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The metamorphosis analysis essay
The metamorphosis analysis
What kinds of transformation we can see in the metamorphosis of kafka
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Gregor’s initial reaction to his transformation shows his preoccupation with work. His confusion over his radical transformation does not last long, quickly becoming concerned with work and disregarding that he woke up physically transformed into a monstrous vermin. Immediately after realizing he had transformed, Gregor explains, “Well, I haven’t given up hope completely; once I’ve gotten the money together to pay off my parents’ debt to [the boss] that will probably take another five to six years… But for the time being I’d better get up, since my train leaves at five” (4). The quick transition of Gregor’s thoughts from the initial shock to his economic duties reveals his ironic nonchalant attitude towards his nonsensical transformation and
1. Almost from the very beginning of Gregor’s metamorphosis, Mr. Samsa has been unwilling to accept Gregor as his son. Furthermore, Gregor’s transformation into an offensive form of an insect, constantly reminds Mr. Samsa of the grotesque, feeble, and pathetic aberration that he has fathered. Consequently, now that Gregor has genuinely revealed himself in all his audacious behavior, his cruel father is driven to destroy him. In his eyes, Gregor has become everything loathsome to him—scrawny, parasitic, and futile—not the kind of son this once successful and ambitious storekeeper could be proud of.
“The Metamorphosis”, written by Franz Kafka, takes place in the late nineteenth and early twentieth century, the city is unspecified. The protagonist, Gregor Samsa, is turned into a giant bug and struggles to regain his harmonious life as a traveling salesman. Gregor goes through both a physical and emotional change throughout the novel, from turning into a bug and then being unable to provide for his family because of his condition. Gregor has been changed into a giant bug where he is a not a pleasant eyesight to his family and isn't accepted by his father and mother but only his sister. As the novella begins,”he found himself transformed right there in his bed into some sort of monstrous insect”.
Grete’s Significant Transformation She’s the only one who can face Gregor in his new body. She is the only one who can understand his needs. She is no longer Gregor’s little sister who needs to be protected, now she wants to return the favor, her name is Grete.
Gregor began to resent his father for throwing household items at him, squashing him like a bug. Even his beloved sister Grete began irritating Gregor by removing all of his belonging from his room, leaving him with nothing. The cruelty performed on Gregor by his own family sends him into a dark pit of despair. With nothing to live for he began to slowly end his life, making one final sacrifice for the ones he loves
While Gregor begins are the all mighty, male provider, he regresses into an effeminate state as he no longer can perform his tasks for work. As his transformation into a vermin worsens, he no longer can perform any action and further conforms to the true identity of a bug. Grete, on the other hand, picks up the male provider role that Gregor could no longer perform, but then, as she becomes tired with the work and as Gregor identifies with an “it”, goes back to her female role. Gregor's physical change forces him to degenerate to death, but allows Grete to thrive, growing into a
As the main character, Gregor Samsa, transforms from human state to that of a beetle, there are many aspects that are left unexplained and seemingly unstable. For example, in the novel, Gregor’s transformation into a beetle is left unexplained by Kafka. Kafka opens up the novel by stating, “When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin” (Kafka 1). There is no scientific or physical evidence as to why this transformation occurred, but it can be ascertained that it is a psychological transformation.
In Metamorphosis, Gregor’s love for his sister, Grete, is what brings him happiness and the ultimate reason why he stays alive. His love for his sister, is what allows him to continue living as a transformed bug, but once his sister rejects Gregor saying, “He must go… this creature
Kafka uses diction and symbolism to convey the family’s dissatisfaction and the deterioration in their family ties. Each family member acquires a job to compensate the loss of Gregor’s salary. Kafka writes: “They were fulfilling to the utmost the demands the world makes on the poor: Gregor’s father fetched breakfast for the petty employees at the bank, his mother sacrificed herself for the underclothes of strangers, his sister ran back and forth behind the shop counter at her costumers’ behest... And the wound in Gregor’s back would begin to ache anew when… Gregor’s mother…would say: ‘shut the door now Grete’; and Gregor was left in the dark again” (Kafka
Franz Kafka is a German novelist who wrote “The Metamorphosis.” In the story, he uses a third person point of view narrative. The novel uses absurdum, which exaggerates and dramatize the absurdity of modern life. The protagonist, Gregor Samsa, a traveling salesman, struggles with an external factor of transforming into an insect like creature. The transformation was not under his control and now struggles with a new identity.
Franz Kafka, heavily influenced by Ovid’s Metamorphoses, devises the character Gregor Samsa in order to portray a detailed experience of an individual’s metamorphosis. Kafka’s narration style differs greatly from Ovid’s, in that, the narration begins with a first person perspective and changes to a third person narration, which remains consistent to the end of the novel. Unlike the stories within the Metamorphoses, there is a clear contrast in the portrayal of Gregor’s transformation. Ovid and Kafka’s depiction of a metamorphosis incorporates the concept of identity in the individual’s transition, however Kafka emphasizes the family dynamic and the hostility Gregor feels. Gregor’s family’s inability to look past Gregor’s exterior appearance
In the beginning of the story the relationship between Gregor and Grete shows that they care for each other. The day after Gregor has turned into a bug , Grete tries to feed him, keeping in mind what he liked when he was a human. The story states “There was a bowl of sweetened milk in which floated little pieces of bread” (pg.
Franz Kafka had a hard family life, his only glimmer of hope was from his sister who betrayed him. In Metamorphosis, we see that this is represented through Grete, Gregor’s sister. Grete at first tries to understand and help Gregor but later gives up hope. “‘It’s got to go,’ called the sister, ‘that’s the only remedy, Father. All you have to do is try to shake off the idea that that’s Gregor.
Growing up in a community with an unequal view of women, Grete has been influenced by the idea that her knowledge is of no importance. Grete had been looked down upon by her family for her lack of a stance and her position in society. However, Gregor’s transformation forces Grete to make up for his shortcomings, pushing her out of her comfort zone as well as her ideal gender role. Given the circumstances, Grete gives up her simple, easy lifestyle to make up for the loss of Gregor. In the beginning, Gregor depicts Grete using degrading terms to explain his sister, which suggests that her role as a female falls below his status as a male.
Yet, she is actually exercising her authority over both her mother and Gregor. As Gregor’s mother reasons as to why not to remove Gregor’s furniture, Grete “did not let herself be swerved from her decision by her mother” (Kafka 34). Her conviction to deprive Gregor of the pieces that represent his life as a human reveals the process of her own transformation into a figure of power. Finally, Grete’s most significant show of power is her convincing of the family that the insect is not Gregor. She announces to her family that they “have to try to get rid of it” (Kafka 51), and upon hearing this Gregor retreats to his room and dies.