Ernest Hemingway uses repetition and ambiguity in his story, “Hills like White Elephants'' to exhibit the idea that in order to maintain a healthy long-term relationship, communication and consideration of one another’s values are needed. Throughout this story, a couple, Jig and the American, are having an intense and emotional conversation about whether Jig should have an abortion. She displays very sensitive feelings about the procedure, and the American takes advantage of this by trying to manipulate her, repeatedly stating it is her choice: “if [she doesn’t] want to [she doesn’t] have to. [He] wouldn’t have [her] do it if [she] didn’t want to” (477). By doing this he falsely implies he has no opinion, but later contradicts himself by
Hemingway sets the story environment at a train station, with two very different sides of the tracks. This setting is interpreted as a metaphor for the choice at hand, an interpretation of life or death. One side reflecting a dry harsh area, with no trees, and devoid of life, on the other side of the
There are various reasons for the development of the Democratic Republic ideals that led to the American Revolution. The structures and ideas that were in place in the British colonies from 1607-1754 set the foundation for these Democratic Republic ideals and were instrumental in the American Revolution because of John Locke, Mercantilism and the Great Awakening. These 2 major events in history and 1 very influential person caused a change in the ideas and beliefs amongst the colonists and paved the way for revolting against Great Britain. John Locke was a philosopher who is considered “The Father of Democracy.” Mercantilism was when people were being over-taxed.
The conflict throughout the story is that the American wants Jig to have an operation (abortion) but, Jig doesn’t know if that’s right for her or not. These conflicts are both moral and emotional. 2. Is the ending happy, unhappy, or indeterminate? (Explain) -
Throughout the short story (1), “Hills Like White Elephants,” Ernest Hemingway is speaking about a seemingly unwanted pregnancy and a woman’s uneasiness with going through an abortion. However, Hemingway never explicitly says in this work of fiction (2) that it is about abortion or that the woman, Jig, is uncomfortable with it, but uses symbolism (3) to present this to the audience. At the time “Hills like White Elephants” was published, in 1927, abortion was illegal in most places and a very taboo subject that wasn’t to be openly discussed in public. Thus, Hemingway relied greatly upon the use of symbolism to get his message across for this reason as well as the third person narrator (4) that did not give insight into the character’s thoughts within this piece of literature (5) . He uses symbols such as the train station, white hills, the baggage, and the drinks to point towards the underlying internal conflict (6) of Jig’s decision that is being heavily influenced by the American man, who wants Jig to get the abortion.
The struggles presented between these two characters bring to light issues in human relationships that weigh into everyday life. Hemingway’s short story reveals to readers how relationships affect communication, decision
In Ernest Hemmingway’s “Hills like White Elephants” symbolism and repition are used throughout the story. A younger couple must make a decision that could change the rest of their lives together, or not together. We see the use of “two” used frequently within the dialoug. This number represents the life changing sacrifice the girl must choose to make in order to kleep her life happy and content.
The conflict between the two characters is the issue of abortion and whether or not the girl will go through it. Hemingway does not tell us that the girl is pregnant but hints it throughout the story referring to “the operation” as having an abortion. From the start, you can take
The dialogue in Hemingway’s “Hills Like White Elephants” reveals a man’s and a woman’s incongruent conflict on abortion, and the author’s fundamentally feminist position is visible in the portrayal of the woman’s independent choice of whether or not to keep the baby she is carrying. The plot is very simple in the story which is less than 1500 words long. A woman and a man spend less than an hour on a hot summers day at a Spanish train station in the valley of Ebro as they are waiting for a train heading for Madrid. Their dialogue takes up most of the space and only few major actions take place.
If analyzed in a more generic view, the short story can be used to show how a male and female stereotypically understand a subject. The American speaks more literal and materialistic as Jig is seen to speak in a more figurative and abstract manner. Ernest Hemingway’s use of symbolism gives the reader a more visual effect to the conflict between the man and the girl as well as the idea of their inner thoughts. The white rounded hills, the beads on the curtain hanging from the bar’s doorframe, and the cool shade and blazing light all represent different aspects of the two choices that the American and the girl have to decide on, just like the railroad tracks on either side of the
In the story we see how the conversation develops between both of the characters. In Scott Consigny’s article, “Hemingway's Hills like White Elephants”, he talks about the bamboo curtain that was hanging in the door of the bar. Consigny begins to tell us the symbolism behind this curtain and how it is “a symbolic barrier between jig and her American lover” (p.1). We can only agree to this as we keep reading and notice the different decisions that both characters want to make. The conversation between both of them is very lively up until he mentions the operation.
If taken literally, Hemingway’s story is one in which very little happens. The story takes place in a train station in Spain where a couple argue about a vague event over drinks. From the very start of the short story, there is an overbearing uneasiness felt in the text as the unnamed male and the girl, Jig, hold what seems to be—on the surface—an innocent conversation. By using a limiting third person point of view that consists mostly of dialogue, Hemingway creates an obstacle in the way of understanding as there is no clear insight to what is going on inside of either party’s head. The conflict that the pair seem to be discussing is never named and it becomes the metaphorical elephant in the room much like the white elephants that Jig sees in the mountains.
“They don’t really look like white elephants. I just meant the coloring of their skin through the trees.” Comparing the hills to the unborn baby, is a perfect symbol for a topic that is painfully obvious that no one wants to discuss. Overall the story, “Hills Like White Elephants,” by Ernest Hemingway is a difficult story to understand at first glance. However, reading the story a few times becomes easier to understand the story’s true purpose, which Hemingway illustrates wonderfully with symbolism and
Symbolism plays a fundamental role in Hemingway’s “Hills Like White Elephants”. The different symbols used throughout the story are capable of subtly conveying intricate concepts to the readers of this recognized literary work. It then becomes essential for them to detect all these symbols, and discern the deep meanings which they hold in order to truly grasp the story’s message which the author intended to transmit. Without this insight, many first-time readers may view the story as a simple and casual dialog between two people, a man and a woman, waiting for a train from Barcelona to Madrid. Thus, they become unaware of the intense conflict the two main characters are actually facing, haunted by the difficult decision of terminating a pregnancy
According to Smiley, “The dialogue contains the essence of the story's power; for to read Jig's and the American conversation is to recognize the powerless frustration of parallel interchanges” (2). The girl's character passes changes throughout the story. It appears that “Hemingway works out the story's conflict, which revolves around the development of his female character” (Renner 28). The girl gains power and frees herself from the following the American man. In the beginning of the story, the girl take the initiative to speak which leads to the discussion: “'what should we drink?'
