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Tension In E. M. Forester's A Room With A View

352 Words2 Pages
In the seventh chapter of A Room with a View, E.M. Forester uses characterization to show the tension in the relationship between Charlotte and Lucy. Both the direct dialogue and subtle unspoken actions combine to illuminates Lucy’s character and her dependency of her cousin Charlotte. This tumultuous relationship is ever-changing, and is exemplified by a roller coaster of interactions between Charlotte and Lucy. When the party returned to the carriages, Lucy immediately pours her heart out to Charlotte telling her, “‘Only you can understand me. You warned me to be careful. And I- I thought I was developing’” (A Room with a View, Forester). This direct quote from Lucy shows the reader that despite breaking societal rules in an act of rebellion,
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Capote introduces Bonnie Clutter in such a way the readers might assume she is a mentally unstable woman that remains bedridden and miserable. Bonnie suffers spells of postpartum depression after the births of her four children, and she worries about her children remembering her “as a kind of ghost” (30). Capote describes Bonnie’s room in a way that it is symbolic of her depression, which draws readers to feel sympathetic toward her. Capote starts with, “The room she so seldom left was austere…” and continues to portray her room as “impersonal,” to the point “a visitor might have thought it permanently unoccupied” (29, 30). The impersonal qualities of her room

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In the short story “That Room” by Tobias Wolff the room and what happens in it represents the realization the narrator has about how he has no control of his life. He wants a better life than the one he is living right now. He thrives for greatness in his life but he can only create that greatness in his mind. “I felt the actuality of a life I knew nothing about yet somehow contrived to want myself: a real life in a real world” (Wolff 269). The narrator in this story can’t really do anything about the life his living at the moment, he only wishes to do so.

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