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Arthur conan doyle essay on sherlock holmes
Analysis of sherlock holmes
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Next, the cases of Rebecca Nurse and Martha Corey served as a stark juxtaposition to those prior. Nurse and Corey were not outsiders in society like the others; instead, they were considered upstanding elder women. Moreover, Nurse and Corey strongly opposed the girls’ “antics” and they challenged the investigation, to no avail. In these cases, we see some of the girls’ finest work in producing spectral evidence. Ann Putnam stated, I saw the Apperishtion of gooddy Nurs: and she did immediatly afflect me but I did not know what hir name was then: tho I knew whare she used to sitt in our Meeting house: but sence that she hath greviously afflected me by biting pinching and pricking me: urging me to writ in hir book and also on the 24'th of march being the day of hir examination I was greviously tortored by
Throughout the years of this investigation there have been false accusations of the crime which has made the mystery more complex. When the story of the murder first came out not a lot of evidence was gathered. Many
This proceeding, reference number: t16781211e-23 on December 11, 1678 has two offenders named Nathaniel Russell and John Watson. These two men are being prosecuted for the killing of William Midgley. Both William and Midgley pleaded not guilty in the accounts of murder. They are accused of giving Midgley a “mortal wound on his breast” from which he died days later. There are three witnesses who include: Dorothy Midgley, sister to William Midgley, Elizabeth Symmonds, and Rebeccah Niccols.
On Sunday, November 13, 1842 a double murder occurred at Smith Farm in Old Fields, Long Island. The victims, Alexander Smith and and Rebecca Smith, were a wealthy, well- respected married couple who ran Smith farm. George Weeks, the Smiths farmhand, was reporting for work the monday after the murder and heard the dog barking from the work-shed by the Smiths house. George Weeks then became suspicious since the dog was usually inside with Mr. Smith. George then looked in the house and saw that the east room window was broken and Mr. and Mrs. Smith were lying on the floor covered in blood.
O’Connor’s depiction of the wooden leg in the story is a mild comparison to the amputation of her very soul threatened by imminent death relating to Lupus. To O’Connor her life became ugly and she voiced this matter of fact to Langkjaer in her comments about a self portrait that she had painted that was not flattering or attractive. Just as Hulga was highly educated, Flannery did know that she had high intelligence though she couldn’t spell and wasn’t good at Math. When her once last chance at love before her death was gone, it sparked emotions that had to quickly be dealt with and so O'Connor penned her masterpiece about her pain, her broken heart, her broken spirit and broken soul. Through this experience of loss of love and her imminent decline fo her life to Lupus, the author wrote a story to cleanse her healthy mind of pain and sorrow.
Hope is something people need to get through life. It helps us get through the darkest of times. Hope is powerful, but can become weak and diminish once negative feeling occur. In A Wind in the Door, Madeleine L’Engle uses a character from the prequel of A Wind in the Door and pairs her up with a new character, an alien creature named Proginoskes. The two go on a troubling adventure to save Meg’s brother, Charles Wallace, from a deadly health condition.
Georgiana took note of Aylmer’s displeasure of the birthmark from the dream and through his stealthy stare, causing Georgina displeasure (Nathaniel Hawthorne 114). Aylmer’s further loathing of the birthmark, causes Georgiana to give up for the sake of his happiness. She tells, Aylmer after bringing up the conversation of the birthmark, “Either remove this dreadful hand, or take my wretched life!” (Nathaniel Hawthorne 114). Aylmer could have avoided tragedy, however he failed to listen to his assistant Aminadab, who stated he would “never part with that birthmark” (Nathaniel Hawthorne 114).
