realized his leadership role and responsibilities for a cause greater than that of his single person. The chapter repeatedly mentioned how he had no intention of becoming a prominent leader after his testimony. However, his message and delivery was so powerful and inspirational that he converted his audience to his followers/supporters. I think this clearly shows how people willingly choose their leaders and decide who to follow. I believe a leader’s initial impression or leadership potential/qualities attract the attention of followers, then the followers are the ones who give leaders their influential
He was described as “outgoing and extremely personable when the spirit moved him”(65). For my mother, the same thing applies. She has this quirkiness and compassion that’s infectious. Her friends and family confide in her and love is in her
He does not concern himself with what he people will think, instead he shouts out loud and declares his
He shares his Acts 2 model clearly and effectively,
The novel "The Night Circus" by Erin Morgenstern is a beautifully crafted tale of magic, love, and sacrifice set against the backdrop of a mysterious circus that appears unexpectedly and disappears just as mysteriously. The circus is the centerpiece of the story, but it is the characters that bring the narrative to life. One such character is Prospero, the enigmatic magician and mentor to one of the main protagonists. From the very beginning, Prospero is a shadowy figure whose motives and intentions are unclear. He is the one who creates the circus, imbuing it with his magic and manipulating it from behind the scenes.
Erin Morgenstern’s novel ‘The Night Circus’ falls under the genre of magical
And, he is respectful to everyone, even his enemies. These two traits are
He is boisterous and loud. The tone of his voice is clear and confident, and when speaking to the group, he appears to feel worthy about himself, thereby making himself at the center of attention. According to Adler and Proctor, "People who feel good about themselves have positive expectation about themselves have positive expectations about how they will communicate. " This is absolutely true in this particular scene, as we see evidence of Tommy's audience enjoying themselves through his funny banter. However, despite his likable appearance and self-confidence.
Morgenstern’s first description of Herr Thiessen’s reaction to the circus is his statement that ‘it glows’24, sitting alone as a fragmented sentence. This use of sentence structure shows Herr Thiessen’s shock at the beauty of the circus and appears to be an organic representation of his thoughts due to its simplicity. The word ‘glows’ has connotations of beauty and warmth, reflecting how he is drawn to it, much like a moth to a flame. This warmth links back to the feelings of community, familiarity and security established in the reader and Bailey’s first impressions of the circus, and in extending this to Herr Thiessen strengthens and develops this feeling as it appears to connect people between both different places and different times. This image of the circus glowing also contrasts with the simple black and white colour scheme of the circus, designed not to draw attention away from the feats displayed within.
“As none of the guests, also described as “a multitude of dreams,” are given any specific character traits, they could be interpreted as mere “fantasms” of the Prince's imagination, or imaginary projections of the Prince's psyche”(Milne). Poe’s illustration of the guests projects the false image of humanity and society. Society is another world created by self deception and hypocrisy. The humans that create this community are false beings that try to belong into this world by conforming to society’s standards. Prospero’s society is a representation of his own character: full of ignorance, arrogance,
He is sneaky as he weaves in ways to convince his audience. They were a “little ashamed” of what they were doing “evident that the ‘performance’
Shadow theory is the understanding and analyzation of characteristics that the subject is unaware of: weaknesses, repressed ideas, desires, instincts, and shortcomings. The side of a any given personality which is not consciously displayed in public may have positive or negative qualities, and this is the Shadow self. When the Shadow remains unconscious, it causes problems for the person that holds that Shadow and the people that interact with them. Baker believes, “The Shadow self also embodies many darker aspects of the main character’s personality as well as deeply repressed impulses that aren’t always conspicuous to the reader” (1). When reading Hamlet, readers may not pick up on Hamlet’s Shadow.
One might argue that Donald Trump is arrogant and could, perhaps, even be described as egoistic person. Regardless of one’s viewpoint it takes a confident person to be able to lead others effectively especially in a competitive business field. His confidence exudes energy. An energy that grows into an animating energy which is a contagious one that has permeated into the system of his business administration. It must be the strange combination of big thinking and radiant confidence along with high expectations of himself that might have generated the resilience nature in him and in his business.
In this way the trickster is a cautionary morality tale and an instructive tool warning them not to act like him. The most central trait to the trickster figure portrayed, besides these, is the contrary use of his creative and destructive powers which speaks to the very message of ambiguity and liminality within the tradition of trickster mythology. Beyond the combination of opposite concepts, the trickster represents the chaos of all contrasting elements of the world which these tales attempt to
