The main theme of the play The Archaic, Looking Out, The Night Knight proposes to co-habitation of two coded and clearly distinct forms of research and composition.
After several years in art galleries, it began to be obvious that I needed to return to the process in the studio to improve the work.
It was at this time that I occasionally developed the piece, having access to studio time to settle and organize content.
It might help to mention why the direction and need to put the body in space and time which emerged in the context of art galleries.
We define a "Live installation" as an installation activated by the physical presence of a body. A body that performs, moving towards a state of physical presence and density (installed body) as
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The Archaic - the archaic, comes from facilities that dealt in receiving information modus about operandi of a behavioral be "pre-social" of the human being, where the instinctive brushed with the social construction of being with their environment community engaging in civilization (located on an understanding of the bodies inhabiting time round the Middle Ages). Looking Out - look out, was a consequence of the inability to understand who are the most recent generations. Hence the solution found was simply observe of views Idiot, which celebrates in court the privilege and freedom to say to the king / other without being punished or offend. The Night Knight - the nocturnal rider is inspired by the presence of Joan of Arc, a body metaphorically without gender-shifting, which is invented, bodies walking in the deconstruction of the past and present patterns.
This proposal contacts with other works because from essentially contemporary dance, turn to improvisation as a means to generate and invoke content. By resort to multidisciplinary cross between means to seek "other" relationships or prospects between forms of connection, to write, suggest, compare, experiment materials, etc. that will communicate through narrative storytelling not the final object