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Justice in ancient greece
Justice in ancient greece
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For many decades the issue on men and the way they treat their wife’s can be thought of as an interesting topic. Something in particular is the story of “Euphiletus, A Husband Speaks in His Own Defense”, and “North Slope of the Areopagus” which symbolizes the way Ancient Athenian men acted towards their wife. To add, in a way, how much women can have a major impact on men’s lives. Taking place around 400 B.C.E, the ancient Athenian murder trial rationalizes around the speculations of marriage, the roles women took part in ancient Greece, and the fears a husband faces after failing to closely monitor his wife.
The Odyssey is Homer’s epic of Odysseus’ journey to return home, to Ithaca, after the Trojan War. This novel includes altercations with mythical creatures when he and his men must face the anger and punishments of many gods. Also, his wife Penelope and his son Telemachus attempt to stop the suitors that are looking for Penelope's marriage, and Ithaca's throne long enough for Odysseus to return. The Odyssey ends when Odysseus proves his identity to all who are surrounding, slaughters the suitors, and reconquered his kingdom of Ithaca. Through epithets and cultural aspects, “The Odyssey” by Homer, Robert Fitzgerald’s translation, illustrates an opposition between the [Cyclops] and hospitable men.
The idea of 'justice' in ancient Greece is confusing. In both the trial in The Eumenides and the depiction of the trial in The Penelopiad, the “accused” do not deny the murders they commit. What seems to be more important is the reasoning and justification of the murder. In The Penelopiad, the court is depicted as a familiar 21st century model. The Attorney for the Defense opens the argument, “Was he or was he not justified in the slaughtering, … we do not dispute the slaughters themselves … [of] upwards of a hundred and twenty well-born young men, give or take a dozen (page 175, Penelopiad)”
ithin his lifetime Aeschylus bore witness to a series of constitutional changes that delivered Athens from its tyranny under Pisistratus and his sons to the establishment of a complete democracy. With this political transformation arrived dramatic social and cultural upheavals. The historical context ORESTEIA…. Athens was undergoing rapid and dramatic transformation from
The actions of the play Libation Bearers by Aeschylus occurred in Argos after Clytemnestra killed her husband Agamemnon. Libation Bearers is like Sophocles’ Elektra regarding using the same myth and plot but differs with character development. Libation Bearers expands more on Orestes killing his mother rather than on Electra’s life after her father is killed like in Elektra. The play starts with Orestes calling out to the god Hermes asking him to protect him on his journey to carry out the deed to avenge his father. While at his father’s grave, Orestes sees his sister and her ladies in waiting, heading toward their father’s grave to give libations from their mother.
In The odyssey when Odysseus came back from his long over due stay away from his family where he spent ten long year away from his family where he did not even get to rise his own son and to have an to hole is wife Penelope but only by time he gets back from his trip he came home to see other people at his house with his family. For me personally I think the punishment what Odysseus gave to these wooers not so sever because Odysseus left his house better say his home town of tory for over twenty years he leave his one and only son with his wife because wasn’t expecting someone to take over his house. So the position I take one this issue of Odysseus taking revenge I would not say it was revenge I would simply put it as taking back what
In contrast, in the Oresteia, the myth demonstrates an overwhelming theme of justice. Agamemnons’ death here shows the curse hunting his household from generation to generation, starting from Agamemnon’s father
To accomplish this analyzation I have structured this paper into an intro paragraph, four body paragraphs, and a conclusion paragraph. The first body paragraph explains how Penelope’s forced marriage with Odysseus supports the patriarchy. The second paragraph analyzes Penelope’s character, and how the story diminishes her character to make men seem more powerful. The third paragraph dives into the relationship with the suitors and Penelope. I analyze how Penelope uses her situation to her advantage, and how that undermines the patriarchy.
It is this fate, I solemnly assure you, that I dread for you, when the time comes that you make your decision, and realize that there is no longer anything that can be done. May you never find yourselves, men of Athens, in such a position! Yet in any case, it would be better to die ten thousand deaths, than to do anything out of servitude towards Philip. A noble reward did the people in Oreus receive, for entrusting themselves to Philip's friends, and thrusting Euphraeus aside! And a noble reward the democracy of Eretria, for driving away your envoys!
It can be seen as a trend throughout history that stories reflect a society’s culture and values. One of the most memorable and inspirational civilization that made a substantial contribution to literature was Greece. Sophocles, a renowned Greek playwright, is beloved for his dramatic and action-filled plays that effectively satisfied the ancient audience. In Sophocles’ tragic play, Oedipus the King, the main character, Oedipus finds difficulty proclaiming his purpose against the fate bestowed upon him by the gods. Alongside his struggling, the values and cultural aspects of the Greeks emerge, reflecting their views on society during that time period at which the play was produced.
He is now obliged to enact justice in the form of a murder of revenge committed not only against a male outsider to his household, but also against his own mother. This imposes on him a moral dilemma in which he is torn between the need to avenge his father’s death and his horror at killing his own mother. This dilemma is dramatized in the divine realm as well, with Apollo supporting Orestes, while the Furies, goddesses of revenge, persecute him mercilessly for matricide. This moral problem, which is essentially about the nature of justice, is resolved in the final play of the trilogy by Athena’s intervention and the introduction of a new form of justice, based not in the household’s need for revenge, but in the city’s need for stability. The first law court is established in a celebration of an Athenian democratic institution.
One would assume that Herodotus would end his Histories with the Battle of Mycale, which marked Greece’s defeat and the end of the second Persian invasion of Greece, but he ends with three digressions from the main text. One of the digressions that Herodotus ends with includes the Siege of Sestos and the vengeance of Protesilaos. Through this digression, Herodotus maintains the theme of revenge and foreshows the future power and downfall of the Athenian Empire. The vengeance of Protesilaos shows the continuous theme of graphic revenge and its consequences.
ANTIOPE was a princess of the Boiotian town of Hyria, a daughter of prince Nykteus. Although some say her real father was the god of the local river Asopos. Antiope was loved by the god Zeus who seduced her in the guise of a satyr on Mount Kithairon. When Nykteus discovered she was pregnant he threatened her, and so she fled the country and sought refuge with King Epitopes of Sikyon. The prince then killed himself in shame, persuading his brother Lykos to avenge his dishonour.
Both Euripides Mythical Troy and Osofisan;s historical Owu are presented as autonomous city states under long time sieges- to which they eventually capitulated with the attendant loss of sovereignty, lives and liberty. While there is not much of a physical/mental connection by the readers /audience of todays drama to Euripides Troy, the same cannot be said of Osofisan’s Kingdom of Owu which provides unique references to a historic political reality; the Owu war. On an easily, accessible level of interpretation, both plays show the horrors of