Topic: External Analysis of Cathedral I. Raymond Carver was a famous short story writer. A. Raymond spent most of his young life in Yakima, Washington. 1. He his birth took place in Oregon on 1938. 2.
Filippo Brunelleschi was born in Florence, Italy in the year 1377. His early life is relatively unknown. He became a goldsmith, sculptor, engineer, artist and architect. He was one of the leading architects in the Renaissance Era and has been referred to as the “First Renaissance Architect.” Brunelleschi is accredited for the invention of linear perspective.
Other architects use nature much more explicitly in their work. The fusion of nature and architecture shows how deeply ingrained Shinto beliefs are into Japanese aesthetics. Buddhism has also an important role in shaping Japanese aesthetics and architecture. Gates are predominant elements in Buddhist architecture. “The main buildings at Zen temples
The first step in the design is to organize these sources into their own clues. The design style of Frank Lloyd Wright, which we discussed before, has changed greatly, and these changes came from his contact with Japanese culture. The early works of Frank Wright Lloyd were not apart from the mainstream, is a typical American colonial style. Continuity of space has not been understood, at least not reflected in his early works. After 1890, he was exposed to the Japanese woodblock print for the first time, he understood the consciousness for spatial depth and the spatial continuity.
It contested the professions and the way it was taught. It turned away from conventional architecture and proposed more adaptive architecture that would accommodate the emergent needs of its users through a rebellious style in an age heavily influenced by pop- culture and Dadaism. It redefined architecture and embraced a criteria o perishable yet indefinite, multifunctional space that was applied to new city models. It emphasized a vital support to culturally changing mechanisms of the city and not simply functional organization of space. The radical ideas experimented with spatial, creative, political and consumer freedom that surfaced in the 1960’s.
Frank Lloyd Wright is considered to be the pioneer of modern architecture. He created an identity for American architecture, while rejecting Neoclassical and Victorian style designs. Wright called this “organic architecture”. It is architecture that is simple, yet modern and co-exists with architecture. He provided a new perspective on architecture and “The American Style”.
Fashion designers mostly come from different aspects and majors. There is no rule for a designer to be except passion and creativity. Therefore, most of the professional 's old designers and owners of big fashion houses did not graduate from fashion design school. Pierre Balmain believed that "dressmaking is the architecture of movement. " Balmain has a very strong relationship between fashion and architecture.
Architecture If you can imagine it, you can accomplish it. The evolution of architecture in the late 1890’s through the early 1900’s affected modern U.S. cities positively. Have you ever wondered how skyscrapers were designed? From an article about architecture, in New York, the Rockefeller Center was the base for the famous Chrysler Building and the Empire State Building (The Story of Architecture).
Throughout human history, there is a large degree of inheritance of cultural elements that forms into certain traditions. Those traditions can be so powerful, successful, and influential, so that not only are they copied throughout the culture of the tradition 's origin, but also throughout other cultures. In the context of architecture, some elements of interior design, exterior design, and engineering solutions become acclaimed and accepted as standards to be imitated. All cultures recycle architectural elements, but all of them do it in their own way that reflects a time period, political context, as well as local resources and engineering knowledge.
Birth of Plate Tectonics Plate tectonics is a scientific theory, coined in the 1950s, to explain the large-scale motion of Earth’s lithosphere (the outermost shell of planet Earth). This theory is based on the idea that Earth’s lithosphere is divided into several “plates” that move across the Earth’s surface, relative to each other, gliding over the mantle. The theory of plate tectonics was developed between the 1950s through the 1970s. It is basically the modern version of the theory of continental drift, proposed in 1912, by German scientist Alfred Wegener.
New designs have been adopted since the onset of architecture, and thus, with the concentration of a history of architecture, new phenomenon and innovations are realized that would help in further explanation and address of other necessities in the same sector. A concentration in the History of architecture and landscape architecture as a course incorporates more than one element of
Zaha Hadid, often named as the most excellent female architect, was the founder of Zaha Hadid Architects studio. She occupied an important and out-standing position in architecture area and was awarded the Pritzker Architecture Prize in 2004. Each of her designs evolves nearly thirty years of researches and experimentations. Hadid was well-known for her unique ideas, critical thinking, and stream-like architectures. She was born in Baghdad, Iraq in 1950.
Digital architecture involves the use of computer modelling, programming, simulation and imaging to create both virtual forms and physical structures. The ways in which architecture is formed, created, presented, and marketed is transforming – in relation to the transition to a digital society. Digital architecture allows complex calculations that delimit architects and allow a diverse range of complex forms to be created with great ease using computer algorithms. Architecture created digitally might not involve the use of actual materials (brick, stone, glass, steel, wood).
Though this may seem as a simple objective, two main limitations stand in the way of achieving it. The first is the limited understanding of the human attachment/inclination towards nature. In spite of the growing body of research (Appleton, 1975; Kellert, 2005a; Heerwagen, 2005; Biederman & Vessel, 2006), still it is not clear why certain natural forms and settings arouse positive feelings in human beings. The second limitation is the difficulty of translating this limited -but growing- knowledge in architectural terms; form, form making principles, form language, structural systems…etc. (Alexander, 2001-2005; Salingaros & Bruce, 1999; Kellert,
These sensory signals have a large impact on our relationship and experience of an environment because they are able to physically and emotionally engage and connect us to the architecture. Although these types of sensorial qualities may not make or break the successfulness of architecture, they must remain of high importance because of their ability to reinforce an individual’s personal connection to a place. Juhani Pallasmaa, claims that our design culture has forgotten the importance of the senses in engaging our whole being- physical and emotional- in an architectural experience. This theory speaks to an experience that goes beyond a visual relationship between a person and architecture.
