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The Apostle Rembrandt Analysis

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I believe we can reasonably understand why Rembrandt chose this Biblical situation with the two characters. What is noteworthy, is his arrangement. The son is the first face we see. By use of his arm, Rembrandt led our eye from him to Saskia, the real reason he is there. From her, we transition back to him; but, in between them we see the other vice. His composition is full of movement and excitement. The line work is busy and almost chaotic. The only straight lines are the sword and glass; however, both are tilted.
The attention to the fine detail is clearly baroque. Three notable examples. Close examination of the plume in his hat. He could have presented a feather with a few strokes; but, he gave us light detail on a dark background. One …show more content…

Except for Christ, one of the most influential individuals in the early Christian church. This; however, is not how he started. Saul was a well-educated devout Jew. As recorded in the Acts of the Apostles, he aggressively and violently persecuted the early Christians. It wasn’t until his conversion on the Damascus road, detailed in Acts of the Apostles, that he was an entirely changed man. The transformation was so life changing that he was given the new name of Paul. The core of the story is hope, no one is beyond redemption. Rembrandt was very familiar with this story as well as its multiple facets. Christopher Braider in his Review: Rembrandt Agonistes, states, “by identifying himself with St. Paul in the late Self-Portrait as the Apostle Paul, Rembrandt identifies his art with the darkly distorting "glass" of 1 Corinthians” . As we will discover, this statement is underscored by the use of color and …show more content…

Comparing his palette for each work, he moves from lively, almost an optimistic mix of colors. In the Prodigal Son, the colors are high value, as Rembrandt style goes. The paints are almost glowing and support the appearance of movement. Furthermore, they establish presents and add to the energy of the painting. On the contrary, as the Apostle Paul, he has embraced a darker palette. He distinctly moved away from higher values to a much lower set. The pigment choice is more muted and substantially less

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150 Words | 1 Pages

and he tried to reform one’s conscience to the word of God. Carson explained what it takes to become an apostle and showed how Jesus impacted Paul’s life. Paul understood when he became saved he was transformed by the blood of Jesus; however, he understood the need to be flexible for winning souls. Paul realized the need to be like others to gain access to people for the sake of evangelism. Paul understood

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794 Words | 4 Pages

It is no debate to say that Saul had a traumatic past, and he seemed to have a fresh start when he entered St. Jerome’s

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809 Words | 4 Pages

For example, when Poe states, “The wine sparkled in his eyes and the bells jingled. My own fancy grew warm with the Medoc. We had passed through long walls of piled skeletons, with casks and puncheons intermingling, into the inmost recesses of the catacombs. I paused again, and this time I made bold to seize Fortunato by an arm above the elbow” (64). He is showing the fine details of different objects and sceneries from the story.

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521 Words | 3 Pages

First Chronicles 10:13 states that “So Saul died for his breach of faith. He broke faith with the Lord in that he did not keep the command of the Lord, and also

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660 Words | 3 Pages

He completed 18 painting before the king’s mental state of mind and suspicion questioned West’s political loyalties which ended the project. The colors that Mr. West used in the painting are dimmed and dull with the exception of a white gown worn by a woman in the center of the painting (I will elaborate on that later). The color palette that he choose I believe was to show that atmosphere of doom and gloom for the passing apocalyptic flood that just cleansed the land of sin. The brush strokes that make up the human figures are thin and almost invisible to the naked eye.

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1133 Words | 5 Pages

Everyone has a favorite shirt, they adore the way the color complements their skin tone or 1their hair or eyes. Maybe the shirt is even their favorite color, or a mix of colors. Since people have been wearing clothes, painting pictures, or decorating their homes and objects; colors have been involved. The blending of dyes and the mixing of pigments creates beautiful patterns and expresses people’s personalities and emotions. The use of color plays a big part in the story The Great Gatsby by F. Scott Fitzgerald, from the bright colors of the wealthy and beautiful to the drab colors of the poor and destroyed.

