The newsman states that he never killed four people in cold blood, to which the prosecutor replies that “hanging the bastard” is “pretty goddamn cold-blooded too” (Capote 306). In this statement, the prosecutor expresses his belief that it is not morally correct to hang a murderer who has had such a traumatic past without testing for any sign of mental illness or
As Harry Browne once said, “Since no one but you can know what 's best for you, government control can 't make your life better.” In Fahrenheit 451, a book by Ray Bradbury, he shows ways on how the government is controlling society with surveillance, technology, and censorship. The government gets to decide what is to be done and what comes in and out of that country. In the novel, it shows how the firefighter, Guy Montag, is different than the other people in that society. These aspects of government control are directly going towards Montag because the advance in technology put into the watchdogs that are in Bradbury’s novel is unbelievable.
The prisoners had seen and experienced so much brutality, endured repeated beatings, and humiliated beyond imagination, so one more death did not affect them. Their emotions hardened to the point of being non-existent… or so they thought. Although the prisoners seemed hardened and unaffected by death, a different hanging did deeply affect them.
Moral Ambiguity and History within The Assault Harry Mulisch’s The Assault is a self-proclaimed “story of an incident” (3) wherein “the rest [of the events are] a postscript” (55). The incident in question is the murder of Anton Steenwijk’s parents, and the postscript refers to the future, where Anton uncovers details relating to the incident. Despite Mulisch’s definitive distinction between events, however, the incident itself is convoluted and its details shift over the span of the work. Through the development of major and supporting characters, Mulisch brings forth a diverse range of perspectives and reconstructs the history of the incident, thereby exploring the motif of moral ambiguity within The Assault.
The definition of the word “injustice” means “a violation of the rights of others; unjust or unfair action or treatment”. Injustice and corruption are recurring themes in the novella, they are also crippling issues in prisons in our country and around the world. For example, the United States maintain the largest incarceration rate in the world, at 1.6million. Human rights research found that the massive over-incarceration includes a number of elderly people whom prisons are unequipped to handle, an estimated 93000 youth under 18 in adult jails, along with 2200 in adult prisons. Hundreds of children are subjected to solitary confinement in the hopes that they will reform.
The inner moral compulsion to obey is what drives most social organizations. Sykes (2007) described several structural defects that occurred in the New Jersey State prison. Sykes (2007) argues that power in prison is not based on authority therefore prison officials have to find other means to get prisoners to abide by the rules and regulations. The ability to use force to maintain order on a large scale in the prison is an illusion. According to Sykes (2007), Certain privileges such mailing and visiting, personal possessions, time-off for good behavior etc. are given to the inmate all at once upon his or her arrival to the prison.
In the book, The Turn of the Screw, by Henry James, the mental state of the main character, the governess is questionable and often argued by the audience. The governess reports several sighting of two ghosts, Peter Quint and Miss Jessel, however, the strange events degrade the credibility of the governess and readers must decide if they were real or fake. The governess is insane because she imagines the ghosts, displays excessive fear and anxiety and is extremely paranoid over the safety of her charges. All of this reasons are symptoms of insanity which lead us to logically believe she has a mental illness.
Government in a dystopia is never perfect. When a government becomes too controlling, and the people can 't stop them, a dystopia is inescapable. In Divergent, some of the simplest things in everyday life are controlled by the faction’s rules. The government seems to have taken over fairly quickly. Examples of an over controlling government are shown on just the first page of the book.
The thorough analysis of text leaves no doubt that a prison is a model of a whole society, containing its own relations of subjugation and leadership. As well as in real life, the leadership can be either formal or informal. Prison guards and wardens represent the first one. They have formal legal appointment and
Rhetorical Analysis of “A Hanging” In his personal narrative, “A Hanging”, George Orwell, a renowned British author, who often used his talents to criticize injustice and totalitarianism, describes an execution he witnessed in Burma while serving as an officer in the British Imperial Police. Originally published in The Adelphi, a British magazine, in 1931, the piece was written for educated, politically aware people in England, in hopes of provoking questions regarding the morality of capital punishment, and perhaps imperialist society overall, in those benefitting from such a system. Although he died nearly seventy years ago, his works are still influential and relevant today. Using vivid descriptions and a somber tone, Orwell recreates his experience in a tense narration that clearly shows his thesis concerning the value of human life and the wrongness inherent to a system that dismisses it so casually.
Few remember that not just the indicted are changed in the prison system-the authority figures become different, too. Thousands of people go to detention facilities and stay there from minutes to decades, but the authority figures stay there with every influx of new prisoners. The wardens, in particular, are a monumental part of the system. They regulate the prisoners causing them to adapt to situations, whether positive or negative. Samuel Norton, the warden in the adaptation of Stephen King’s Shawshank Redemption, is embodied by the atmosphere of the prison.
Government has the authority to lead the people, but there is an extent of their control. The novel Clockwork Orange, by Anthony Burgess, depicts a dystopian world of extreme crime and violence. However, while the depicted society does condemn violence, it also facilitates the destruction of humanity and the autonomy of individuals. When a human is depersonalized and stripped of their free will, they are simply the “clockworks” under the control of their oppressors. They are no longer a person; rather, they are the robot that is programmed to give more power to the government.
[He] does not notice the police car… follow him.” This one event, mixed with the stereotype the protagonist has thrown upon him by the cop, seals his fate. All three of these situations foreshadow the ironic and deadly situation that the poor lost man is about to find himself involved. It is these subtle hints to his death that not only add suspense to the plot, but also hold a key importance in conflict development. W.D. Valgardson uses many great elements of fiction to build plot and conflict, as well as teach the lesson of not making snap judgments in his short story Identities.
In In Cold Blood, the issue over the death penalty is prominent. Did Perry and Dick deserve to die? Should the severity of one’s crime determine one’s fate? Although Truman Capote writes the novel in a straightforward, “from a distance” way, he conveys, through his characters, theme, and plot development, that the death penalty is an issue that should be looked at from all sides and that the legal system itself is the real issue at hand, and that the death penalty is used as a means to suppress the distress and indignation of the citizens surrounding the case, instead of suppressing the victim himself.
The Trial, published in 1925, after Kafka’s death in 1924, depicts the internalized conflict Joseph K faces in a society flawed by its abusive power in the law system. The oppressive and mysterious trial wins the reader’s attention in trying to figure out, at the same time as K himself, what the latter is accused of. On the morning of his 30th birthday, Joseph K disregards his accusation as he presumes to be innocent. However, as the protagonist evolves throughout the novel, his conviction of an unavoidable execution leads him to fame his “shame.” Joseph K is a developing character.
