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The High Renaissance In Rome And Florence (13 Points)

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1. The High Renaissance in Rome and Florence (13 points)
The High Renaissance was a brief period from the late 15th century to the early 16th century. During this time the interest in humanism, perspective, anatomy, and classical cultures grew, and was mastered. Most of this took place in Central Italy’s leading artistic centers, Rome and Florence. There were three art geniuses of this time, all of whom created works that were beautiful and harmonious, so much so that their appeal would last centuries. Leonardo da Vinci who was a painter during this time that mastered oil painting and sfumato, a smoke like haziness that subtly softens outlines in painting. Leonardo painted many masterpieces including the Last Supper (22-4). Michelangelo Buonarroti was a fresco painter and a master sculptor. He sculpted David (22-13), which is an …show more content…

The Venetian artists were masters of oil painting, and their painting style was very focused on color and luminosity, poetic painting, and landscapes. One of the most talented Venetian painter was Giorgione da Castelfranco who developed poesia, a painting meant to evoke moods in a manner similar to poetry. His painting Pastoral Symphony (22-35) is an example of a poesia painting, and its mood was pastoral. Another artist from the Venetian Renaissance was Giovanni Bellini. He was a great contributor to the Venetian painting style, and he managed to create feelings with his paintings with the use of color and light. His San Zaccaria Altarpiece (22-33) created the feelings of serenity and spiritual calm with its balance of colors and light. The Venetian’s weren’t just painters, they were also architects. Andrea Palladio was the chief architect of the Venetian Republic. He designed San Giorgio Maggiore (22-32), a basilica that’s interior is consistent with classical architectural theory, rationally

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If we focus on the attributes to the artwork in the Medieval and Renaissance Florence, then we can distinguish between these two eras. To clarify, during the Medieval time period in Florence, the artwork was primarily focused on the iconic heroes and religion. The main subject of the painting was depicted as the largest figure; moreover, in comparison to the most significant figure, the other figures were painted to scale based off their ranking. Also, the backgrounds were based off religious experience instead of human experience, so symbolic icons were used quite frequently, for example, a gold leaf in the setting symbolized religious purity and devotion to the faith, so the use of gold color represented Heaven’s atmosphere. On the other

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Filippo had been educated with the intention of following in his father's footsteps as a lawyer and he studied Mathematics and literature (“Brunelleschi…”)”. Brunelleschi was in a memorable competition with a fellow artist by the name of Lorenzo Ghiberti, the competition was to see who could construct a set bronze doors for the Florence Baptistery. Ghiberti was this competition giving Brunelleschi the inspiration and drive to construct the Dome of Florence. “In 1419 Filippo was given the task of completing the dome for the Cathedral of Florence. This work occupied a great deal of Brunelleschi's life and the challenge was enormous, no dome of that size had been built since antiquity (“Brunelleschi…”)”.

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The similarities and difference between the Italian and Northern Renaissances are greatly reflected by the works of Leonardo da Vinci and William Shakespeare. While both periods invoked a rebirth of humanism, the two artists suggest how the eras differed and resembled one another. For the most part, the Italian Renaissance and Northern Renaissance both emphasized the humanistic aspect of Catholicism. While Leonardo da Vinci illustrated some religious scenes, such as The Last Supper, Shakespeare shied away from any religious influence in his various plays. Both Leonardo da Vinci and William Shakespeare stressed the importance of man in their respective works, however, they used different techniques to achieve their goals.

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He was a brilliant sculptor; his many famous works include David, that resides in Florence, Italy at Galleria dell'Accademia, the Pieta in the Vatican, and a series he created called Dying Slaves which can be found at the Louvre. He wasn’t just a sculptor though, he was also very talented in architecture, poetry, and paintings. Like that of Raphael, he is also noted for his frescoes, one of which covers the Sistine Chapel ceiling. He also illustrated the painting adjacent from it, called The Last Judgement. Consequently, all of his compositions have been noted as masterpieces for

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Chapter 16 – The High Renaissance In Italy Q1. Erotic nature during the Venetian Renaissance is not necessarily about the subject’s nudity. Many figures are nude or partially nude in Renaissance paintings and it is not considered erotic. The pose of the figure has a lot to do with whether it is seen as erotic. In Giorgione’s Sleeping Venus the woman raises her arm, exposing her armpit, which is supposed to be associated with seduction in that time, perhaps because a woman’s armpit would usually only be exposed while lying down relaxed, or in bed with a man.

