María José Garzón 7°B Index Hero's Journey--------------------------------------------------2 The monomyth Steps Rome’s foundation Myth (Romulus & Remus)-----------4 Rome Location Foundational myth Myth and The Hero's Journey Carthage foundation myth (Dido)-------------------------6 Carthage Elissar of Carthage Foundational myth Myth and The Hero's Journey Making Connections--------------------------------------------8 Sustainable Development Goals Gender equality Peace justice and strong institutions Glossary & Sources--------------------------------------------10 The Hero's Journey The Monomyth: The Monomyth, or the hero's journey, are the common story patterns found in ancient myths as well as in
The hero’s journey archetype has appeared in many forms of literature and will most likely continue to do so for as long as long as literature exists. The story of Equality 7-2521 and his journey to find the true value of individuality is one example of this very commonly used archetype. The hero’s journey usually follows the same basic plot. There is a hero with a place to go and a stated reason to go.
The monomyth, a story arc template introduced by Joseph Campbell in 1949, describes the “hero’s journey” as seventeen stages, but it can be simplified into three parts: a main character goes on an adventure, faces a crisis, and returns, notably changed. Though used in fictitious outlines, this narrative can occur in real life too. John Krakauer, the author of the memoir Into Thin Air, underwent a horrific experience on Mount Everest, when he was present for the May 10, 1996 disaster. Even though Krakauer’s account is nonfiction, it parallels the monomyth structure. Campbell’s first section is departure: a stage where the hero, Krakauer, lives in the normal world and receives an opportunity to take an extraordinary adventure.
Joseph Campbell’s monomyth steps are the departure, the initiation and the return. The departure step is when the hero is forced to leave his/her everyday life and there is a boundary between the hero's life and the unknown challenges that await him/her. The initiation is when the hero faces challenges and also has a mentor that teaches the hero what they need to know and may also give them a weapon. Lastly, the hero goes through a transformation which is when the hero achieves their goal and the hero is also changed by his experiences and becomes a true hero. The Return is when the hero returns home for good, temporarily, or as a changed person.
If you are reading your history book, a play, or even watching the news today, you will see how people abuse the power that they have over somethings. There have been many leaders and people who abuse their power over civilization and places. Even the littlest taste of power often leads them to corruption. Many times, citizens and adversaries riot over some of the things that they disagree on and, in some cases, murder comes in to play.
In conclusion, countless people know of Joseph Campbell's definition of a Monomyth. We see the hero's journey outline everywhere in our modern books and movies. Hercules, in the opinion of many, happens to be one of the best examples of Campbell's definition of a
In his book, The Hero with a Thousand Faces, Joseph Campbell discovered a basic pattern that can be found in all stories portraying a hero. In his hero’s monomyth, the main character is called to an adventure into a foreign land and the skills obtained during the journey are later tested to defeat their toughest challenge. An example of a heroic monomyth can be illustrated in Marissa Meyer’s fantasy novel, Cinder, because the heroine is called to an adventure that she at first refuses, explores an unfamiliar landscape, the castle, where she learns more about her tragic past, and soon comes face to face with her greatest adversary. The events of Cinder follow a linear story that begins in New Beijing, China.
OVERARCHING THEMES Though The Odyssey and Paradise Lost are penned during completely separate time periods–with a span of roughly nine centuries between the writing of each–the two works still share many similar themes and subject matters. Some are more vital components for the genre in general, necessary for a piece of literature to be considered an epic; others remain less conspicuous, though with just as great an impact on the overall story. Heroism and the Hero’s Journey: One of the most defining elements of an epic work is the presence of the Hero’s Journey, also known as the monomyth. Introduced by Joseph Campbell, the Hero’s Journey describes the typical narrative pattern that accompanies many forms of storytelling, most commonly and most easily seen in classical literature.
The Odyssey is often cited as an epitome of the hero’s journey and the monomyth. The hero of the story, Odysseus is on a 10 year battle homeward from the Trojan War to see his wife and son again. With the help divine intervention, Odysseus is able to return home and save his wife from the evil suitors who have continuously tried to win her. One could easily argued that Odysseus is an exemplar of the hero, but there is another story: Odysseus is the opposite of a hero and is not worthy to be called such. He is the villain where the gods are the hero.
Fred Rogers once said “I am always comforted by realizing that there are still so many helpers - so many caring people in this world.” In this quote, he analyzed the nature of helping as well as the number of like-minded people in the world. He explained that the helpers were more important than anything else to a hero. The Hero’s Journey, derived from Joseph Campbell’s Monomyth tells the structure and stages that a hero must go through to achieve their goal. The most important aspect of the Monomyth would be the support from the Helper since there would not be a way for the hero to learn from experiences and receive guidance.
In order to understand why the monomyth and the hero’s quest are both so pivotal to understanding the human condition you have to be able to understand what it is that causes humans to act the way that they do. You have to learn to understand that there is a journey that you have to complete no matter what the situation is. Joseph Campbell’s the theory of monomyth and the hero’s quest is important to understanding the human condition. Joseph Campbell author of The hero with a thousand faces believes that you can find a hero’s quest in almost all of the movies and books that have been published as well as in the real world. Campbell’s argument is, that his belief of a hero’s quest transfers over into everyday life regardless of the location of the story.
A never ending story. A story full of twist and turns. A story that is in all other stories. This of course describes the monomyth. In “The Hero with a thousand Faces” Joseph Campbell describes to us how each story derives from one central story, the monomyth.
Most people question, “ How does the quest of power cause people to act? ”. Over the years the question has been proved to cause people to act differently. Not just in history but in many movies, plays, books, and even in current events today. The quest of power drives people to do things out of their character.
The typical American monomyth portrays the image of a superhero starting off a normal life, moving into a supernatural one and becoming an icon which people look up to. They fight off evil villians and so the country feels safe and secure. They “save the world”. This was Joseph Campbell’s opionion on what a superhero was. Nowadays, a superhero rescues a damsel in distress, he saves the world and falls inlove.
Campbell writes about the concept that countless myths all share a basic structure, called the monomyth. In this, the hero of the story undergoes a number of steps in his journey, labelled Departure, Initiation and Return (cf. Ahmed, 2012, 4): (1) In the Departure stage, the hero enters a strange world of often supernatural powers and events, after being called to it in the normal world he’s lived in (cf. Colbert, 2008, 208).
