Introduction
In William Shakespeare’s play, A Midsummer Night’s Dream, the theme of love is a central part to the play. When separating the play into the three separate worlds in which it portrays: the Social world, the Green world as well as the world represented by the lower class workers, the norms regarding love as well as dreams differ between worlds. With reference to the extract of Lysander and Hermia given as a key example of what goes wrong within the green world, as well as with reference to the core themes and the worlds in which these themes are presented, will determine the exorcism (if any).
The three worlds
Within Shakespeare’s, A Midsummer Night’s Dream, are worlds where the plot of the pay is predominantly set in the comic world. The comic world (also referred to as the Green world) possess certain qualities that are revealed throughout the play with regards to the influencing of the play’s plot. The Green world as denoted by Andrew Farnan, is a place where reconciliation occurs as well as place for mischief and discord (Farnan).
The contrary of the Green world, the Social world, in A
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Holland points out that the only dream which is dreamt within the play is the one of Hermia’s (Introduction