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The Picture Of Dorian Gray Archetypes Essay

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Picture of Dorian Gray Archetypes Most novels follow the general archetypes when it comes to its characters, and The Picture of Dorian Gray is no exception. Oscar Wilde uses various archetypical characters to send a message, especially about the power of influence. In The Picture of Dorian Gray by Oscar Wilde, Basil Hallward embodies the archetype of the mentor to show the power of good influence, while Lord Henry embodies the archetype of the devil figure to show the power of bad influence and temptation. The mentor’s role in a novel is to serve as the counselor and teacher of the hero. They often serve as a father-figure, much like how Basil is a father-figure to Dorian. In The Picture of Dorian Gray, Dorian is the “hero” of sorts, but he is originally guided by Basil, who is the mentor. Basil gives Dorian advise to use his beauty and popularity for good, and not mess with the evil path of temptation. Dorian has to make a decision between good and evil, which for him is between being a moral person and living a life of pleasure. Basil tells Lord Henry that Dorian “has a simple and a beautiful nature. Your aunt was quite right in what she said of him. Don't spoil him. Don't try to influence him. Your influence would …show more content…

The mentor, Basil tries to use his influence over Dorian to keep him away from a life of sin and pleasure. The devil figure, Lord Henry uses his influence to get Dorian to follow a life of pleasure, and uses the yellow book to reinforce that. Wilde shows that bad influence overtakes good influence, as the bad influence Dorian is under corrupts him and leads him to kill the good influence in his life, Basil. Dorian is so corrupted by the bad influence that it leads to his ultimate destruction. Wilde’s end message is that bad can overtake the good, but it will still lead to a character’s downfall in the

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Foil: The contrast between Basil Hallward’s sincere care for Dorian and Lord Henry’s ill-motivated friendship with Dorian emphasizes Basil’s kind nature and Lord Henry’s slyness. This is clearly revealed in their differing reactions to news that Dorian has been engaged to a Sibyl Vane, a young actress. Basil expresses his concerns of the quickness of this engagement and the effect it may have on Dorian’s reputation while Lord Henry is merely amused as, to him, Dorian is a “subject made to his hand that…seemed to promise rich and fruitful results” (58). 23.

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In conversation with Lord Henry, Dorian says, “I was terribly cruel to her. You forget that.” then quickly follows up with, “You have explained to me myself, Harry, I felt all that you have said but somehow I was afraid of it, and I could not express it to myself.” (Wilde, 90). Dorian is continuing on the path of no return.

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Some feel very strongly about what they know to be certain. Some feel certain about religion, others about love. In Oscar Wilde’s book The Picture of Dorian Gray a character, Lord Henry Wotton, says this, : “The things one feels absolutely certain about are never true. That is the fatality of Faith, and the lesson of romance” (181). The truth one knows does not always prove to be certain.

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Dorian is afflicted with this as he keeps to himself in his estate. Furthermore, without the influence of parents, as stated in the novel that he lived most of his childhood without them, he is offered no other perspective to guide him away from the negative influence from Lord Henry. But as he changes, taking in the influence Lord Henry has upon him, he acts upon his new perspectives without the help of Basil or other peers to turn him back around. This is Dorian’s fault, as he has the outlets in which to redeem himself, just as Frankenstein did, but chose to ignore them, and continued to let their attitudes and passions to get the better of their judgement through

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His views, opinions and influences captivated by Dorian Gray which continuously encourages Dorian Gray into bad things. The third main character is Basil Hallward who was an artist that paints a picture of Dorian Gray and thus, becomes obsessed with him as Dorian Gray’s beauty was Basil’s art object. Basil feelings towards Dorian were left unclear, likely because in that time, those who involved in homosexual are going to be punish be society. ‘The Picture Of Dorian Gray’ book, Oscar Wilde emphasized some relationships which were Basil Hallward and Lord Henry were friends of Dorian Gray, but, as I reach to the middle pages, Basil had feelings for Dorian Gray as he even confessed to Dorian in Dorian’s

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Dorian is a young man who is not yet fully formed in his thinking and has a very handsome appearance. Basil is instantly taken with him and finds that he wants Dorian all to himself. The way Basil influences Dorian isn 't through words but rather through his actions. He idolizes him.

