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The Crucible Act 2 Scene 1 Analysis

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High key lighting is used in this scene during the moment where the slaves begin to bathe themselves before being auctioned. McQueen uses this lighting to exhibit the setting they are in. The light highlights there features but does not over enhance their bodies. Rather the lighting is full but drab, in that it does not show contrast or much difference in each of the persons. This use of high fill light allows the viewer to see the area in which they have been put in, but does not provide detail. McQueen utilises this to focus onto the somber fate that has been imposed onto them. This high key lighting seems counterintuitive during such a powerful part of the movie. However, the filling light makes the situation even more captivating. Another way McQueen displays lighting is by using edge light. His utilisation of this light on different characters adds a more impactful and serious nature to each frame. In the scene where the Mr. Freeman shows the buyer, a man in a white suit, …show more content…

The compositional framing is stressed during the part where Mr. Ford selects Platt and Eliah. During this part, the slaves are centered in the middle of the frame but are placed behind Mr, Freeman and Mr. Ford. This type of framing is even more stressed when Elisha fights back to protect her children. By centering her in the middle of the frame, the focus is drawn to her, while the language and presence of the two men are featured as well. Another great use of this framing is when Platt is given the violin to play while there is yelling and commotion going around. This scene is dramatic, because on the left side of the screen Platt plays the violin vigorously, in the center Mr. Ford stands, and on the right side there are a few slaves, who remain emotionless. However, by centering Mr. Ford in the frame and blurring out the sides, it is able to draw attention to every movement and expression of his body and

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Mr. Burns has multiple instances of the lighting affecting the overall mood of the play. As previously mentioned, the first act has a generally somber mood, and the lighting of the first act is very tactically dim. The lights would shift to focus on the speakers but would strategically be low so that our main focus was on the actors and not everything around them. The second act requires a lot from the set so there are a lot more lighting, and it’s a lot brighter all across the board. The third act has more serious tone so the lighting is brighter than the first act but very minimal.

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Act 4 Reader’s Response When I began reading act four of The Crucible, I hadn’t developed strong feelings, positive or negative, about any characters. There were certain people I didn’t necessarily like throughout the first three acts, but there was never a point when I became extremely frustrated with any of them. In this act, that wasn’t the case. Deputy Governor Danforth proved to me as act four progressed that he wasn’t concerned for the people of Salem, he was concerned about not allowing himself, the government or his God look weak. I discovered how his reputation became more important to him than standing up to the hysteria and saving innocent lives.

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In the movie, Edward Scissorhands, Tim burton uses low-key lighting when Peg meets Edward for the first time in a castle. Edward was sitting in a dark corner and there was just enough light to see his face but not his clothes. This shows the amount of loneliness of Edward and that he was sad and frightened but also willing to make a friend when he approaches Peg. Also, in the movie, Charlie in the

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The use of background light was an important focus in this picture, there was less attention to lighting the actors faces but in almost every frame there is well placed background light often combined with a moving light source. Repetition was also evident within the visual composition of the frame, the actors were rarely positioned within the center of the frame but always to the left or the right with a light source covering them from behind. Ridley Scott perfectly matches colorful high key light with low key lights creating impeccable contrast, this lighting used could be described as a modern Citizen Kane style. Although this is overall a very dark and low light film, the motif of shadows and darkness allows the beauty of light to truly be

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The use of contrast and the play with light and darkness is fascinating. It has a great psychological effect on the audience. The Don Corleone’s office is submerged in darkness and the characters in the scene come in and out of the light, thereby directing the focus onto them. A very large part of the film is shot in low key lighting, to emphasize on the theme of the film which is essentially, the life story of the Mob in

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To represent this low key lighting is used in Charlie’s home to show that the reality of his life is there living in poverty. This pattern continues in the cult classic Edward Scissorhands. The town that Edward is welcomed into is in high lighting to signify that it is the life that he never had. He wants to be accepted and loved and this is the place that his wish comes true. Unfortunately we know that his fantasy is unrealistic and there is no way he can live normally.

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Side lighting is light which only illuminates part of the subject. In this image it is John. This shows that there is conflict and an unexpected feeling to the film. This lighting expresses to the viewer that danger is around as well as suspicion. The King’s Speech is a film about a man with a severe stutter and his journey to recovery.

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The film Lord of the Rings: The Fellowship of the Ring makes use of low key and high key lighting. The low key lighting is seen when Gollum is first introduced in an ominous dark blue lighting that creates suspense and suggests an air of mystery. Further on the unnatural chiaroscuro is created when the Nazgul on his horse stands on a cliff with a lit up background surrounded by a dark forest. This makes the Nazgul seem more mysterious and threatening to the audience.

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This gives the audience an ominous feeling whenever there is a scene in the industrial area. The lighting in Romeo and Juliet is used to create a more direct tension for specific events. When Mercuito dies the weather immediately picks up and turns into a storm. The lighting is dark and direful and this heightens the tension at this point in the film as well as indicates to the audience how serious the consequences of this death will be. Because the lighting is used to add to the dramatics of the movie is makes it easier for the audience to feel the

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