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The Bop And Bebop Era

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Recommended: How historians think bebop changed jazz

Faith Eleby-DR. KEAST
JAZZ, POP, ROCK

The Bop and Bebop era was filled with a variation of things that contributed to its success and flourishment. The Bebop era was based on nonfunctional music it was either played at a very fast or very slow pace, neither paces allowed its listener to dance. Bebop was mainly for the artist satisfaction of difficult rhythmic changes; its focus was entertainment. Bop was also known for its fantastic artists like Charlie Parker and Dizzy Gillespie, it was also ideal because of the location of a performance.
Where did Bebop get its name? Around the 1940s musicians particularly African-American wanted to divert from the formal structure of the Swing style. This movement was later renamed Bop or Bebop. Bop …show more content…

Charles Parker Jr. born on August 15, 1920 grew up in Kansas City, Kansas, he was known for his nickname “Bird” or ‘’Yard bird’’. He was one of the most influential people of the Bebop era, because of his iconic way of playing the saxophone. When he was a young boy he quit school to pursue his dreams in the music industry, in his early career he rejoined Jay McShann’s band where he made his first recording in the year 1940. In the year 1945 he made his debut with his own band playing alongside Dizzy Gillespie, both started to develop a new innovative style of playing music which was known as …show more content…

Officially born John Burks ‘’Dizzy’’ Gillespie born on October 12, 1917 in Cheraw, South Carolina. This legendary figure was known for playing the trumpet, his horn had accidentally received quite a unique bend to it, but he never got it repaired because he admired what the newly found sound, sounded like. In the 1930s, he played for the band Cab Calloway including members being Duke Ellington, Ella Fitzgerald, Billy Eckstine, and Earl Hines. Dizzy Gillespie and Charlie Parker are named as the founders of the Bebop movement, when playing together they fit together like a puzzle piece. He was a co-founder of Afro-Cuban jazz. As a young boy, youngest of nine he started playing trumpet at the age of the 12. He was accepted into the Laurinburg Institute in North Carolina, but later dropped out of school to pursue his dreams of being a musician. One of Gillespie’s inspirations was Roy Eldridge who he was greatly influenced he soon gained the fresh nickname of ‘’Dizzy’’. Dizzy Gillespie died January 6, 1933 of Pancreatic Cancer in Englewood, New

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William Henry Webb, better known as Chick Webb, was born February 10, 1905 in Baltimore,Maryland. He was born with a condition in his back called spinal tuberculosis which led him to have poor health his entire life. Webb was a small hunchback man with great musical talent that people called an “unconquerable spirit”. He was one of the greatest jazz drummers of the Harlem Renaissance and still influences jazz drummers today. As a child, Webb had really stiff limbs because of his condition so his doctor suggested he play an instrument to loosen up.

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Due to an unfortunate heroin addiction, Morgan was forced to leave the group in 1961 because he had become unreliable and his playing began to suffer. After this brief low point in his life and career, Morgan bounced back with ‘The Sidewinder.’ The title track of this 1963 album became his largest commercial success, reaching the top twenty-five on R&B billboards. The album itself is of great importance to Lee Morgan’s career and to the development of jazz. Before ‘The Sidewinder,’ almost none of the songs used on Lee Morgan’s albums were his original compositions.

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Bryan Huynh Music 2310.720 Jazz, Pop, and Rock Dr. Keast 25 July 2014 The Father of Jazz Charles Joseph Bolden was a contemporary African-American cornet player; he was a key inspirational contributor to the jazz style, which earned him the title: the "Father of Jazz." By 1895, when Bolden was merely 18 years old, he led his own semiprofessional band. His nickname was “King Bolden,” and the band he led was extremely popular in New Orleans during the years of 1901-1907. Before Bolden’s boom and bust, the term “jazz” was rarely used to describe music; afterwards, the musical style became extremely prominent.

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The first artist that was an important figure of the 1920’s was King Oliver because he created the first piece of jazz music and it was called the “Dippermouth Blues” and he was a leader of the band that created this popular song. King Oliver was also known for being the best jazz musician of the 1920’s and the song the “Dippermouth Blues” according to the article “Music Played in the 1920’s Popular Music from the 20’s,” “it was the first song with a fully developed trumpet solo.” Jazz affected his life because he was offered another position in New York City but realized that he was disappointed with the starting pay and turned down the job. The reason he left jazz music was because of his failing health and he was not able to come back to the world of jazz music. According to the article “The Jazz Age,” “Joe

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All these attributes easily lifted Armstrong's fame until it surpassed his predecessor. Another great trumpet player that (literally) shaped trumpets’ place in jazz was Dizzy

