Symbolism through Naming in The Hunger Games Trilogy
Names in The Hunger Games trilogy by Suzanne Collins are rife with symbolism, both evident and hidden. Through a study of the symbolism behind the names of characters and places, readers can see that Collins addresses far more complex issues and ideas in The Hunger Games trilogy that it may initially seem through a simple surface reading. In her book, Katniss the Cattail, Valerie Frankel tells readers, “There are Roman names and flower names, set as opposites in a world poised on revolution. There are military names, echoing battles in our own history and their link to the battles of Panem—history will never stop cycling” (246). Collins evidently agrees with Frankel that history is
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Suzanne Collins has two distinct classes of names in The Hunger Games trilogy—those from the Capitol who have Roman names and those from the outlying districts who are given nature-related names. Valerie Frankel notes
Districts 11 and 12 offer nature names: the cat Buttercup; Gale’s mother Hazelle Hawthorne and her children Posy and Gale; Rue, Thresh, Chaff, and Seeder from District 11; and of course, Prim and Katniss. All these link the heroes to the simplicity and bounty of the country, filled with the wholesome beauty of nature… By contrast, the Capitol is full of Roman names, echoing their obsession with heedless luxury: Claudius Templesmith, Cressida, Portia, Messala, Fulvia, Romulus, Lavinia, Purnia, Titus, Plutarch Heavensbee, Coriolanus Snow. There’s Katniss’s Prep Team: Flavius, Octavia, and Venia, headed by Cinna. And there are the Career Tributes with Roman names to honor the Capitol: Cato, Brutus, and Enobaria…Shakespeare’s Julius Caesar offers nine characters who appear in The Hunger Game series (Brutus, Cinna, Portia, Purnia, Flavius, Messala, Cato the Younger, Claudius, and Caesar himself).