The Things They Carried, By Zora Neale Hurston

One major theme authors universally write their stories around concern the power of human relationships. Though writers may take different paths to communicate this, the strength that comes from these unique connections that exist between individuals resonates with everyone. Authors clearly articulate through a myriad of rhetorical devices that maintaining relationships is a fundamental part in personal growth and allows for a stronger sense of self. In finding companionship and comradery. people become capable of evolving and arriving at better understandings of who they are. A lack of stable and secure relationships in one’s life may lead to detrimental effects on one’s mental and emotional health. Throughout The Things They Carried, Tim

Their Eyes Were Watching God tells the story of how one man, Tea Cake, changes how a grown woman named Janie views life, opportunity, and happiness. Zora Neale Hurston employs parallelism in order to reveal the dynamic of this relationship between Janie and Tea Cake and writes, “He drifted off into sleep and Janie looked down on him and felt a self-crushing love. So her soul crawled out from its hiding place” (Hurston 128). At the very end of the book, Hurston writes again, “Here was peace. She pulled in her horizon like a great fish-net. Pulled it from around the waist of the world and draped it over her shoulder. So much of life in its meshes! She called in her soul to come and see” (265). Hurston beautifully depicts this image of Janie’s soul emerging as a statement of her love for Tea Cake and of her vulnerability when she is with him. Likewise, at the end of the story, Janie calls on her soul to come out yet again at the moment in which she reflects upon her life with Tea Cake and in a way thanks him for allowing her to be free. In the first instance, Tea Cake is alive and physically sleeping beside Janie. However, at the end of the story, after Tea Cake has died, Janie’s adoring and loving memories of Tea Cake continue to live on and that in itself is enough to make her feel at ease. By paralleling Janie’s soul in these two moments, Hurston highlights the

Kathryn Stockett’s The Help, attests to the hateful and cruel reality that is the life of African Americans in Jackson, Mississippi circa the 1960’s. Stockett writes many anecdotes surrounding the relationship between Constantine, an African American maid, and the child she cares for, Skeeter. Skeeter reflects upon a memory of Constantine and