“The Rites for Cousin Vit” is from Gwendolyn Brooks' Annie Allen, the principal book by an African American to get the Pulitzer Prize for verse. Streams, conceived in 1917 in Kansas yet a Chicagoan for her eight decades, is a writer whose most grounded work joins contemporary (however seldom demotic) phrasing with an adoration for word-play and supple, elaborate punctuation reviewing Donne or even Crashaw (and as often as possible Eliot) which she conveys to tolerate, with friendly incongruity, on her subject. “Annie Allen” is an accumulation of sonnets which, taken together, narrative and counterpoint the life of a young lady and of her group: a dark average workers neighborhood in Chicago and soon after World War II. That group, and its consequent …show more content…
Consequently, Gwendolyn Brooks' "The rites for Cousin Vit" utilizes interesting expressive and syntactic techniques, which infer inconsistency and disarray. While the lyric absolutely considers the relationship in the middle of learning and representation, the inconsistencies in the lyric don't propose that this relationship is defective in verse. Rather, Brooks' lyric considers this relationship by additionally considering the relationship in the middle of death and life in the ballad, and additionally the relationship between the two characters. As it were, Brooks presents information about the relationship in the middle of death and life and the way of humankind in a structure that is simpler for people to appreciate and comprehend by offering the complexities of the sonnet as representation. Despite the fact that this is the speaker's cousin, which is for the most part considered as a far off relative, the speaker is by all accounts near her seeing that she knows such a large number of close insights about her. The part saying that she ascends in the daylight is an allegory for her entering the great beyond, where she will be allowed to have a ball with whatever