In this book Glory is overwhelmed with how her town is handling people who are different than they are. She realizes that her favorite local pool is closing down so colored people can’t swim with the whites. Glory becomes an activist herself and writes a letter to the newspaper lining which makes her preacher father proud. Therefore, the theme of this book is to treat everyone equally, such as when Glory’s friend Frankie from Ohio drinks out of the “colored fountain”. Also, when Glory’s sisters boyfriend that he was arrested for sitting with a “colored friend” at the white table.
The novel Passing of Nella Larsen held the historical and legal implications which can be seen through the judicial case of Homer Plessy who had one-eighth black and seven- eighths white. Plessy was forcibly jailed for sitting in the whites- only section on the railroad car in Louisiana. In 1896, at the Supreme Court, he argued that his black ancestry was insignificant and he was a white person by all definitions. The Supreme Court said that forcing Plessy to exclude from the whites section was against the Thirteenth and Fourteenth Amendments about equal protection. However, Judge John Howard Ferguson affirmed that treating all people equally did not paralleled with eliminating social distinction based on colors.
According to Landry, Nella Larsen wrote Passing to furtively cover a subject that was more taboo than the racial issues of the early twentieth century. Specifically the issues that mulatto women faced when assimilating into the white world without self-identifying. Landry states that it was safe for Nella Larsen to write a story about the subject of the mulatto women while interweaving a love affair between two women. Landry argues that “ women of mixed ethnicity fear being defined by other African Americans as race traitors if they resist sexual and gender norms”(26) and that the direct consequence of defying the social norms of the era would be self-loathing and blame. Landry goes on to explain that the negative feelings toward their selves
Passing is a novel created by Nella Larsen to create a noticeable resemblance of the past and the present. Within the novel, one can see the distinct differences and similarities of being an African-American in America then and now. Nella Larsen intended to show readers how African-Americans had to, and in some cases still have to, deny their own nationality and ethnicity to appeal to those of whites in America. Passing is the act of portraying oneself as a different ethnicity and completely taking on a new life role. Nella Larsen mentions how the two characters in the story, Irene and Clare, were passing as Caucasian women even though they were African-American.
In Passing, Nella Larsen narrates the story of Irene Redfield, a reserved woman who eventually encounters her childhood friend, the fierce and seductive Clare Bellew. Clare is a black woman with olive skin who is able to pass as white in all areas of society. She uses this attribute to her own benefit, and though when she was younger she denied her race, since after she reencountered Irene she started to rethink her situation. Although Irene is also able to pass, she maintains a pride of her race, which does not allow her to deny it, unless when needed. In spite of Irene not enjoying reencountering Clare, she cannot imagine the unexpected changes her life will take as her friend progressively enters her life.
Because he cannot pass and therefore faces the typical struggles of a black person, he perceives the necessity for doing so. For him, passing is about surviving and gaining a better lifestyle. Yet still Irene questions the concept of passing and is genuinely surprised that she knows so many people that pass in everyday society, such as Clare and Gertrude, and she does not understand the necessity for them to do so, which is made even more ironic by the fact that Irene too passes on occasion. Although she claims that she has never “gone native in [her] life”, passing for Irene is simply a means of convenience, which is completely unlike why the other two women pass (Larsen
I will be taking a postmodern approach to the text and supplementing it with modernism and psychoanalytic theories before stating my final stance that postmodernism may be the most appropriate approach. This approach ensures that different perspectives are present in my analysis and ensures that it is not one-sided. The question that I hope to focus my argument on is “Does the postmodernist approach better emerge the idea of self from racism?” Rottenberg, Catherine. " Passing : Race, Identification, and Desire. " Criticism, vol. 45, no. 4, 2004, pp. 435-452.
Nella Larson’s novel Passing, tells the story of two African American women Irene Redfield and Clare Kendry who embark on a journey to “reconnect” with one another. Although, similar in appearance, these two women were very different in the way they determined race. For women like Irene and Clare who were physically able to “pass” as white women, despite having African American heritage the typical connotation that race was distinguished by the color of one’s skin did not apply to them. As a result, many women like Irene and Clare would cross the racial lines. The character Clare Kendry was the perfect example of “passing.”
It is often said that a new definition of a woman arose in the 1920s. But is that true? While most women experienced many newfound freedoms in the 1920s, black women could not explore these freedoms as easily as white women. In the novel Passing by Nella Larsen, Irene Redfield and Clare Kendry grew up in Chicago together and are now both two wives and mothers in New York City during the 1920s, but there is a big difference between them. The novel’s title refers to light-skinned black women masquerading as white women for social benefits.
This quotation relates to the novel Passing because it shows the friendship between two childhood friends who rekindle their friendship as grown adults. The novel Passing, written by Nella Larsen talks about two African American woman with different experiences. The relationship between the two African American woman who share two different lifestyles, but similar in different ways. Throughout the novel it is seen that both characters have many similarities and differences. Irene is a colored woman who is married with two children.
In the beginning, Irene criticizes Clare’s lack of loyalty to her race thus claiming: “No, Clare Kendry cared nothing for the race. She only belonged to it” (Larsen, 52). Irene struggles to comprehend the lack of allegiance Clare has to her race. When John makes a joke about her race, “It was hard to believe that even Clare Kendry would permit this ridiculing of her race by an outsider, though he chanced to be her husband” (Larsen, 39). It is intriguing that Clare does not use her white privilege to defend her race and challenge her husband’s hatred of the race.
The second option Irene has to choose from is the socially constructed race that “suffocated her”. Irene is an African-American woman ‘passing as white’ as Clare is. So if Irene chooses to
Nella Larsen, one of the major woman voices of the Harlem Renaissance of the 1920s, when many African American writers were attempting to establish African–American identity during the post-World War I period. Figures as diverse as W.E.B. Du Bois, Alain Locke, A. Philip Randolph and Jessie Fauset, Zora Neale Hurston along with Nella Larsen sought to define a new African American identity that had appeared on the scene. These men and women of intellect asserted that African Americans belonged to a unique race of human beings whose ancestry imparted a distinctive and invaluable racial identify and culture. This paper aims at showcasing the exploration of African American ‘biracial’ / ‘mulatto’ women in White Anglo Saxon White Protestant America and their quest for an identity with reference to Nella Larsen’s Quicksand.
After much hesitation, Carter decides to “pass” as white for only one year. Many complications later arise from Carter's decision to pass as white, but Carter’s success eventually proves that “passing” serves as the right decision. As a white man, Carter’s career gradually prospers as he acquires a medical job in Keenham. Marcia and Carter didn’t want their children, Shelly and Howard, to deal with the same discrimination and hatred Marcia and Carter had to face, so they decide not to tell their kids that they are descended from Negro ancestors.
Nella Larsen’s Passing is a novella about the past experiences of African American women ‘passing’ as whites for equal opportunities. Larsen presents the day to day issues African American women face during their ‘passing’ journey through her characters of Irene Redfield and Clare Kendry. During the reading process, we progressively realize ‘passing’ in Harlem, New York during the 1920’s becomes difficult for both of these women physically and mentally as different kinds of challenges approach ahead. Although Larsen decides the novella to be told in a third person narrative, different thoughts and messages of Irene and Clare communicate broken ideas for the reader, causing the interpretation of the novella to vary from different perspectives.
