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The Great Influence On The Great Works Of Art

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In this essay, I’ll discuss three sciences that I feel had a great influence on the great works of the Renaissance, Baroque and Rococo periods, including; dissection, linear perspective, and the invention of the printing press. During the Renaissance, artists were curious of the way the body worked. Not from the external view, but from the internal perspective. Even though dissection was not allowed, artist secretly performed dissections on the cadavers of criminals. The knowledge they gained made it possible for sculptors and painters to create the natural effect of the inner body parts on the skin, and drapery. Michelangelo quite possibly used a model for his masterpiece, David, but with the David produced by Bernini, during the Baroque period, was so much more active and realistic, using diagonal lines and not the traditional pyramid used in so many earlier works of art. I can’t imagine any model could have posed in that position for such a long time. So the information artists gleaned from the dissections and drawings produced by Leonardo Di Vinci, had to be a huge asset, to be able to recreate on canvas and in stone, the bones, muscles and tendons so amazingly accurate. (Khan, n.d.) …show more content…

Linear perspective “is an approximate representation, generally on a flat surface (such as paper), of an image as it is seen by the eye. The two most characteristic features of perspective are that objects are smaller as their distance from the observer increases; and that they are subject to foreshortening, meaning that an object's dimensions along the line of sight are shorter than its dimensions across the line of sight.” (Wikipedia.org, n.d.) Brunelleschi method included a horizon line, vanishing point and a series of orthogonals to create an image more naturalistic, and more like real life. (Khan,

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His greatest work “De humani corporis fabrica libri septem” (Fabric of the human body in seven books) “laid a solid foundation for the understanding of the vast human anatomy” [Source 3]. This book included detailed drawings of human bodies as well as precise descriptions of human body parts. His work challenged anatomical understanding and was “actually considered to be the earliest accurate presentation of human body” [Source 8].

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Andreas Vesalius’ work trailblazed scientific evolution. Defiance from the church created unsettled commoners who despised Vesalius. In contrast, this defiance was combatted with ideas of rebirthing Europe. The pull between Europe’s upcoming evolution and at the same time the need to treasure its religious beliefs appear in Andreas Vesalius’ life and his work. Andreas Vesalius allowed the expansion of anatomy and the extinction of taboos through his strenuous work in anatomical dissection while pioneering student learning better than anyone in the 16th Century or prior using fresh ideas of the Renaissance.

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During the Renaissance health and medicine changed considerably . There were many important changes to the understanding of anatomy and surgery. Important doctors and surgeons discovered different ways of understanding to body and different ways of operating. For example how Vesalius in the 15th century dissected the human body to learn more about anatomy. During this essay I will investigate how far health and medicine improved during the Renaissance by focusing on anatomy and surgery.

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¬¬As Michelangelo’s David is made in years 1501-04, and is detailed from the penetrating veins, furrowed brows and the muscles, we can know that this sculpture was made during the High Renaissance, as in this period it is known to be during fifteen hundreds, and that in this period they make their art more detailed than in ancient Greek and Rome to make it look more realistic. On the other hand as Bernini’s David is made during 1623-24, extra details in both face and drapery, and the movement depicted, we can know that this sculpture was made during baroque art period, as in this period they used exaggerated motion and details to produce drama, tension, and grandeur in art, and is known to be during sixteen hundreds. In conclusion, as Bernini’s David is made during the Baroque period, where it used to be more detailed and highlights motion, as we noticed in the sculpture; unlike Michelangelo’s David which is made during the renaissance period, where it used to be detailed but not much and didn’t depict movements. From those differences that are between both sculptures and there periods we can determine that Bernini’s David is more expressive than Michelangelo’s

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There, Vesalius departed from tradition and began teaching anatomy and surgery in a new way. Vesalius emphasized the importance of discovering things by hand and from scratch. Instead of surgeons dissecting cadavers, or corpses, while professors lectured from a textbook, which was what normally happened at the time, Vesalius himself worked with the bodies. The professor made very detailed drawings of the human body to help his students learn, which was a rarity during the Renaissance. When Galen’s writings were edited in the sixteenth century, anatomical drawings were omitted.

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The Renaissance was an era of rebirth. People were learning new things and it is considered the most important period of time since the fall of Ancient Rome. People in the medical profession were still learning about the human body. This is where the practice of dissection and body snatching played a role in shaping future society. The practice of body snatching and dissection during the Renaissance era greatly impacted the study of human anatomy.

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Michelangelo once said, “I saw the angel in the marble and carved until I set him free”. If Michelangelo actually did this with every sculptor could modern artist be doing the same thing to follow in his footsteps. Michelangelo’s artwork affects modern society by influencing many modern-day artists to become sculptors, painters and more. He also influenced types of art such as frescoes and ceiling paintings. To add to this his sculptures are discussed in today’s conversations.

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Perspective is considered one of the most important aspects of Renaissance art. Artists such as Masaccio, Leonardo Da Vinci and Raphael made the use of this device in many of their work. Thanks to Filippo Brunelleschi, who ‘invented’ and developed this technique called one point linear perspective. The intention of perspective in Renaissance art is to depict reality, reality being the ‘truth’. By simulating the three dimensional space on a flat surface, we in fact incorporate this element of realism into it.

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At age 17, Michelangelo had begun to dissect corpses from the local church graveyard to gain a much deeper understanding of the human body. Michelangelo had to be extremely cautious when examining corpses seeing as the act was strictly banned by the church, making the act illegal. Nonetheless, Michelangelo still had an amazing understanding of the human body and its proportions were extremely critical to his success rate as a sculptor and artist. Michelangelo’s incredibly realistic sculptures showed finely chiseled veins, wrinkles, muscles, bones, and nerves. Such skill was and still is unsurpassed till this day in the 21st century.

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