In spite of the fact that "The Road Not Taken" is a multi layered poem with exacting and symbolic significance, in the exacting sense the storyteller and nature appear to have a unbiased relationship. The storyteller professes to have neither a positive nor negative point of view toward his environment. The forested areas do give him an alternative he should make: to movement down one trail or down another comparative one. "What's more, be one voyager, long I stood and looked down one to the extent I could to where it bowed in the undergrowth" (Frost, "The Road Not Taken"). The storyteller is stating thatsince he has nobody else with him, he knows this choice should be made with little assistance from whatever else despite the fact that he is encompassed by nature. In spite of the way that nature will give no guidance to him in this undertaking, he searches it for pieces of information with respect to what he ought to do. "Then [I] took the other, similarly as …show more content…
There is a positive relationship between the narrator and his natural environment, however the narrator appears to admit that he personally feels a connection that whatever remains of civilization may not consider rational. Instead of stopping for the night in the village close by for relief he would rather stop near the woods, "dazzling, dark, and profound." "Whose woods these are I think I know, his home is in the village however" (Frost, "Stopping By Woods"). In this statement we see that the narrator stops here despite the fact that he feels a type of paranoia that he may be found. That is the reason he feels constrained to explain to himself that this will ideally not happen since the proprietor of the woods lives in the village. The narrator even conceives that his steed is questioning his rationale, thereby making his steed representative of socialized thought, along with the woods'