival, he became a well know man throughout the town due to his need for power.
In the short story Sweat written by Zora Neale Hurston, she tells the story of a hard-working woman named Delia Jones and her abusive, cheating husband Sykes. Delia and Sykes are drastically different characters. Delia is an honest, church going woman, who cleans white people 's laundry to make ends meet and Skyes is a low-down womanizer who uses his wife 's income to support not only himself but also Bertha the woman he is having an affair with. After years of putting up with her husband 's mistreatment, Delia finally holds her ground. She defends her job with a skillet.
Upon first look, Billy Collins “Taking Off Emily Dickinson’s Clothes” seems to be a wild fantasy for Emily Dickinson that he is entertaining. Upon closer examination, however, the poem reveals his subconscious desire to have sex with his mother and his frustration about his inability to do so, resulting in the displacement of his sexual desires onto Dickinson. From the beginning, Collins is very detailed with his description. In fact he is quite anal retentive in explaining everything about the encounter. He starts from her outside clothing, “first, her tippet made of tulle” (1) and on through her mass of clothing until finally reaching her “corset” (41).
In “Nightwatch”, a chapter of the novel Pilgrim at Tinker Creek, Annie Dillard guides the reader through an experience with migrating eels, creates vibrant mental images, and involves the readers with her own thoughts. This is all accomplished through the use of rhetorical strategies, namely diction, figurative language, syntax, and imagery; these elements culminate in Dillard’s intense, guiding tone that involves the readers with the eel experience. Diction is vital to creating Dillard’s fervent and guiding tone throughout “Nightwatch.” The use of gruesome and detailed words like “milling… mingling” and “seething… squirming, jostling,” causes the reader to erupt in silent shivers.
In the writing piece “the lady’s dressing room” by Jonathan swift. Swift criticizes the standards that men bring upon women and the pressure that women bring upon themselves to meet those standards. The author conveys his message in various satirical way, including the vivid descriptions of the horrid secrets held within a lady’s dressing room. Swift discourses this issue through a Juvenalian form of satire using hyperbole to target both men and women, along with the use of distortion to emphasize the number of things that women use to look like, what is characterized as pretty, and the shock that men experience when they find out about a woman’s true nature.
The poem that stood out the most while reading this assortment of Emily Dickinson poems, was her poem numbered 656/520. This poem used imagery in numerous ways throughout in order to show the audience the important themes and the overall meaning of this work of literature. The poem’s main theme was about a walk on the beach that the poet encountered in the early morning. Although the poem is about a beach it can also give the audience contextual clues into other aspects of life.
Finally, Dickinson’s spider shall have its messages unraveled. Dickinson’s spider is holding a silver ball that is unwinding as he is dancing seeing happy. It holds a pictures reminiscing upon something in the past. After an hour, the spider is at its end of his journey in life and then proceeds to dangle itself using its silver ball on a housewife’s broom. This ending is by far darker than Whitman’s ending.
Historical criticism strives to cognize a literary work by examining the social, cultural, and intellectual context that essentially includes the artist’s biography and milieu. Historical critics are more concerned with guiding readers through the use of identical connotation rather than analyzing the work’s literary significance. (Brizee and Tompkins). The journey of a historical reading begins with the assessment of how the meaning of a text has altered over time. In many cases, when the historical context of a text is not fully comprehended, the work literature cannot be accurately interpreted.
When writing her personal essay “In Bed”, author Joan Didion intended it for an audience very familiar with migraines, however, it has the potential to be written for an audience of people just beginning to experience migraines. Didion’s use of personal anecdotes, factual information, and inspiring acceptance are all points that can be altered for this new audience. Didion begins her essay with personal accounts of her experiences with migraines, setting the stage for an introduction that relates to newcomers. She describes the suffering in which she endures during her migrains, composed of imagery that brings the reader into her situation. Where she begins with stating that she “spend[s] the day in bed with a migraine”, she could instead present this as a question to the reader.