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The Symbolism Of The Quilts In Everyday Use By Alice Walker

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Alice Walker’s “Everyday Use” Alice Walker’s “Everyday Use” is about a family of three women who have a weak relationship due to jealousy, burdens, and insensitivity. The characters are the narrator, Mama, Maggie, and her eldest daughter, Dee. The setting is the Deep South in the early 1970s. Dee, the antagonist, comes back home to pick up a few items she wants for her new home and wants the quilts Mama’s family has passed down for years, but Mama refuses. Dee believes her family is not intelligent enough to understand their family heritage and thinks she would be better off with the quilts and use them as an art piece. Alice Walker uses symbolism, theme, and metaphors in her story “Everyday Use.” The first pieces of symbolism in the story …show more content…

The quilts are the main portion of the story because they represent Mama’s family heritage. The quilts are composed of “scrapes of dresses Grandma Dee had worn fifty and more years ago. Bits and pieces of Grandpa Jarrell’s Paisley shirts. And one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the Civil War” (Walker 152). They also represent coming together and healing. Mama, Dee, and Maggie do not have the most ideal family relationship, but Maggie and Mama are creating a stronger bond after Maggie told Mama Dee can have the quilts because she can “’member Grandma Dee without the quilts” (Walker 153). Not only does Maggie cherish the quilts because of their background, but she also knows how to quilt, thus giving her the ability to carry on that heritage. This makes Mama realize Maggie is

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All this repetition has this aim, and further, reveals the ideals of socioeconomic status. The connotations of her trying to see her heritage and feel it are different from the ideals of her mother; using the quilts for everyday

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She doesn 't know how hard life is with her sister and mother. Dee only cares about what she wants and she talks down on her family. She believes her sister could not use the quilts in a way she thought they should be used. " Maggie can 't appreciate these quilts!" she said.

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She loves them for the way they look. Mama, on the other hand, views the things from her mother as artifacts. She loves the items more than how they look. She admires the quilts because of their everyday use. Transformations take place between these characters.

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It doesn't matter if they get ruined because it's not the quilts themselves that matter it’s the memories that are tied to the quilts. Mama doesn't want to give Wangero the quilts because she cares more about the specific quilts than the memories and history behind them. In paragraph 16 she says “You don't understand. The point is these quilts, these quilts” She is so set on having those specific quilts that she's overlooking the actual meaning. Mama doesn't want them to be display pieces she wants them to be used and

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Alice Walker’s “Everyday Use” illustrates Dee’s struggle for identity by placing her quest for a new identity against her family’s desire for maintaining culture and heritage. In the beginning, the narrator, who is the mother of Dee, mentions some details about Dee; how she “...wanted nice things… She was determined to stare down any disaster in her efforts… At sixteen, she had a style of her own: and (she) knew what style was.” Providing evidence to the thesis, she was obviously trying exceptionally hard to find for herself a sense of identity. She wanted items her family couldn’t afford, so she worked hard to gain these, and she found a sense of identity from them, but it also pushed her farther away from her family.

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When Dee practically demands the quilts promised to Maggie, Maggie automatically forfeits them without complaint. She never takes the time to battle her sister and she doesn't lose her composure. She, akin to a defenseless child, gives in to the pressure of Dee. "She can have them, [the quilts] Mama,” She is far more worried about keeping the peace and hiding from the commotion than defending what belongs to her. This professes Maggie to be a very complacent and scared girl, especially in the face of her sister Dee.

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“the quilts are the central symbol of the story representing the connectedness of history and intergenerational tries of the family” (“everyday use”). This means that the quilts mean heritage and remind the daughters of grand mom dee. The quilts are fought over at the end of the story because of the meaning of them. One daughter wants them for everyday use and one wants them just to have them because it means heritage to her. The mother at the end of the story agrees that they should be used for everyday use.

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Ms. Johnson didn't have an education, yet she knew the value of the quilts and she didn’t let a few words from Dee change her decision of giving the quilts to Maggie. Dee leaves her mother’s house quite upset and tells her sister, “You ought to try to make something of yourself, too, Maggie. It’s really a new day for us. But from the way you and Mama still live you’d never know it” (Walker 12).

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This new outlook on her life caused Dee to place different values on the items with which she had grown up. She wanted to take the items as things to put on display like art hanging on a wall. Dee even wanted the cherished quilts to “hang them” (Walker, 1973) instead of using them as blankets. As she saw it, to use the quilts for their original purpose would destroy them, or as she said, “Maggie would put them on the bed and in five years they 'd be in rags” (Walker, 1973).

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(Nancy Tuten) agrees by saying, "Mama's distaste for Dee's egotism is tempered by her desire to be respected by her daughter.” The Mom’s character changes during the quilt scene, as she realizes that Maggie shares the appreciation of culture and heritage, and Dee's appreciation is entirely different from theirs. During the quilt scene, Dee is demanding Mom to give her the quilts, and Mom says, "when I looked at her like that something hit me in the top of my head and ran down to the soles of my feet.” In other words the daughter who she has always thought so highly of knew little of their culture and had little appreciation for their heritage. Walker creates the “mom” character to help defend her point, which is the importance of upholding the values and traditions in the African American

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Maggie has a very bad relationship with her bigger sister Dee with jealousy and hatred. Mama always thinks that Maggie lives an unfair life but Maggie never said that. “Maggie asked me mama when Dee ever had friends” (Walker, 317, 14), this quote shows how Maggie is jalousie from Dee, actually dee has friends. When Maggie sees stuff she doesn’t like she hides it and doesn’t talk but when she knew that Dee wanted to take the quilt that mama promised to give her she dropped the plates and smashes the kitchen door very hard.

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As she looks at her quilts, Mama remembers that a certain patch came from her grandfather's paisley shirts, that some pieces came from dresses that Grandma Dee wore 50 years earlier, and even that there was a very small piece of her great-grandfather's Civil War uniform. From this, we can all see how and why they mean so much to her. To Dee, the quilts are a quaint "primitive" art. To Mama and Maggie, they represent more than that. They are family memories, very personal and very special mementos of loved ones who are gone.

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Having done so, she goes on to highlight the ‘womanist’ culture. Afro-American tradition, for Mama, is symbolized by churn. It is a tradition of bonding, of mutual nurturance. Similarly, the symbol of quilt for Mama is not just a utilitarian item but a living tradition. Alice Walker, in fact, uses the imagery of the quilt to suggest what womanism is all about.

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