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Essays on cultural identity
Immigrant narrative essay
Essays on cultural identity
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More handpicked essays just for you.
Essays on cultural identity
Immigrant narrative essay
Essays on cultural identity
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essays on cultural identity
The book I am reading is Enrique’s Journey by Sonia Nazario. I predict that the author will explore the human rights issue of Immigration Laws and the plight of illegal aliens in the United States. I believe that this issue will be important in the story because Enrique the main character in the story is very driven to find his mother who has gone herself illegally to the United States to earn money to provide an education for her children and to better the life of her family. I made this prediction because Lourdes leaves her children in Honduras as she goes to make money in the United States and her son Enrique is left saying “Donde esta mi mami?” “Where is my mom?”
Humans rarely change their ways; they stay in their own worlds and always interact with the same types of people. Unfortunately, this habit often creates unseen barriers that divide and alienate human beings from one another. In Luis Alberto Urrea’s book The Devil’s Highway, Urrea provides a personal perspective to immigration by telling the story of 26 illegal immigrants, known as the Wellton 26, who are abandoned as they cross the Mexico-U.S. border. Through their story, Urrea proves there are invisible borders among people that create prejudice, such as language, ethnicity, and economic status. By reading The Devil’s Highway, it is clear that these barriers must be broken down to ensure harmony within society.
Introduction Informative, contemplative, and different are three words to describe “How Immigrants Become ‘Other’” by Marcelo M. Suárez-Orozco and Carola Suárez-Orozco from Rereading America. “How Immigrants Become ‘Other’” talks about unauthorized immigration. More specifically, this source talks about the other side of the issue of unauthorized immigrants; the human face of it all. “How Immigrants Become ‘Other’” depicts the monster from one of Jeffrey Jerome Cohen’s thesis in the article, “Monster Culture (7 Theses).” The monster seen in the source “How Immigrants Become ‘Other’” is the one that Cohen talks about in his fourth thesis, “The Monster Dwells at the Gates of Difference.”
Chavez examines the assumptions made by the media and the public by drawing in sources like magazine articles and illustrations to provide the audience with exactly how these accusations are made and shared with the public. Chavez questions what it means and what it takes to be considered an American citizen and how Latinos, particularly Mexicans, have many things stacked up against. There are no doubts that the number of undocumented immigrants has steadily increased each year. Leo R. Chavez argues that because of the rise in the numbers, it makes it easier for the media to assume that undocumented immigrants, particularly Mexicans, are a threat to our nation through an invasion. Chavez’s idea of a Mexican reconquest is developed through something he calls the Quebec model.
Both readings claim that Hispanics are here to stay, but with opposing views on how this affects society. One place where Hispanic presence is on the rise is in schools. However, some Hispanic students know more Spanish than English, and therefore struggle in school. This idea of exemplifies the stereotype that Hispanics are “dumb”.
Immigration is deeply rooted in the American culture, yet it is still an issue that has the country divided. Marcelo and Carola Suarez-Orozco, in their essay, “How Immigrants Became ‘Other’” explore the topic of immigration. They argue that Americans view many immigrants as criminals entering America with the hopes of stealing jobs and taking over, but that this viewpoint is not true. They claim that immigrants give up a lot to even have a chance to come into America and will take whatever they can get when they come. The Suarez-Orozco’s support their argument using authority figures to gain credibility as well as exemplification through immigrant stories.
Many stories embody the cultural aspects of Mexican-Americans and their struggles with living in a discriminatory society. Stories like With
Cofer addresses the cultural barriers and challenges that Latinos experience through emotional appeal, anecdotal imagery, parallelism and the use of effective periodic sentences. In her article, Cofer assesses the difficult cultural hurdles of Latin Americans with emotional appeal. She provides insight on her cultural barriers by first conveying the way she had to dress and her struggle, as it shows in this piece of text, “That morning I had organized… which to base my decision” (Cofer 5). This poignancy works to stress an agonizing feeling of uncertainty and restraint towards the author.
On September 11, 2001, tragedy struck the city of New York. On that fateful day, two airplanes were hijacked by terrorists and flew straight into the twin towers. Each tower fell completely to the ground, taking thousands of lives with it and injuring thousands more. Not only did that day leave thousands of families without their loved ones, it also left an entire city and an entire country to deal with the aftermath of the destruction. Poet, Nancy Mercado, worries that one day people will forget that heartbreaking day.
“The virtual personas of Latino immigrants (represented as a threat to the nation) make the authority that has accumulated for real immigrants in their role as workers and consumers vanish” (Chavez 47). In the public eye Latinos are depicted as noncompliant and dangerous citizens and noncitizens of the United States. “The virtual lives of ‘Mexicans,’ ‘Chicanos,’ ‘illegal aliens,’ and ‘immigrants’ become abstractions and representations that stand in the place of real lives” (Chavez 47). It is depressing to understand that the majority of the United States strictly sees Latinos as these distorted images. At the end of the day each individual’s life matters, we all need to become more compassionate for one another.
The majority of illegal immigrant’s chances for success is limited. It is more likely for people who have already been successful in life to achieve their dream than those have not had the chance to. The Tortilla Curtain illustrates the hardships and the discriminations illegal immigrants face with higher class Americans. The coyotes symbolize the immigrant’s lifestyle and how they are viewed with disdain and mistrust. The Arroyo Blanco community presents those who view the immigrants as such, and how difficult it is to break down ignorance barriers to be accepted into it.
A texan woman, named Sandra Bearden was looking for a maid to complete housework and look after her son, so she traveled into a poor village in Mexico and met Maria. Maria, being only twelve years old, saw this as an opportunity to move to the U.S. and receive better education which produced a better life. Sadly, Maria’s dreams were crushed because Sandra began to take advantage of her both physically and mentally. Her punishments for not working included: pepper spray in the eyes, a bottle broken against her head, jamming garden tools up her private areas,
The Myth of the Latin Woman: I Just Met a Girl Named María is an essay by Judith Ortiz Cofer that addresses the impact of stereotyping on Latino women. Throughout the essay, Cofer relates her personal experiences with stereotypes to discuss how they have negatively affected her life and the lives of other Latinas. She also explains how these stereotypes originated and calls on her audience, the majority-white non-Latino population, to stop propagating the stereotypical portrayals of Latino women. In The Myth of the Latin Woman, Cofer speaks out about how stereotyping hinders the process of assimilating to a new culture by appealing to ethos through her personal experiences, using similes that show how stereotypes create isolation, and adopting
The prestigious citizens throughout Arroyo Blanco look down on the immigrants and consider them as weak and useless. They perceived them as they are nothing and unhuman like creatures. The wealth believe minorities and immigrants cannot do anything such as read, write, work, or educate themselves. The majority considers the immigrants as wild animals that are dangerous to the community. “The ones coming in through the Tortilla Curtain down there, those are the one that are killing us.
As a young child, after being told of how poor her houseboy Fido was, Adichie did not believe his family could also be hardworking. “Their poverty was my single story of them. ”(Adichie) She also details how later, on a trip to Guadalajara she was overwhelmed with shame because her only image of Mexicans was the “abject immigrant” due to the “…endless stories of Mexicans as people who were fleecing the healthcare system, sneaking across the border, being arrested at the border, that sort of thing.” (Adichie)a She was caught by surprise when she saw Mexicans happy and at work in the marketplace.