The Not So Great Gatsby
In the cataclysmic novel, The Great Gatsby, F. Scott Fitzgerald utilizes an array of rhetorical strategies to produce a tortuous and stratified narrative of unrealistic wealth, passion, and aspirations of ambitions. In Chapter eight this can be revealed by Fitzgerald using a shifting tone from solemness, to peaceful, then imagery to capture the painless death of Gatsby, and lastly an insightful perspective to recount the tragedy of the many deaths occurring in this final, fatal chapter of the book. Fitzgerald asserts the fantastical ethos of the Roaring Twenties. However he also censures the American Dream and how it manipulated the domination of wealth and authority in order to propose the idea that it will never be more than an illusion. He believes that the dreams invented in this time
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Firstly, Fitzgerald begins by including different tone settings throughout the malicious murder in order to demonstrate the different forms of grief toward the different deaths. At the beginning of the close read when Gatsby anticipates a call from Daisy, Fitzgerald writes, “... he no longer cared. If that was true he must have felt that he had lost the old warm world, paid a high price for living too long with a single dream”. This reveals the exact moment when the character of Jay Gatsby’s time has come to an end and dies. Jay will not obtain the individual that holds onto his dreams, therefore implying that we will never seize the day that all of the goals he manifested into Daisy, will not only be gone from his clutch, but also passed onto her husband, Tom, who portrays the epitome of hatred in Gatsby's vision. Fitzgerald also puts a great emphasis on the death of Jay Gatsby much more than the death of the physical James Gatz to highlight the expiration of The Great Gatsby after George Wilson shoots James and the remains of his limp body lie in the pool,