Quickwrite #1- AQWF In this part of the book, Paul and his friends are out on the front re-wiring the front line with new barbed and communication wires when they hear the shrill cries of injured and badly wounded horses. Additionally, during the bombing, one of their soldiers becomes badly wounded in his leg and will most likely die or never be able to walk again. There is a similarity between this young soldier and the injured horses, made apparent by the comparison the author makes between the two. The young soldier, while human, is helpless after getting injured and will likely die if he is not helped soon.
The Devil in the White City Rhetorical Analysis Essay The Chicago World’s Fair, one of America’s most compelling historical events, spurred an era of innovative discoveries and life-changing inventions. The fair brought forward a bright and hopeful future for America; however, there is just as much darkness as there is light and wonder. In the non-fiction novel, The Devil in the White City, architect Daniel Burnham and serial killer H. H. Holmes are the perfect representation of the light and dark displayed in Chicago. Erik Larson uses positive and negative tone, juxtaposition, and imagery to express that despite the brightness and newfound wonder brought on by the fair, darkness lurks around the city in the form of murder, which at first, went unnoticed.
Rhetorical Analysis of Jon Krakauer’s “Into the Wild ” Jon Krakauer ’s purpose in writing Into the Wild is to recount Chris McCandless’ journey, physical and metaphysical, from college in Georgia to his death in Alaska, through the use of factual, and anecdotal evidence. Krakauer uses factual evidence to establish that he is a trustworthy narrator capable of giving the reader a realistic scope on the events in the story. Jon uses anecdotal evidence to see into Chris’ psyche from the various perspectives found in the book’s excerpts, including how Jon understands the events.
The Dumping Ground is an excerpt from Wallace Stegner ’s memoir Wolf Willow. In it, he reminiscences about the the joys of treasure-hunting in the town dump, in Whitemud, Saskatchewan. He describes in great detail the town dump.
Many real world events inspired authors, like Rod Serling, to write stories and make TV shows. Emmett Till’s story was definitely a huge event that Serling was eventually able to write about. Rod Serling was an author that would write about important topics to always tell us or warn us about something if we aren't careful. Like many authors, Rod Serling was influenced by bird and important real world events and by some experiences he had gone through. At first, he struggled with being censored, but turned to science fiction to tell meaningful stories about events, such as Emmett Till’s death, and also many controversial themes like paranoia in “The Monsters are Due on Maple Street.”
Rhetorical Précis 1: In his essay, “ Love and Death in The Catcher in the Rye” (1991), Peter Shaw claimed that Holden behavior and way of thinking is due to common abnormal behavior in a certain time for teenagers (par. 10). Shaw supported his assertion of the young Holden by comparing the literary culture of the 1950s and how Holden’s fictional character fits within the contemporary Americans novels as a, “ sensitive, psychological cripples but superior character” (par. 3). Shaw’s purpose was to show that Holden’s sensitive and psychological behavior is not abnormal, but such like stated by Mrs. Trilling that,” madness is a normal, even a better then normal way of life” (par 4). Peter Shaw’s tone assumed a highly educated audience who is
The movie that I choose to watch was Fences (2016). Throughout the movie discursive rhetoric is used a lot to show racism back in the 1950's. Troy is mostly talking with others about how inequality is occurring around them and how racism played a role in the job opportunities that blacks had or did not have. Black men were not allowed to drive the dumpster trucks. I feel that this movie hinderd me a little it could have improved by showing the interaction between the whites and black, instead of just hearing the characters talk about it.
Monster Culture Jeffrey Jerome Cohen is the writer of “Monster Culture: Seven Theses.” He went to the University of Rochester and acquired a PhD in English and has been teaching at George Washington University since 1994. The intended audience of this essay is anybody interested in the monster culture. This essay came from Monster Theory: Reading Culture.
In the dry, parched region of the Mojave, the moon casts the fauna to a deep rest. All is silent until the crittering of scorpions and beetles arise. Their luminescent glows radiate against the effulgence of the celestial satellite. Nocturnal predators slurk out of their dens, ready to devour a next unsuspecting victim. Mountain lions and coyotes leap and pounce across the desert sand, turning anything in their path to a meal.
Karen Hollinger is a professor of English at Atlantic University, an author and is also a very strong feminist. Hollinger’s essay, “The Monster as Woman: Two Generations of Cat People,” is an essay merely expressing how most monsters in novels or films are characterized as masculine identities and that viewers forget how powerful feminine identities in novels and films can be. Hollinger’s goal in this essay is to explain that feminine monsters are just as frightening all masculine monsters. She uses many references to movies with feminine monsters and expresses how powerful they are compared to masculine monsters and also expresses that males and females have castration anxieties. I think Hollinger succeeded in a sophisticated way because she
In Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it;; fFor example, vVampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical
Jon Krakauer’s Into the Wild investigates the life and adventures of Chris McCandless. The author provides information about Chris’ life to illuminate his journey. Krakauer also uses rhetorical appeals to defend Chris’ rationale for his journey. Through Krakauer’s use of pathos, ethos, and logos, he persuades the audience that Chris is not foolish; however, Krakauer’s intimacy with Chris and his adventures inhibits his objectivity.
In The Rattler the speaker’s rhetorical strategy is to use pathos to make the audience feel sympathy for his/her actions and to also use logos to give good reasons for his/her actions. The speaker is justified in killing the rattlesnake because he/she was protecting the lives of others while being courageous at the same time. In the third paragraph the author uses pathos when he/ she says: “But I reflected that there were children, dogs, horses at the ranch, as well as men and women like shod; my duty, plainly, was to the kill the snake.”
Michael Brooks ENGH 396 Reading Response #2 September 17, 2015 Sunday in the Park Sunday in the Park by Bel Kaufman is an emotional short story the details a nice family’s encounter with an obnoxious, unpolished family. The short story plays on human emotion, instinct, and behavior as a way to illustrate the contrasting differences between both families. The story is about a family, a mother, a father and a young boy, who intend to spend a relaxing day together in the park. In the park, the young boy from the “nice family” is playing in the sandbox with a young boy from the other family. Suddenly, the boy from the other family starts throwing sand at the boy from the main family.
In Clint Smith’s poetry collection, Counting Descent, he uses childhood toys to represent and explain the indefinable feelings surrounding experiencing racism. An example of this is a “little girl jumping rope” in “No More Elegies Today” (line 3). Smith illustrates her playing with the rope by describing the “back & forth bob of her head” and the “beads in her hair [bouncing]” on her back (lines 9, 20). With these descriptions, Smith creates an innocent and playful feeling that juxtaposes the melancholy of the previous poems, such as the detail of the child whose “body [was] strewn across / the street” in “Playground Elegy” (lines 9-10). Through the shocking simpleness of the jump rope, Smith conveys how tired he is of hearing yet another story
