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Julius Caesar Analysis

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The Aureus of Octavian: Temple of Julius Caesar was minted in 36 BCE. The choice of using coinage itself as a way to send messages is a smart and logical choice. Coins were portable and widespread, and with images coins can carry messages, ones that have daily reinforcement with each usage. This particular aureus depicts the bust of Octavian Augustus on one side, and the Temple of Julius Caesar on the other. Zanker “is a good example of the effective use of new visual language by Octavian’s supporters” (Zanker, 1990). This particular coinage is an important resource to understanding what how August portrayed himself, but also how others may have perceived him, or were lead to see him.
The choice of images on the coin is an indicator …show more content…

AD 14–37) shares many qualities with the marble statue of the “elderly woman.” However, the face of Augustus does appear more idealized. The features appearing as a little more ‘classic’ than realistic. This shift in sculptural occurred during Augustus’ time in power, “Augustus’ official portrait type was disseminated throughout the empire and combined the heroicizing idealization of Hellenistic art with Republican ideas of individual likeness to produce a whole new scheme for portraiture that was at once innovative and yet fundamentally based in familiar aspects of traditional Roman art” (Trentinella 2003). This merge of cultures, but more importantly the careful balance of Hellenstic influence with the ideals of traditional Rome fits perfectly into the greater theme we see in Augustus’ ruling …show more content…

“Sculpted monuments...testify to the high artistic achievements of imperial sculptors under Augustus and a keen awareness of the potency of political symbolism” (“Augustan Rule,” 2000). It is not through just images though that Augustus reinforces this careful balance and understanding of art as an influence on personal appearance. Augustus also supported, “a social and cultural program enlisting literature and the other arts revived time-honored values and customs, and promoted allegiance to Augustus and his family.” (“Augustan Rule,” 2000). Therefore, Augustus did not purely focus on just physical structures or images but, he also utilized the growing prominence of Roman

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In The Power of Images in the Age of Augustus, Paul Zanker argues that images were a central tool in the construction of cultural identity and political power during the reign of Augustus. Through his analysis of the use of myth and legend in Augustus's cultural propaganda, Zanker demonstrates how Augustus employed images to create a sense of cultural continuity with the past while simultaneously promoting a new vision of Rome based on his own accomplishments as a ruler. Zanker's analysis sheds light on the profound impact of Augustus's propaganda campaign on Roman art and architecture and highlights the critical role of the image of the emperor in Augustan political culture. Zanker's main argument is that images played a central role in the

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Even though the ivory relief has a religious overtone, both are clearly done in the Old and New Rome classical esthetic. “Cast in glittering bronze, like the Equestrian Statue of Marcus Aurelius set up nearly 500 years earlier, it attests to the continuity between the art Old and New Rome, where pompous imperial images were commonly displayed at the apex of free standing columns” (Kleiner 258). Both art pieces are a classic example of power, prestige and clemency during their time of

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However, it is important to note that the rule of Romulus Augustus

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Power and Pathos Essay The Seated Boxer, 300-200 B.C.E. is a work that may look as if the statue emanates power, but in actuality, emanates pity and sadness when examined more closely. This work of art was created during the Hellenistic era where Greek art displayed dramatic, detailed expression art. The Seated Boxer expresses this same sort of art from the Hellenistic era as the sculptor etched intricate details to the Seated Boxer from the details on its face, to its entire posture that it has been sculpted in. Greek classical art, such as The Warrior, has been known to display perfection of the works of art and emanates the theme of power from its posture to its expression that it displays. The theme of pathos is more associated with a somber theme, such as Epigonos, where the works of art evokes a sense of empathy from the viewers as they examine its details, emotions, and the general feeling it expresses.

