The first art element that I feel is one of the most important to the artist pertaining to this painting is the use of line. There is an undefined, invisible vertical line that goes from left to right where the mountains meet the
When looking at the painting for the first time, the viewer’s attention is caught by the bold red, blues, yellows and whites. The prominent primary colours illuminate a clear visual path for the viewer to follow as the subject matters are so vivid compared to the muddy background. The viewer first looks at the golden spheres, starting from the biggest one, before observing the blue and then the red truck. The white diagonal line on the bottom of the truck engages the curiosity of the audience, provoking them to follow down to the dashed road markings. The process is then repeated subconsciously, highlighting how the artwork keeps the viewer moving around the artwork.
The grandiose proportion of the power lines to the houses at the bottom work to helps to connect the two pieces, both of which are completely different in the their composition, into one solidified painting. Without the implied line from the houses to the sky that the power lines create, the top and bottom halves of the painting do not seem to coincide with each other, but could rather stand alone as two separate paintings; one painting done in a naturalist form, and the other in a much more abstract
The Woven is a painting created by Lisa Labarge. This contains the medium charcoal and soft pastel on paper, 40x 27 inches. The painting is located in studio Gallery 234, Pennsylvania, York. According to Labarge, the Woven is a painting that crosses the boundaries of classical and non-classical. Moreover, she specified that the Woven can be made with marble in a classical style.
Literacy Midterm Innocence. This is something that many people tend to lose over time. In the book “Bless Me Ultima” by Rudolfo Anaya, the main character, Antonio Marez y Luna, is said to have lost his innocence as he grows up. I have recreated the scene where Antonio is believed to first lose part of his innocence in a form of visual art. The art is based on my interpretation of the scene.
They lead your eyes to the large boat, onward to the bottom, where there are animals boarding it. The lines are also very sharp. They outline the shapes in the painting, giving the shapes a clear border. The next element is shape. The shapes are at very sharp angles.
Viewing the painting, brightens the light in the artwork. There is a sense of reality as the light seems to move through the clouds. The faces of the characters are shown by light and there is an effect of light moving by walking in front of the scene. Emotions are evoked when one looks at this scene. There is a state of protection and safety.
However, cool and dark colors are utilized in drawing the plain, which implies a depressing mood in crossing the plain. Considering about form, linear and aerial perspectives are used in the drawing in showing the ways and direction of moving and expressing the depth and width of various views, like the layers of gross and the distance between plain and mountains, respectively. Moreover, the use of light and shadow effectively showing the distance of each objects as well as making the objects, for instance the costume and the characters in a three-dimensional proportion. For texture, the artist uses different line qualities to compose each objects. For example, the repetition of thin lines are used in creating the shapes of gross and curve lines are utilized in drawing the shadow of objects, which is reflected in water.
The main focus of the painting is the architectural aspect. The scene is dominated by the main building and the large arched bridge that juts out in front of it. It is proportionally placed within the canvas. The width of the central façade makes up the central portion of the painting with the doorway being centered within the entire composition.
The main element of Art in this photograph is Line. From the grass leading up to the front of the church to the boards along the church wall a line forms it all. The line upon the church boards
The appealing factor of this paintings comes from its message and juxtaposition of colours and stroke
The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with
There is no source of natural light in the picture, and the direction of the artificial light is indiscernible. When a viewer first looks at the painting, they see the cow and man observing each other. Then, a viewer will notice the finer details of the smaller cow being milked, the man with a scythe in the town, and the sapling being held by gentle hands. The colors in the foreground are whites and greens, while in the background there are darker tones of green and black. The lines are curved and overlapping, suggesting wrinkles and folds in the cow and the
Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.
In this artwork, Van Gogh uses strong vertical lines to give the sense of unease. These lines are present in the floor boards, the chair and in the wall. The lines give an unnerving feel to the room as vertical lines suggest that the room was not a place of tranquility, or calmness, but a rather gives a sense of despair. Furthermore, In the room there is also horizontal lines to suggest peace, and calmness.
