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Postmodern feminism essay
Postmodern feminist theory
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One of the most well-known entertainers of the world, Beyoncé, is part of the best singers in the music industry. She is, somehow, considered to be a great example of the Feminist movements for showing off the talents of the femininity. The Feminist Movement started in the 1840’s, but it didn’t really expand until the 1960’s after Betty Friedan’s book The Feminine Mystique was published. In that book, Betty encourages women to change the way society view them as the ideal employment for them is to stay at home mom and wife voice their opinions and fight for equality of the sexes.
Women are useless; at least that’s how they’ve been regarded as throughout history. During the totality of history women have been treated and observed as inferior to men. Women have always been the subjects of judgment, being seen as both weak and as obedient servants by their societies as well as their respective religions. Women have long been the discussion of men, with no input from women. Interestingly, women’s fate has always been determined by the opposite sex, without an insightful analysis from those who will be affected from the boundaries that would be set as a result.
As with all theories, this feminist approach to Louise Halfe’s “Body Politics” does not come without its flaws. While it can be argued that this poem criticizes the performativity of feminine gender roles in a patriarchal society, this cannot be proven definitively without knowing the author’s original intentions. Furthermore, the poem does not give its readers enough information to conclude that the society the women live in is in fact a patriarchal society. This becomes evident, as there is no reference to any masculine figure – so any assumptions about the masculine-dominant culture are purely speculative. It is possible that Halfe wrote this poem in an attempt to challenge the gender binary, however one stands to question how successfully she is in doing so.
A Young Woman’s Voice in a Society That Devalues Femininity In the article “Young Women Shouldn’t Have to Talk Like Men to Be Taken Seriously,” Marybeth Seitz-Brown argues that women should not have to change their voices to be heard by a society that constantly devalues femininity. Seitz-Brown uses three effective rhetorical devices to effectively prove her argument: her awareness of the rhetorical situation, her stylistic choices, and the arrangement of her article. Seitz-Brown’s awareness of the rhetorical situation enhances her argument by tastefully adding to the feminist discourse at the time. Her target audience is all of American society because, at the end of the article, she urges that “we can do better than that” (Seitz-Brown).
Paolo Pedercini uses his video game Unmanned to deliver a social commentary on the normalization of bigotry that is present in the thought processes and behavior patterns of privileged cisgender, heterosexual, white men. The Western market for video games is designed around the concept that video games are for boys. Most games strive to allow the player to immerse themselves in the protagonist- and what better way for a man to immerse himself in a character than if the character displays the same bigoted traits as he does? In “A Series of Interesting Choices: The Building Blocks of Emotional Design”, Katherine Isbister says “The player moves through the game world taking actions as this person, adopting his or her concerns and struggling
The article is based on how social construction theory is based on the idea of “natural,” rather than based on invariant result of the body, biology, or innate sex drive. Whiles essentialism in the study of sexuality as believe that a human behavior is “natural,” that is predetermined by genetic, biology, or physiological mechanism that doesn’t change. The perspective of moving away from essentialist framework that challenged the “natural” status, suggesting that human’s gender and sexuality is called into question. In the article, “Social Construction Theory: Problems in the History of Sexuality,” Carole Vance argues that social construction violates idealistic of ideology, and raise status question.
Using Feminist Theory, the reader can understand the message in “The Yellow Wallpaper.” In the story, John’s wife is slowly going mentally insane. John limits her abilities in society, because John does not allow her to work, the ability to write, and forces her to stay in the isolated nursery. For example, John’s wife describes her desire to work to do her good mentally. “Personally, I believe that congenial work, with excitement and change, would do me good.”
The essay “Why Boys Don’t Play With Dolls” by Katha Pollitt, is an essay angled at young people who are, or potentially will be parents. The piece begins with an analysis of the indoctrination of gender roles upon children, with the focus beyond societal influences. Pollitt says other people claim that the reasoning behind children’s affinity for specific toys can be traced to things innate in humans, listing “...prenatal hormonal influences, brain chemistry, genes…” (Pollitt 1) as the top offenders. She also includes “...that feminism has reached its natural limits.”
The fight for women’s or people of colors rights is not new. Women and people of color have been fighting since the beginning of time for their systematic rights. Sojourner Truth said in her speech “to the Women’s Rights Convention,” “I have heard much about the sexes being equal. I can carry as much as any man, and can eat as much too, if I can get it. I am strong as any man that is now” (890).
It is biologically impossible for a human to reproduce with another mate of the same sex, therefore it seems like a far-fetched idea to state that we can change society or live in this current one with everyone being or acting as though they were genderless. Poisson’s grand idea of a genderless society will inevitable fail due to society’s strong resistance and the social structures that were built over time. These building blocks of society and gender helped define the culture that we live in today. By trying to shift or destroy these very significant parts of society, one will soon discover the devastating effects of it on the world. Levy’s shows a very good example of this is her work when talking about the women dubbed the name “female chauvinist pigs” who are women who act like men to get in higher levels of society and more of an elite status in the world.
The Progressive Era, lasting from about 1890 to 1920, was a period of social reform and adaptation to the new technologies and advancements of the Gilded Age. With the increase of railroads and other means of transportation, people in the Progressive Era had access to more goods and information than ever before. Society was adapting to new industries that required less man power and more machine power, and domestic life was no different. The technologies introduced into the homes of white middle-class women meant that the workload they adopted was much lighter. Women of this era arguably felt some of the most significant changes of the late nineteenth and early twentieth century.
Nicolas Cage states, “I think what makes people fascinating is conflict, it's drama, it's the human condition. Nobody wants to watch perfection.” Anger, Death, Violence, Chaos, the past, speaking silently in the darkness. These nouns draw our attention by the main and forefront inclination of human nature, and how our bodies are programmed to maintain focus on such events. An inescapable collision course, since the dawn of time conflict, has arisen deep within our souls, along with the obscurity that ensues, being a fundamental factor in how we cannot process the cause or reason of why individuals let negativity, personal gain, hatred, and other emotional charges take control of their mouths and body.
In most feminist movies the protagonist is always a young women, usually between the ages of 25 and 35. This is an important age range because it shows that the protagonist is able to live on her own and support herself but she still has enough time to settle down and have a family. Even though expressing sexuality is an important part of postfeminism, in the end, the main goal is to eventually settle down with a good man and have a family. Since postfeminism goes back on many aspects of feminism, the same happens in post feminists film where in the end the heroine either ends up with a man or finds happiness with a man. This is indeed the ending for the film that is going to be examined in this paper.
Critical feminists use gender ideology as a concept which describes the ideas and beliefs held by society of appropriate ways in which a male or a female should behave and the masculine or feminine traits they are expected to possess and portray as appropriate to their biological sex (Coakley and Pike, 2014; Houlihan, 2008; Jarvie, 2006). In order to understand gender ideology, the process of gender socialisation must be considered; this being the learning of norms and values which
The aim of this paper is to draw out the implications of liberal feminist framework for the analysis of education. Doing this paper will discuss its conceptual basis, its typical educational objectives, strategies for change and criticism of the approach. Feminist theoretical framework addresses the question of women’s subordination to men: how this arose, how and why it is perpetuated, how it might be changed and (sometimes) what life would be without it. Middle range theories may be less dramatic and consider particular aspect of gender relation and specific sectors of life such as education, the family or politics. Feminist theories serve a dual purpose, as guides to understanding gender inequality and as a guide to action.
