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Vampirism In Wuthering Heights

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One reason Wuthering Heights has become interesting to scholars in the context of vampirism is its connection to the latest literary vampire phenomenon, Stephenie Meyer 's Twilight saga (2005-2008). The main character Bella reads the novel, relating her situation to the events in it, and thereby invites the reader to do the same. This reference has been used by the publishing company HarperCollins to republish Emily Brontë 's novel with a Twilight themed cover design, advertising it as “Bella & Edward 's Favourite Book” (Murnane 159). There are some remarkable parallels between both novels, and the comparison illustrated the changes vampire narratives have undergone since they were introduced to the literary world by Polidori.
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After having attained great success as a theatre play, Universal Studio shot the first movie version of Dracula (1931) starring Bela Lugosi as Count Dracula, who had been part of the stage adaptation as well. The native Hungarian Lugosi added the long, black cape to the Dracula iconography, as well as his strong Easter European accent. Recognizing the potential of the vampire subject matter, the Hammer Horror corporation released a number of movies based on Stoker 's novel and titular character. Their success was short-lived as the audience soon grew bored with the repetitive movie concept (ibid.). Again, a reinvention of the vampire was necessary. This time it was brought about by a wave of vampire narratives most famously represented by Anne Rice 's Vampire Chronicles. It is a narrative difference which characterizes these books, rather than a different depiction of the vampire and its traits: vampires were introduced as protagonists. Scholars have explained this new desire to identify with the vampire as an identification with the outsider, asserting that “[t]he vampire offers a way of inhabiting difference with pride, for embracing defiantly an identity that the world at large sees as 'other '” (Williamson qtd. in Murnane, 154). Meyer 's novel follows this new tradition of the 'modern vampire ' to some extent, but the following analysis will show that in some ways, she pushes the development of the vampire further into postmodern

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At first glance, the novel Dracula by Bram Stoker appears to be a typical gothic horror novel set in the late 1890s that gives readers an exciting look into the fight between good and evil. Upon closer inspection, it becomes apparent that Dracula is a statement piece about gender roles and expectations for men and women during the Victorian age. Looking at the personalities, actions, and character development of each of the characters in Dracula bring to light startling revelations about Victorian society and how Stoker viewed the roles of men and women during this time period. To really understand Dracula, it is important to note that this novel was written during a time “of political and social upheaval, with anxieties not just about the

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A myth is a false belief or idea. It is usually held within an old traditional story or it is a way to explain a natural or social phenomenon, typically involving supernatural creatures or events. Myths are stories of transformation. Many people are surprised to learn that ancient myth was often at least as violent, if not more so, than the mayhem of our modern fantasies. For example, The Godfather, and its companion, Godfather II, have been justly praised for excellence in such technical matters as acting and direction; their popularity is enhanced by less pleasant preoccupations: a lust for violence accentuated in recent years; an obsession with the details of organized crime; a cynical belief that only small distinctions separate lawless behavior from ordinary business practice.

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The four pieces of literature to be compared in this comparison are Dracula by Bram Stoker, Bram Stoker’s Dracula (1992) by Francis Ford Coppola, Nosferatu (1922) by F.W. Murnau, and Dracula (1931) by Tod Browning. In these works of fiction, there are answers to what it would have felt like to be a vampire, what it would have felt like to have a vampire in one’s life,

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