When the Legends Die Essay In When the Legends Die by Hal Borland the main character, Tom, has shown resentment and hate for most authority figures he has come across. There are different reasons for this including that they’ve lied to him, trapped him, and caused him to damage his pride. After all this he likely feels there’s almost no end to the ways they can harm him, some examples being making him do things that are morally incorrect and making him do things that could cause him long term injury.
Reverend Arthur Dimmesdale, one of the protagonists of Nathaniel Hawthorne’s novel The Scarlet Letter, stands as a highly conflicted character. The source of his divide stems from the consequences of private sins, and is prevalent within the first paragraphs of Chapter 12, “The Minister’s Vigil,” where the narration chronicles Dimmesdale’s surroundings as he dream walks through the town in a state of limbo. He is portrayed as a model citizen who lacks moral imperfections to the general public yet suffers privately from the juxtaposition of his sins to his position within the community. In this specific passage, Hawthorne uses somber diction and imagery to illustrate Dimmesdale’s strife, while portraying his internal conflict through the formation
“Sinners in the Hands of an Angry God” by Jonathan Edwards and “The Black Veil” by Nathaniel Hawthorne, are two texts that talk about religious topics, like sinning. The preachers in both texts are opposites. The texts describe both preachers and how they act upon the church. However, Edwards text was more effective because he used strong, visual words and a subjective tone to grab the reader’s attention and pull them in.
Humans have a tendency to conform and often neglect the potential consequences of doing so. In The Scarlet Letter by Nathaniel Hawthorne, the author introduces those consequences through a respected clergyman and sinner named Arthur Dimmesdale. Dimmesdale struggles with his guilty conscience and cowardice to confess his sin which prompts him to abide by societal rules but question himself in private. Dimmesdale’s conflict between outward conformity and inward questioning contributes to the novel’s message that everybody must confront their sins or they will fall victim to some form of retribution.
He comes to terms at the end, saying that “sin was what you took and didn’t give back.” This literary work is told through the use of several rhetorical devices, including imagery, symbolism, and
In both “The Scarlet Letter” by Nathaniel Hawthorne and “The Crucible” by Arthur Miller, there is an overarching motif of sin and the effects that sin has on the characters and the prose itself. Throughout both pieces of literature, the effects of sin are a large driving force that both progress and enhance the plot. In order to attain a deeper insight of the role of sin in both pieces of literature, it is necessary for the reader to not only look at the sins of the characters, but also look at the background and context of both prose, the treatment of the characters due to their sins, and the overall character development throughout the story. While the focal point of this essay will be to compare and contrast the role of sin in both prose, it is necessary to first look at the backgrounds and
A Lesson After Dying “I turned from him and went into the church. Irene Cole told the class to rise with their shoulders back. I went up to the desk and turned to face them. I was crying.” (Gains, 256)
Arthur Dimmesdale, the minister, a clergyman had committed the horrid sin of adultery, the same sin as Hester. Dimmesdale’s holy affiliation gave him a kind and pure disposition and this was solidified by his dimwittedness, making him seem almost childlike. By having a character with these qualities, Hawthorne contradicts the stereotype he has set up by having Dimmesdale be “unworth... [y] to [complete his] humblest mission” (71), a quality virtually unheard of among ministers. The author then has Dimmesdale confess his “sin so awfully revealed!”(211) in order for both Hester and Dimmesdale to redeem themselves of sin and restore the goodness.
Even the most beautiful of people can metamorphose into something that gives us great despair in every possible way. Thomas C. Foster is a university professor in Flint Michigan who wrote How To Read Literature Like A Professor. Foster helps explain biblical illusions in literature that some people may have trouble noticing. In the text he explains “In modern literature, many Christ figures are somewhat less than Christlike…”(Foster 48). I argue that Fossie could resemble a figure of God because of his power over Mary Anne.
Sin is inevitable. Every person sins, one way or another. Sinning is impossible to avoid even with “practice.” “Young Goodman Brown” by Nathaniel Hawthorne shows readers that. Goodman Brown wants to believe he is a good man, and perhaps he is; but he is tempted by sin all the same.
He fears that he has lost God’s grace, or fears that others may tempt him into sin. Uncertain of his place and of the intentions of others, he attempts to find the sin before it may taint him further. However, sin’s taint had already reached him. Weighted down by his constant search for certainty, Goodman Brown became “a sad” and “desperate man” (395). His sin haunted him until his final breath, “for his dying hour was gloom” (395).
The Human condition is the root of what it means to be human, how we are all human, and in the same way, how we are individuals. Throughout this essay, you will perceive a better understanding of the human condition, and how it is reflected in select pieces of literature. The Human condition is an extremely paramount part of understanding literature. Who are we if we are not human?
The Picture of Dorian Gray written by Oscar Wilde. The Picture of Dorian Gray shocked the moral judgments of British book critics. Some of them said Oscar Wilde deserved to be pursuance for breaking the laws guarding the common morality because the uses of homosexuality were in that time banned. This book was for that time unusual because it had a pretty serious criticism on the society from that time. The novel is about a young and extraordinarily beautiful youngster, named Dorian Gray that have promised to his soul in order to live a life of eternal youth, he must try to adapt himself to the bodily decay and dissipation that are shown in his portrait.
As soon as Dorian enters in Chapter 2 of The Picture of Dorian Gray, Oscar Wildes’ one and only novel, its is evident that there will be a battle between who will have the most influence on his pure, untouched soul. Basil Hallward, a painter and worshipper of art is an optimist and sees only the good in even the wickedest of people, such as Lord Henry. Lord Henry is a charming, self-indulgent aristocrat that shapes and molds Dorian to lead a life devoted to pleasure. Both Basil and Lord Henry represent two important opposing forces in the novel, good and evil. The greatest struggle in The Picture of Dorian Gray is inside Dorian; he himself embodies both pure good and pure evil.
As a writer one is greatly influenced by their personal experiences with social, historical, and cultural context within their specific time period. Oscar Wilde’s The Picture of Dorian Gray was shaped by the aspects of the world around him. The themes of the text are are influenced by morality in the Victorian Era. Throughout the Victorian Era a deeper movement was also prominent in London called Aestheticism. Aestheticism is the worship of beauty and self-fulfillment.
