Brian Bosworth was a standout football player at Oklahoma, supposedly the next Dick Butkus. He was a three-time first team All American, two time Butkus award winner along with being a two-time Academic All-American. Bosworth led his team to three straight Orange Bowl appearances, and played in National Championships, winning one in 1985. ( Big12Sports, Big12sports.com) Bosworth was one of the most feared college football players to ever step on the field. He is debated as one of the best college football players ever with his nose for the football and the impact he made on every play, but debated as one of the biggest NFL draft busts ever.
The poem is composed of eighteen stanzas, each containing six lines and employing the rhyme scheme AABB. This structure creates a feeling of monotony and builds tension as the narrator descends into madness. The repetition of the word "nevermore" at the end of each stanza emphasizes the narrator's despair and creates a sense of foreboding. Furthermore, the use of symbolism, such as the raven, contributes to the poem's sense of mystery and uncertainty. The bird's ominous presence and the narrator's reference to "Lenore" leave readers to interpret their significance, adding to the poem's overall effect of suspense.
Throughout this story you hear the voice of an omniscient narrator telling you everything that is going on. The narrator knows what the characters think and say, even giving insight into what the characters
The last line of the stanza, and poem, repeats the same structure of the previous stanzas’ last lines, it is shorter the other lines of the lines in the stanza and it finishes the sentence started in the second line. The last line of the poem brings in another element, water “by unwilling waters”. (155). Water is the opposite of the other fire, but not necessarily the opposite of destruction, the theme throughout the
Unexpected breaches of trust are a recurring theme in Toni Morrison’s Song of Solomon. For example, Milkman attempts to plunder Pilate’s house, despite his close connection with and adulation for her, to cater to his selfish desire for gold. Similarly, Guitar nearly murders Milkman due to his delusions and his own ambitions to obtain the gold. However, one instance of this idea is arguably the most prominent: Macon’s discovery of Dr. Foster’s foibles, and the incestuous relationship between Dr. Foster and Macon’s wife, Ruth. Through the drastic changes in Macon’s personality this leads to, this subplot demonstrates the effects of a betrayal of trust.
The opening paragraph of Sing, Unburied, Sing, reveals the backbone of the novel and it gives readers an insightful manner in how the rest of the novel will progress with the turn of every page. Jojo’s bold claim about death in the first lines, makes death a prominent theme that the characters cannot escape from and it becomes an important sustenance to each of them as they face their personal demons that plague them constantly throughout the novel. The reoccurring theme of death presents a larger and deeper subject matter that goes beyond the traumatization of losing a loved one to death. The first paragraph in addition gives readers a clear picture of Jojo as a character. Similar to The Bluest Eye, Jesmyn Ward presents readers with the set-up of the novel with only a few words from one of the main characters.
The multiple stanzas that all end with “more” (1) create a certain type of suspense that changes depending on the word that is before the “more” (2). The use of multiple sentences in stanzas makes the poem longer but also gives the reader more time to speculate what will happen next, which creates suspense. The use of the five different parts of a story is used in the poem. This makes the poem longer but it also makes it more interesting as there is a lot of
The desire to escape can be overwhelming. Such desires are present in the common African American folklore about “the flying Africans”, where a select few enslaved Africans are able to escape from slavery through their ability to fly. Escapist desires such as those are also present in Toni Morrison’s novel, Song of Solomon. Morrison’s, Song of Solomon, follows the path of one such family of “flying Africans” as they discover their family history and their abilities of flight. She utilizes the motif of flight to prove man’s escapist desires in regards to the avoidance of responsibility, abandonment of women and freedom from burdens of racial inequality.
The title of the poem informs the reader from the start that this will be a story told between two people, Hazel, the storyteller, and her friend LaVerne, the listener. Furthermore, it sets the informal tone of the poem and
The purpose of the chorus is to be the mediator between every character and to, in a way, be the voice of the audience on stage. The part of the play when this is said is during the first conversation between Medea and Jason. Their love for each other began to wilt when Jason decided to marry the princess of the country to which they fled. The anger Medea feels towards Jason is one that can only truly be felt. A fire fueled by betrayal, a sense of having been shattered and tossed into the sea.
“Power tends to corrupt, and absolute power corrupts absolutely” said historian Lord Acton. In Sophocles’ Antigone, Oedipus the King of Thebes newly departs after disgracing his people, and his successors to the throne, Polynices and Eteocles die in battle, thus leaving his brother Creon to inherit his throne. From the beginning, Creon uses his newfound power to impose excessive punishments against not only the people of Thebes, but also his family. As a result, the Thebans recognize his abuse of power, and express their fears through not only the chorus, but also his son. To finalize his play, Sophocles exposes how Creon uses his power to manipulate the hierarchy in Greek society; consequently offending the gods.
A Chorus Line was different from any of the plays that we had seen during the semester, given that it was a musical. This is definitely what I am more accustomed to from watching my friends through the years preform this style alone essentially as well as my sister playing any Broadway musical soundtrack she could get her hands on for weeks on end. This felt so drastically different from anything else we had seen in the semester because it seemed that there was no end goal or resolution, it just ended. Sure, a handful of characters grew but a lot was left to the imagination at the end of the play. One thing that always sticks out within a musical are the songs itself.
“Mankind can have no better quality, than foresight and a prudent mind” (Sophocles, Electra, 987-989). The Chorus plays a very important role in Electra. The Chorus they not only help the audience to understand the events and the characters better, they also offer advice and guidance for the characters, such as mentioned above, they are trying to convince Electra not to go with her plan of killing. The Chorus also help to have a sane and
The first of these two lines is a quatrain that highlights the bold eyes of a dancing girl. Additionally, the rhyme scheme is CCDD. A couplet comes after this quatrain and is followed by a quintet. The lines within the quintet include names like “Eve”, who serves as a biblical allusion, and Cleopatra, who serves as a historical allusion. Hughes purposely juxtaposes the “dancing girl” in the quatrain with two prominent women figures to illustrate the transformative effects of jazz.
Then you add a chorus and a bridge to completely tell your story. The most important part to any song is the chorus. The chorus is the part of the song that is repeated after each verse. The chorus is the part of the song that gets stuck in most people’s head, it is the catchy part. The chorus can make or break a song.