The birthmark in Georgiana’s cheek symbolizes that she is a mortal being, and its nature’s way of showing it. Nathaniel comments, “The Crimson Hand expressed the ineludible gripe, in which mortality clutches the highest and purest of earthly mould, degrading them into kindred with the lowest, and even with very brutes, like whom their visible frames return to dust” (646). Nobody gets away from the hands of death; everybody in this world is destined to die at some point. Again Hawthorne provides evidence that her birthmark is the symbol of mortality by writing, “With the morning twilight, Aylmer opened his eyes upon his wife’s face, and recognised the symbol of imperfection; and when they sat together at the evening hearth, his eyes wandered stealthily to her cheek, and beheld, flickering with the blaze of the wood fire, the spectral Hand that wrote mortality, where he would fain have worshipped” (647).
“The Adventure of the Speckled Band” Argumentative Essay In “The Adventure of the Speckled Band” by Sir Arthur Conan Doyle, Dr. Roylott was bitten by the swamp adder, forcing Sherlock Holmes to feel guilty. For numerous reasons, Sherlock Holmes could not have been directly responsible for Dr. Roylott’s death. In the beginning, Sherlock Holmes was paid to protect Helen, along with himself.
The first and most important use of symbolism we receive is that of the birthmark. We learn that, “in the centre of Georgians's left cheek, there was a singular mark, deeply interwoven, as it were, with the texture and substance of her face” (205). Upon further reading Hawthorne tells us that, “Its shape bore not a little similarity to the human hand” (205). Georgiana had a birthmark right in the middle of her left cheek that resembled a tiny hand in which Aylmer thought was very imperfect. The birthmark symbolizes mortality or an imperfection of
In Susan Glaspell's play “Trifles,” there is a difference between the men and women’s way of perceiving evidence to Mr. Wright’s murder case. The men spend most of their time searching for solid evidence upstairs where Mr. Wright's murder takes place. However, the women spend most of their time in Mrs. Wright’s kitchen. Instead of seeking tangible evidence, they inspect the condition of the items and acknowledge how they have been muddled around. Different perspectives lead to a variety of discoveries such as the women’s way of perceiving evidence.
The hand serves as the image of mankind. Aylmer sees his wife’s birthmark as “the symbol of his wife’s liability to sin, sorrow, decay, and death” (2). The way he views the mark on her cheek serves as a reminder that death is inevitable for both him and Georgiana. It contrasts Aylmer’s idea of achieving perfection through science and it disturbs him. When Aylmer dreams of removing Georgiana’s birthmark, he sees that the hand’s “tiny grasp appeared to have caught hold of Georgiana’s heart; whence, however her husband was inexorably resolved to cut or wrench it away,” (3).
A character having an ability to be an influence of fatality is a dangerously powerful trait to have. The victim’s life is placed into the hands of the influencer. This power of fatality can be seen within Robert Frost’s poem, “Out, Out,” when a personified buzz saw cuts the hand off the boy using it. This injury causes him to die. This power of fatality can also be seen in Nathaniel Hawthorne’s short story, “The Birthmark,” a scientist, named Aylmer creates a risky and unreliable potion that was expected to remove his wife’s birthmark but, it ultimately kills her.
Charlotte Perkins Gilman’s “The Yellow Wallpaper” tells the story of a young woman who is battling severe depression. The protagonist is essentially locked away for the summer as a cure for her psychological disorder(s) (Craig 36). Being locked in the house with the yellow wallpaper worsens her mental state and eventually drives her to insanity. Throughout the course of the story, the protagonist’s mental state noticeably declines; she claims there are people in the wallpaper and believes it is haunting her. Several Gothic themes are scattered throughout “The Yellow Wallpaper”; however, the protagonist’s isolation, the presence of insanity, and the occurring idea of supernatural elements are most prominent and can be used to justify “The Yellow
All characters are accused and redeemed of guilt but the murderer is still elusive. Much to the shock of the readers of detective fiction of that time, it turns out that the murderer is the Watson figure, and the narrator, the one person on whose first-person account the reader 's’ entire access to all events depends -- Dr. Sheppard. In a novel that reiterates the significance of confession to unearth the truth, Christie throws the veracity of all confessions contained therein in danger by depicting how easily the readers can be taken in by