Reagan Carter Period 4 Devil in the White City Reading Log The "Devil in the White City" by Erik Larson is a nonfiction novel that reveals the chaos of Chicago. The novel mostly takes place in Chicago around 1890-1893 while towards the end of the novel it takes place in 1895 Philadelphia. Larson recreated two men that would live in Chicago. The two men will have different plots and will each provide a meaning in one another.
Garrett Reppond Michael Shaara The Killer Angels Ballantine Books, New York July 1975 This paper is a review of Michael Shaara’s The Killer Angels, which is a historically correct novel that has some fictional dialog. A lot of the dialog is fictional, but it is mostly backed with historically correct information and events going on during the time. This story is about the events and discussion of the strategy to be used by the Confederate and Union forces leading up and during the Battle of Gettysburg. This review will discuss two topics raised by Michael Shaara in the novel; the ongoing conflict between which fighting style and strategies should be used by the Confederate army, and the other is the state of mind of the Confederate and Union
Affairs affect people in different ways, but no one could imagine an affair destroying their ability to psychologically function. The “killings” by Andre Dubus is a shocking story about a killer named Richard who murders frank the man having an affair with his wife, who is his pride and joy. Riveted with murder and passion the author revels the characteristics of Richard Strout’s in the “killings” as a psychological obsessive and controlling person; these traits effect his emotions and behaviors throughout the story. Richards’s anger which evolves throughout the story, is what leads to his obsessive and controlling behaviors. The author explains Richards’s background as a young, striving man, who is overcome by failure, and this contributes
The Devil in the White City The Devil in the White City is a historical non-fiction book written by Erik Larson that reads like a novel. The book follows two, real main characters, during the building and existence of the Chicago World’s fair. The first is an American architect named Daniel Burnham.
For hundreds of years, people have used art as a way of portraying strong emotions such as passion, lust and joy. One of the more powerful of these emotions is that of loss, which is often portrayed as a overwhelming and devastating feeling. Various forms of art have different ways of conveying emotions, whether it be through the use of melody in music, with colors in paintings or through the thoughts and actions of characters in literature. Several characters in Andre Dubus’ “Killings” clearly display their feelings of loss in the story through the way they are characterized and this highlights the devastating power that loss has on those who are forced to experience it. The protagonist of the story, the grieving father of Matt,
This was an important scene for private Joker because it gave him a reason to hold on to his humanitarian side while fighting a war he did not
Throughout the course of his The Devil in the White City, Erik Larson describes Chicago’s 1893 World’s Fair through the eyes of two different main characters: Herman Webster Mudgett—a psychopathic serial killer who builds his famous “death castle” on the outskirts of the fairgrounds, and Daniel Burnham—the director of works for the World’s Columbian Exposition. Larson employs the use of many contrasting themes within his writing including success and failure, but perhaps most importantly, murder and beauty. In order to emphasize said themes, Larson juxtaposes the accounts of his two main characters: Mudgett and Burnham. There is no doubt that the manner in which Larson portrays Mudgett is sketchy at best. Rather than introducing him with a concise description, Larson familiarizes the reader with Mudgett over the course of several chapters.
Christopher explains that he has difficulty figuring out people’s emotions from their facial expressions. He can easily recognize sad and happy faces, but when his therapist, Siobhan, draws some pictures of other emotions, he finds the faces are confusing and is “unable to say what these meant” (3). So he has to memorize the exact meaning of each face and quickly determine what face others are making when they talk to him. When his father lies to him about his mother’s death, he tries to figure out what he means how and his father feels: “I can't tell what [people] are thinking. It is like being in a room with a one-way mirror in a spy film''(22).
Therefore, the motif is established right away. 2. B) The passage is from almost the end of the book, when Batman chases after Joker, who is running around in the abandoned amusement park mirror room. Joker constantly uses the pronouns “you, as if he is talking to the reader.
Bob Kane’s fictional vigilante, Batman, is Gotham City’s greatest hero, capable of overcoming difficult challenges and defeating intimidating opponents. However, does the resilient hero have what it takes to face the struggle of love? In “Batman and Psychology: A Dark and Stormy Night”, Travis Langley, the author, delves into the mind of Batman to offer readers his professional opinion regarding Batman’s mental health after experiencing the most unfortunate event of his life, the death of his parents. Dr. Langley carefully analyzed every appearance Batman has made, whether it be comic or film, and studied Batman’s behavior to decode his hidden mental processes. He covers a wide range of mental illnesses such as posttraumatic stress disorder (PTSD), phobias, obsession, etc.
Assignment Submitted By Yours Name here Submitted To Yours Instructor Name here To Meet the Needs of the Course Oct., 2015.
The film that will be analysed is ‘The Dark Knight’ which is a drama/ crime film directed by Christopher Nolan, which was released on the 16th of July 2008. The director is trying to convey good vs evil through Lighting, sound, props, costumes, setting, camera angles and camera shots. The main characters in ‘The Dark Knight’ are Batman/ Bruce Wayne (Christen Bale), Harvey Dent/ Two-face (Aaron Eckhart), Joker (Heath Ledger), Rachel Dawes (Maggie Gyllenhaal) and Commissioner Gordon (Gary Oldman). The scenes which will be investigated are Wayne’s party, the SWAT car chase and Jokers interrogation.
The joker kidnaps Harvey and Rachel, giving batman the choice of whom he wants to save. Batman saves Harvey just before the explosion, but half of Harvey’s face melted. At the hospital, the loss of Rachel becomes too much for Harvey, and after a small talk with the joker, he turns into the insane villain Two-Face. He now hunts the people who he feels is to blame for Rachel’s death, using his coin (that is now black on the one side) to decide whether people are going to die
In T. Coraghessan Boyle’s short story “The Hit Man”, underlying psychoanalytical themes are present that display an allusion to struggles in human life. The main themes present in this story are dysfunctional behavior, displacement, and an insecure sense of self. Readers see the main character, The Hit Man, go through his entire life struggling with insecurity and other dysfunctional behavior. During this timeline, his dysfunctional behavior represents common struggles and conflicts that occur in common day-to-day life. Relationships with his parents and classmates and also academic struggles seems to be the main contribution to the way this character is represented.
Christopher Nolan’s Dark Knight Trilogy constitutes a rather contemporary manifestation of an extensive body of artifacts in media culture. Media culture, Henry Giroux holds, “has become a substantial, if not the primary educational force in regulating the meanings, values, and tastes that set the norms, that offer up and legitimate particular subject positions – what it means to claim an identity as male, female, white, black, citizen, noncitizen” (2-3). Being the most popular remediation of the Batman over the past two decades, the Dark Knight Trilogy reveals contemporary attitudes of mainstream Hollywood film to issues revolving around sexuality and gender as two of the core facets of identity. In particular, the representation of masculinity,