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Richie started playing alto saxophone when he was 10 years old in his home town of Trenton, New Jersey. Influenced by Sonny Rollins and Charlie Parker, Cole’s talent and dedication won him a full scholarship from Downbeat Magazine to the Berklee School of Music in Boston. His professional career began in 1969 when he joined the Buddy Rich Big Band. And after stints with the Lionel Hampton Big Band and the Doc Severinsen Big Band, Cole formed his own quintet and toured worldwide, doing a great deal to popularize bebop and his own “Alto Madness” style in the 70’s and early 80’s. Cole has performed and recorded with the great vocalese artist Eddie Jefferson, the Manhattan Transfer, Bobby Enriquez, Freddie Hubbard, Sonny Stitt, Art Pepper,

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Being engaged in constant conflict is never a good thing. In S.E. Hinton’s The Outsiders, it is no secret that the Greasers and the Socs do not like each other. Main character Ponyboy states, “I’m not saying that either Socs or Greasers are better; that's just the way things are.” (pg.3) This novel is all about two groups of teenagers, the Socs and the Greasers, who loathe each other.

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Armstrong started to draw attention by his cornet playing, thus the start of his music career. According to biography.com, it states, “On New Year’s Eve in 1912, Armstrong fired his stepfather’s gun in the air during a party and was arrested on the spot. He was then sent to Colored Waif’s Home for boys. There, he received musical instruction on the cornet… Armstrong began earning a reputation as a fine jazz player.”

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Jazz is most often thought to have been started in the 1920s as this explosive movement, but that is in fact not the case. Starting in the late nineteenth and early twentieth century many African American musicians have started to explore their taste in improvising, and where better to do that than New Orleans (Anderson). Before the 1920s these jazz musicians have already been going around sharing the unique sound, but up until then, jazz had remained majorly in New Orleans. Interestingly during this period, a common jazz band would consist of a cornet, a clarinet, a trombone, and a rhythm section when at this period of time the clarinet is not commonly associated with being a jazz instrument, it moved into being the saxophone rather. A big

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“A major figure in the history of jazz music, his career spanned more than half a century, during which time he composed thousands of songs for the stage, screen and contemporary songbook. He created one of the most distinctive ensemble sounds in Western music and continued to play what he called "American Music" until shortly before his death in 1974.”(Biography.com). Duke ellington was born in , Washington, D.C on April 29, 1899 to his two talented, musical parents where they lived in a middle-class neighborhood of Washington D.C. Being raised in a musical family Duke ellington began playing piano and composing music.

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One stereotype talked about by Gillespie was that, “only beboppers wore beards, goatees, and other facial hair and adornments.” (Walser, 157). Gillespie had an issue with this because when he shaved it the stubble that grew back made it uncomfortable for him to play with his mouth piece (Walser, 157). Dizzy therefore decided to grow it out to prevent the mouth piece problems and he liked the fact that it attracted the women around him (Walser, 157). Another stereotype was that, “beboppers spoke mostly in slang or tried to talk like Negroes.”

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Introduction: John Birks Gillespie, better known by his stage name Dizzy Gillespie, was an American jazz trumpeter, composer, and bandleader. Gillespie is regarded as one of the most important jazz performers of the 20th century and was crucial to the growth of the bebop jazz movement, which began in the middle of the 1940s. Gillespie recorded and wrote hundreds of songs over his career, many of them are now regarded as jazz standards. Early Life and Musical Beginnings Dizzy Gillespie was born and raised in Cheraw, South Carolina on October 21, 1917. He was the youngest of nine children and at the age of 12, Gillespie started playing the trumpet and soon displayed musical potential.

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Initially, bebop jazz was characterized by significantly more complex chord progressions and melodies with a strong focus on the rhythm section. Although the irregular and unpredictable lengths of solos and increased sophistication made the music less suitable for dancing, it was nonetheless entertaining. Jazz had gained higher respect from a widestream audience, as it was no longer just dance music. Bebop lasted well into the 1950s, and the next stylistic revolution came during the revolutionary decade of the 1960s: fusion. Jazz fusion came into fruition when musicians combined aspects of jazz harmony and improvisation with styles such as funk, rock, rhythm and blues, and Latin jazz.

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Thus rebelling against the existing structures in the jazz world. The first notable style “bebop” was so difficult for white musicians to copy and too intricate for dancing, forced audiences to sit up and listen and take note of who and what was being played. It was an underground movement not seeking commercial success but rather seeking another type of gratification, self expression. The musicians development of the improvised solo was a crucial vehicle for their self expression and the key feature of the style. Jazz being one of the few public forums for African American self expression, allowed musicians a platform to speak to their audiences and to transcend the barriers they faced in society.

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