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Dorian Gray is a handsome, narcissistic young man enthralled by Lord Henry 's new enjoyment. He satisfies in every pleasure of moral and immoral life ultimately heads to death. Henry tells

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Before Lord Henry ever meets Dorian, Basil is already watchful of his intentions with him. Basil is a middle class man of morals while Henry looks down on anyone that doesn’t live for pleasure. Basil believes in art while Henry believes

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Lord Henry’s painting showed Dorian the reality of life and all the sins he had committed. With the picture, Dorian destroyed it plus his own life because he could not bear the fact that his beauty was going to fade. In addition, Henry influences Dorian by manipulating him because; he carries on with his idea of remaining youthful. This is evident when he says, "To get back to my youth, I would do anything in the world, except take exercise, get up early, or be respectable" (Liebman 300). Lord Henry had everything to do with Dorian’s obsession of wanting to remain young especially with the picture and his philosophy.

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From the beginning of the novel we get to see a model of poor and unconventional morality, Lord Henry Wotton, a man who is moved by an ethic current called “New Hedonism” which taking into account society’s ethics (specially the ones from the Victorian Era) is quite immoral. The New Hedonism basically consists in looking for the individual’s best comfort, pleasure and happiness (based on beauty), leaving aside the other’s comfort and what should be morally done. This character with poor morality is who guides the book’s main character Dorian Gray along his adventure. However, it is vital to take into account the fact that Dorian Gray is never forced to follow New Hedonism and that Wilde never influences or invites the reader to follow New Hedonist

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Another theme illustrated through Wilde’s use of motifs and symbols is the theme of superficiality. The theme of superficiality can be understood as a sense of the superficial view of outer beauty that is shown in the work. It relates to the concept of remaining young, which is an important factor of what is shown in the novel. This is an important part of the novel because outer beauty plays a bigger role for Dorian, than inner beauty does. In the beginning of the novel, Lord Henry and Dorian have a conversation that focuses on the topic of youth and Dorian 's outer beauty – Lord Henry mentions the fact that Dorian has a beautiful face, and later during this conversation, Lord Henry states that: “youth is the only thing worth having…”

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The double standard can be depicted in image changing, in lavish lifestyles, and in superficial happiness. Dorian Gray, the protagonist in the novel, lives a superficially stable double life. The portrait that Basil Hallward, Dorian’s artist and friend, created for Dorian caused a self-image imbalance. The portrait was young and juvenile, while Dorian was soon to grow old and immoral. Thus causing a mental epiphany that made Dorian realize he could not have his fellow peers discover he is not innocent.

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In the story The Picture Dorian Gray he slowly destroys himself with his narcissistic tendencies. With the encouragement from Lord Henry, Dorians narcissism only grows. While Dorian 's

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Wilde writes about it being “perfectly charming”. The chapter then is corrupted by Lord Henry's influence on page 17. This structure of chapter continues through the first 10 chapters and then shifts to fill a more gothic idea. The setting becomes more ominous with the environment having blinding “fog” (Wilde 147) and the “cold rain”(Wilde 184). As corruption is about to take over Dorian's life he becomes blinded by the “lovely night” and environment again.

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Basil has come to ask Dorian about all the horrible rumors surrounding him, and hopes they turn out false. Basil also asks about the portrait and why Dorian hides it, so Dorian decides to show him his “to see your soul. But only God can do that—you shall see it yourself to-night!”. Dorian then takes Basil to see his picture, which at first cannot be recognized by Basil, but soon he realizes the true horror of the situation, “an exclamation of horror broke out from the painter’s lips as he saw in the dim light the hideous face on the canvas grinning at him” (Wilde 113). Dorians soul has become rotten to the core with selfishness and pleasure, mainly because of Lord Henry’s poisonous words.

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