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Difference Between Serenity And Nostalgia-Proneness

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Nostalgia and Nostalgia-Proneness Nostalgia translates from Greek as the burning wish to return (Sedikides, Wildschut & Baden, 2004) and was originally defined as a medical condition by Hofer (1688/1934) to describe extreme homesickness. While originally viewed as a negative phenomena, modern conceptualization describes nostalgia an evocation of mixed emotional states where one feels mostly positive emotions towards one’s past with a hint of negative affect towards missing the one’s past (Abeyta, Routledge, & Juhl, 2015; Wildscut et. al., 2006). Holak and Havlena (1998) associated nostalgia with tenderness, exhilaration, loss, serenity and pleasure. Research has suggested that nostalgia can be triggered by negative emotions in order to counteract …show more content…

For this study, the researcher attempts to test how differences in nostalgia-proneness relate to one’s enjoyment and selective exposure of known and unknown characters. Therefore the following hypotheses were proposed for this study. H4: Participants with higher nostalgia-proneness will have higher nostalgia than participants with lower nostalgia-proneness. This difference between the groups will be stronger with unoriginal characters compared to original characters. H5: Participants with higher nostalgia-proneness will have higher enjoyment than participants with lower nostalgia-proneness. This difference between the groups will be stronger with unoriginal characters compared to original …show more content…

The survey consisted of a list of 18 children’s cartoons in random order that aired between 2001 and 2005 that were recognized by IMDd and TV.com for either for popularity or quality (WallaceFRCorrice, 2011; TV.com, 2016). Shows targeted towards preschool children or mature audiences, that came from a transmedia franchise, or that had a theatrical movie release were excluded. In the pilot survey, undergraduate participants (N = 337) rated the overall knowledge of the shows, how they perceived the show’s popularity, and their general enjoyment of the show. 6 participants were removed for incompletion leaving 331 participants (72.5% female, Mage = 20.5, SDage = 2.7, 67.7% Caucasian, 19.9% Hispanic, 12.4% other ethnicities) for analysis. The first two dimensions were measured with three original items each on a 7-point Likert scale from 1, Strongly Disagree, to 7, Strongly Agree (αmemory = .89, αpopularity = .90). Enjoyment was measured with four items from Raney’s (2002) enjoyment scale, using a 7-point scale (α = .97). A promotional image of each show was included with each set of items in order to stimulate memory. All three scales were strongly correlated with each other: memory and popularity, r = .79, p < .001; popularity and enjoyment, r = .69 p < .001; and enjoyment and memory, r = .79, p < .001. All three scales were

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I feel a sentimental longing and wistful affection for the past. Something I have learned over the years is that nostalgia can be something that makes you feel like certains parts of your life were better than they actually were. My experience with trying to go back to the past comes from a place of wanting to ignore my current situation, and feel the way I felt (or the way I seem to remember feeling) in a past situation. Like Gatsby and Emily, it never ends well. I start to feel out of place in my current life and it feels wrong.

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The past is something that is capable of shaping people into who they are, but the past is also an aspect in life that is unchangeable and permanent. In The Great Gatsby, the significant theme of “memories and the past are eternal” is portrayed through the idea that humans tend to remember the past positively via the characters Daisy and Gatsby, the regret within Daisy, and the naive thoughts of Gastby. Throughout the novel, readers receive a sense that is it human nature to remember only the positive memories of the past, rather than the negative aspects. For example, Daisy dramatically states, “Take ‘em downstairs and give ‘em back to whoever they belong to.

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In the articles of “Why Do We Crave Horror Movies” by Stephen King and “My Zombie, Myself: Why Modern Life Feels Rather Undead by Chuck Klosterman, both author argues have similar ideas to why the human being crave horror movies because of the emotions we get from them. In the articles of “Why Do We Crave Horror Movies” by King and “My Zombie, Myself: Why Modern Life Feels Rather Undead by Klosterman, both argue that horror in life is in need to bring the sense of humanity. Both King and Klosterman agree that horror is there to test people’s fear and their emotions.

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Many people are not happy with the things they own because it is “too much” of they have and it is not worth keeping it. However, they have spent money on it therefore, they cannot throw it out easily or they could have stored memories within it. Similarly, in the article “The Class Politics of Decluttering” by Stephanie Land, published on July 18, 2016, suggests how Marie Kondo’s tidying up methods do not give joy. Land explains how throwing away things make you sad because they are not only the things which require space, but the memories that you have created with them. Land defines nostalgia as a sad emotion because she has to throw away her stuff to have enough space in her house.

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False Memories Remembering something that never happened can be dangerous. False memories are seen as a touchy subject in the psychology field. They tend to happen in therapy sessions with a professional and usually include memories where one was abused as a child. They can tear families apart and cause great harm to people. It is very hard to prove a false memory as false and there is no absolute certainness that it can be proven.

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The music and dancing brings an artistry that simply cannot be ignored and the story brings nostalgia that captures audiences

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Nostalgia is no longer about the lost, but about the found. The tension between the times, the past and the present and sets of sentimental values seem to have faded, it is no longer a matter of the heart. The tension is now found more in the art of collecting and ‘re-creating’ the past. The past is not directly inhabited but is available all around the nostalgic

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