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Even though the classical beliefs and practices of the Greco Roman period had ended, they were reborn in the Italian Renaissance in Florence. These are a few ways in how these classic beliefs and practices were born-again. In early 1400, a new movement in art and literature began in Italy known as the renaissance, which means rebirth or revival in French language. During this time, Italian scholars believed that art was losing its quality for some time, and eagerly studied classical literature, architecture, and sculpture in order to resuscitate the beauty and greatness of the art and writings of the Greek and Roman Empires.

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The Italian Renaissance occurred during the 14th century and lasted until the 16th. This was known as a time full of intellectual pursuit and new discoveries. This period of time could be considered Italy’s “golden age” because of all the new inventions and discoveries that happened. The Renaissance was Italy’s unofficial rebirth. During the Renaissance, men became much more educated and were encouraged to be inventors and scholars.

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The Renaissance was felt all across Italy, and particularly in the city of Milan. Through various pieces of sculpture, architecture, and paintings, it is possible to recognize the spread of the Renaissance style in Milan and identify the influence of traditional Florentine pieces on Milanese Renaissance creations as well as investigate the factors that cause them to differ. One of the most recognizable monuments of Milan is the Milano Cathedral. The enormous church began construction in 1386 under the orders of Duke Giangaleazzo Visconti following his consolidation of land and power in the region. Under Visconti’s orders, the church was

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The 14th century marked the beginning of the Renaissance or “rebirth” of the political, economic, cultural, and artistic world from the Middle Ages. This rebirth promoted a rediscovery of classical philosophy, humanism, which shaped Florence and Siena’s society. As Florence and Siena grew, they became primarily influential in the Early Renaissance, from their jurisdiction to economic culture. In brief, Florence and Siena developed affluent, cultured civilizations, defining their political and artistic styles. This effect differed between Florence and Siena throughout the trecento period.

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Between the 14th and 16th century, Italy went through what they termed as Renaissance which was characterized by several changes in the country. As described in Italy, Renaissance means rebirth or rebuilding of a given societal role. The transition of the country came from the medieval to the early European period where different normal operations of the society were greatly altered. Before the rebirth process began, the Italians had the desire to rebuild some of their greatest being thus the creation of the Renaissance process. As a result of the process, Italy had several achievements regarding science, literature, philosophy, music and arts.

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The real painters of the time were various. There was Leonardo da Vinci, Donato, Bramante, Michelangelo, Raphael, and Titian. This period was fleeting, enduring from around 1495-1520 and filled in as a transitional period amongst ahead of schedule and late Renaissance. In any case, albeit brief, the craftsmanship that spilled out of this period was extraordinary and the absolute most well known craftsmen at any point delivered work amid this time. All things considered, these specialists had such a summon over their abilities that they could deliver any regular impact they wanted and they had a mind that took into account adjust and congruity alongside fine detail, additionally was made a term for some of them, "Renaissance

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Much like the Olympians from ancient mythology, Renaissance artists are regarded as gods. They revolutionized the art world, reviving themes and styles derived from the Ancient Greeks and Romans. The style they created completely contrasted with that of its predecessor, International Gothic. But how did this “Rebirth” come about? There are many answers to this question, but much of it lies in patriotism and civic values, especially in sculpture.

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The Last Supper has been portrayed by many artists over the centuries. Few of the renowned one’s are by Leonardo Da Vinci and Jacopo Tintoretto. Leonardo Da Vinci is one of the most famous renaissance artists till date. . He was born on 15 April, 1452. He is known for his painting such as Mona Lisa, The Last Supper and The Virgin of the Rocks.

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The Age of Faith morphed into the Age of Reason and cracks of light began to illuminate the Dark Ages causing the birth of new ideas. This affected self-awareness, religion, and science, but especially the arts, literature, and architecture. We may further subdivide the Renaissance into two parts. The High Renaissance ran for about four decades between 1490 and 1527.

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Palladio was also a very talented architect. The church of S. Giorgio Maggiore was one of Palladio’s most significant projects. It was at this monument that Palladio found a way to properly elevate the facade of a basilica. This had been a major problem during the period of the Renaissance. Garden designs and the use of landscaping has been seen throughout history, and the Renaissance period is no

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