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This sculpture reminds me of a sculpture found in early first century BCE. Aule Metele is an Etruscan sculpture that uses roman styles. The statue of Elijah Peirce and of Aule Metele both show the figures as older men with sad looks on their face. Though the medium of this statue is bronze instead of brass they are comparable visually based on the details. In conclusion, Weitzman’s use of personal information he gathered about Elijah Peirce was what made the sculpture along with his attention to

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The Res Gestae, written in 14 A.D. by Caesar Augustus, is defined by its name as the deeds of Augustus. Born with the name Gaius Octavius, he was the successor of Julius Caesar, and successfully ruled from 27 B.C. to 14 A.D.1 He was a successful ruler, and wrote the Res Gestae is a potential was of justifying his deification after his death.2 The Deeds of Augustus has many recurring themes, but for the sake of this analysis the focus will be on Augustus’ emphasis on how much of his personal wealth went towards the benefit of the empire, people, and construction of various monuments.3 The document mentions these contributions in at least nine chapters. Augustus emphasis on his monetary support of the empire emphasized that he provided protection for and served the interest of the empire in a superior manner to others who many have been inclined to rule.

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In this political poster, Caesar is depicted as righteous, generous, and strong. As the centerpiece of the drawing, he is considerably larger than the other figures. Caesar is also accompanied with two soldiers from his legions, reinforcing that he is a powerful general. To his right, Caesar bestows sacks of money to a poor, elderly woman holding a baby. Although he holds great power and wealth, Caesar is portrayed as a benefactor that attempts to share his victories with the less fortunate.

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The bust depicts Marcus Aurelius as the perfect rule, the “philosopher king”. He wears a cuirass (military tunic and cloak). Capitoline Brutus gives off a serious business-like expression that makes you believe it is an honorary sculpture. Bust of Marcus Aurelius displays a more standard Roman sculpture and his face has softer details. Capitoline Brutus had the characteristics of Italic and Greek sculpture styles

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“Classical Ideal” In the documentary, “Art of the Western World-The Classical Ideal”, the narrator provides a history and a perspective on the Greek and Roman creation of the “Classical Ideal” to art and architecture. The narrator infers that the foundation of the two societies, namely their democratic falsifies and religious foundations, along with their focus on fitness, personal strength, calculations and intelligence, drove Greece and later Rome, to perfect their visions of balance, symmetry and beauty in their architecture and art. Greece and Rome are often held out as the greatest societies to have ever existed.

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Generally speaking, Cornelius Dolabella is strongly on the position of sympathizer of Julius Caesar, agreeing on that first two of the main conspirator, Brutus, and Cassis must be executed. Not only for an honor of a nation, winning popularity, but also enlarging the power for a next leader which will keep him safe. And the other liberators who were involved must serve a jail sentence, and 80% of their properties will be taken by the government. These result will reduce the anger of the publics, who supported Caesar, despite he was a dictator. He had been giving land to poor Romans, provide lands for military veterans after their service, and made a law against extortion.

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The Greek sculptures reach the new height of beauty, not only because the mastery of the technique, but also the fascination of human body. Greek art uses the outer appearance to reflect the inner power, it is the representative pattern of western art. The myth inspires the creation of sculpture. The fantasy of nature and society and the admire of god’s shape and personality makes the sculpture more multiple and abundant.

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The bust of Commodus is one of the most famous masterpieces of Roman portraiture and depicts the emperor as the reincarnation of the hero Hercules. Commodus is seen wearing the lion 's skin over his head, holding the club in his right hand, and the golden apple of Hesperides in his left hand as a reminder of how he is seen to be as the Greek hero Hercules. Two Amazon women are kneeling on the base beside a globe with the sign of the zodiac. These zodiac signs show important moments in Commodus’s life. On top of the globe is a cornucopia with the Amazon’s shield, one long enough to almost cover his torso.

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“If you must break the law, do it to seize power: in all other cases observe it”- Julius Caesar, the man who is known as one of the most fascinating political figures of all time. The one who through his military genius, expanded the Roman Republic to include parts of what are now Spain, France, Germany, Switzerland, and Belgium. Although the hero had many followers and admirers, he was ultimately stabbed to death by his own fellow politicians. Caesar was born in July, 100 B.C.E to Gaius Caesar and Aurelia. The family claimed a noble history but hadn’t produced many influential people till then.

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