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829 Words | 4 Pages

No one denies the fact that the Misfit is a murderer. Like Saul in the Bible, God changed his name to Paul. Saul, before he become Paul was torturing and killing all Christians. The Bible tells us that on his way to Damascus to prosecute Christians, Jesus met him and “he fell to the ground and heard a voice say to him Saul, Saul why do you persecute me?”(New International Version Acts 9:4-5). This marked the moment of grace for Saul to become “Apostle Paul”.

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1676 Words | 7 Pages

The usage of curvilinear lines emphasizes the rounded shapes within the painting and the model’s moment of reflection. Fragonard uses curved lines to cause the viewer to lean in and look deeper to find the lines and shapes created by the subject, her dress, and her mirror. These flowing lines are seen in the background which gently fades from a deep blue sky to pale white clouds behind the allegorical Prudence. Rather than distinguishing fields or levels of sight, the lines

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1035 Words | 5 Pages

The artist’s work in the baroque period often resemble dramatic artworks that sought to draw the viewer into the image, also images employ high contrast of light and shadow as well as a fluidity that were absent in Renaissance art. Baroque creates a strong sense of liveliness, spirit and attraction. And the churches of the baroque churches tend to be richly decorated and the elements in the structure are used more freely than Renaissance. An iconic artist in the renaissance period was Leonardo da Vinci intended to further perfect the aspects of pictorial art (lighting, linear and atmospheric perspective, characterization and foreshortening, anatomy) that had preoccupied artists of the Early Renaissance, His adoption of oil paint as his primary

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752 Words | 4 Pages

giving the painting a cartoon feel by emphasizing the onomatopoeic lettering in a yellow box, showing that the plane has blown up. This painting includes warm colors such as a vibrant red and yellow as well as neutral colors like gray, white, and black. Lichtenstein’s colors and the use of natural colors are very predominant in his work of art. He uses a sense of contrast between dull and vibrant colors to emphasize the importance of what’s going on and where the focal point is.

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248 Words | 1 Pages

All animals need energy to survive, but every animal gets the energy they need in different ways. The movement of energy flows through a community is depicted as a food chain or food web. Food chain and food web are different; however, both show the direction of energy flow from one organism to another. A food chain is a simple model of the relationships that allow energy to pass through an ecosystem, while a food web is a collection of a food chain that shows a variety of possible energy flow path.

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900 Words | 4 Pages

His approach to color was both individual and systematic: “Marc also devised a color symbolism to modulate the moods of this flow: blue was ‘severe’ and ‘spiritual’; yellow, ‘gentle’ and ‘sensual’; red, ‘brutal’ and ‘heavy.’” (Hal Foster et al., p. 99) This language is represented in his Large Blue Horses (1911) through the titular blue horses, the red mountains, and the yellow ground. Marc brings color to its most elemental, favoring primary colors and using instinctive associative meanings.

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1043 Words | 5 Pages

The Baroque period covers one hundred and fifty years from 1600 to 1750. Its characteristics tend to include, lavish, over the top, expensive and much more then necessary. The period is painted literally with architecture, paintings, clothing, food and much more that continuously begs people of today to ask ‘why?’. The use of frill and extravagance in art in this period has become less of a question of ‘why’ and more of a question ‘where is the extra?’, because this part in history is centered around adding extra ornamentation to everything. With such an over the top part in history, it would seem impossible to pick one piece that could embody every aspect of the Baroque Era but it is to be proven that one piece has such potential.

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744 Words | 3 Pages

Besides Jesus, Paul, who called himself as an Apostle, was influential in the beginning of Christianity. People even claimed him as the “founder of Christianity”. Paul was the one that brought Jesus’s message to the world. He went on three missionary journeys, and the fourth journey to Rome in order to spread Christian faith and the development of its various institutions. In addition of his responsible of geographically and culturally expanding Christian movement, he also extended it as well as ethnic lines.

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554 Words | 3 Pages

In art, color is very personal and subjective, and gives different meaning to different people. However, in this Van Gogh piece, it is clear what the colors are used for. The blue found in the man’s overalls suggests uneasiness, melancholy and distress. Blue is unanimously associated with sorrow, and it is clear that in this piece, the subject is suffering immensely. The color is used to compliment the feelings the audience perceives from this artwork.

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