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Aspects of love in shakespeare
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Characters analysis of William Shakespeare's twelfth night
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We also see how in both the film and the dramatic piece Duke asks Viola, disguised as a man, to help him get Olivia, but in both Duke thinks Viola has betrayed him by stealing Olivia from him. All this similarities keep the essence of the play in the
In this book, Shakespeare personifies the balance of head versus heart with Juliet and personifies the heart with Romeo. Due to lack of balance, and nature, the heart takes the victory over the head. This shows how passion
Viola liking duke Orsino but duke Orsino liked liked Olivia and Olivia liked Sebastian. Nobody seemed to like the right person until the
Therefore, Olivia, without procrastination, made a marriage proposal to Sebastian: “Blame not this haste of mine. If you mean well/Now go with me and with this holy man/Into the chantry… And underneath that consecrated roof/Plight me the full assurance of your faith” (312). To maintain utmost secrecy, Olivia promises Sebastian confidentiality until such time as Sebastian becomes ready to divulge the news of their marriage. In acceptance, Sebastian pledges his everlasting faithfulness to Olivia.
Sebastian arrives at a place near Olivia’s house. There, Feste confronts him. Thinking that he’s Cesario, he tries to take Sebastian into Olivia’s household, which creates a bit of confusion between the two since Sebastian is startled by Feste’s claims that he knows him. Earlier in the play, Sir Andrew Aguecheek who has developed a grudge against Cesario, starts a fight against Sebastian, mistaking him for Cesario, to prove that he is the best suited to be Olivia’s lover. This, however, was a grave mistake.
Heart vs. Mind Synthesis Essay Heart vs. mind is one of the most common yet complex internal conflicts of man. Shakespeare’s being one of the most well-renowned authors and playwriters of all time, his literature would mainly consist of the theme heart vs. mind. With this theme of heart vs. mind being internal, it would start to conflict the character in difficult times. There’s a saying that goes, “the heart wants what the heart wants” and this includes going against what’s good for you or your mind.
Viola’s aspirations are not to go against the social order as she is not a real servant but the play allows her to transgress and glide through the class mobility. She epitomizes social fluidity, transgressing the boundaries of specific roles in society. However her flexibility is asserted on her higher social status with which she begins the play. This once again proves that although the boundaries can be broken, only the elite bourgeoisie can truly permeate them completely. Malvolio remains ‘mad’ for admitting his love while Viola moves upwards to gain marriage.
The question of why Olivia, after dramatically declaring her affections for Cesario, would so quickly jump to Sebastian after finding Viola’s true identity, is likely answered by the societal norms of the Elizabethan era. Cesario and Viola are two halves of one whole; by loving Cesario, Olivia loves Viola too. Upon meeting “him,” Olivia says “Thy tongue, thy face, thy limbs, actions and spirit/ Do give thee five-fold blazon” (1.5.297-298). She is attracted not just to Cesario’s mannerisms, but to Viola’s beauty, which shines through her male bravado. The “actions and spirit” which Olivia refers to are Viola’s ability to converse with Olivia woman-to-woman, unbeknownst to the countess.
In the story it shows a love triangle between Orsino, Cesario (Viola), and Olivia. Cesario falls in love with Orsino, Viola is in love with Cesario, and Orsino is still in love with Olivia. The characters in the story all show happiness and joy throughout because it’s a story that ends in love unlike Romeo and Juliet where it ends in a tragedy. As said in Twelfth Night, “Its central plot concerns a love triangle between the Illyrian nobleman Orsino, his beloved but unattainable Olivia, and the shipwrecked Viola.” (Lee
Romeo’s heart drives him to make, at times, irrational decisions to be with his one true love.
Shakespeare’s renowned play Twelfth Night centers around love, both in platonic and romantic instances. Characters display elements of self, brotherly, amorous, and friendly love towards one another; however, of the relationships portrayed, the strongest ones are those between men. In contrast, relationships between men and women lack depth and sincerity due to the lapse of communication between the opposing genders. Men are able to express their feelings to one another more freely, which gives their bonds strength that heterosexual relationships fail to display.
In Twelfth Night, Viola and Olivia are the central characters to the play’s plot. Each are young women that take approaches to dealing with the people around them, which are mainly men. There is much trickery that goes on in Twelfth Night, but the ending is for the most part happy. Viola marries Orsino and Olivia marries Sebastian, but the events leading up to this are more or less chaotic. Ultimately, I argue that while Olivia uses her higher social status in order to maintain control of herself and others, Viola resorts to trickery in order to bring about her desires.
Mubin Hira PERFORMANCE TREATMENT #1 Going to my first play ever was an experience that I will always remember. Being brand new to the theatre world, I didn’t know what to expect when I walked into the grand Krannert Center. It was a different atmosphere; almost unreal. Attending Twelfth Night, or What You Will in person was an amazing experience.
Shakespeare uses Viola (Cesario) as an example of a mechanism that can throw internal conflicts into temporary chaos. Viola willingly faces whatever comes in her way. Her love for Duke Orsino seems too constant and true, unlike the other characters in the play. The temporary chaos of the play is when Viola falls in love with Orsino, who falls in love with Olivia, who on the other hand falls in love with Viola’s disguise, Cesario. This love triangle is very complicated as none of them realize that Cesario is a woman, making this an internal conflict for Viola, as she cannot ‘truly’ love whom she wants.
First, her disguise represents her wit since she is able to adapt in a new environment quickly and excel at her job as well. Not only does this disguise prove Viola’s quick-thinking but also proves some of Orsino’s thoughts.
