Characters in stories sometimes follow a theme when it comes to their traits. These traits are called archetypes. Archetypes can be as simple as a villain or hero. They can also be used to portray unfathomable human characteristics that exists in everyone. Characteristics such as greed, lust, envy, pride, sloth, and gluttony are examples.
His use of examples of influential celebrities and textual evidence portrayed his ideology of villain actions in two different settings. He described a villain as one who hurts others through emotional manipulation by ridiculing one self’s image and reputation to gain relevance throughout the world. This is relatable to my point of view because of my personal cyber bullying story. Moreover, this led to another villain that steals materialistic objects to have a financial gain. Klosterman conveys his argument in a coherent way which allows me to connect with him in agreement with his definition of what a villain is.
(Beddor 11). This statement shows how Alyss was a child who often liked to trick others. Although Alyss may have been a trickster when younger, she later matured into a kind person through experience in “...struggle...unfairness, corruption…” (Beddor 102).
The last and third character will be Marty (The Fool). This character archetype can also be “The Stoner”. He falls on both archetypes. The movie recognized him as a fool or stupid, but he really is not. In the film, he is easily recognized as “The Fool” based on his messy, sloppy dirty look and some of the non-sense stuff he talks about.
According to Chris Hedges in his excerpt “Empire of Illusion,” “The most essential skill in political theater and a consumer culture is artifice” (Hedges 1). Chris Hedges wrote this book to persuade the audience that the most essential skill a person can have is artifice, the skill of deception. Throughout the excerpt, Hedges covered the important of artifice by detailing the importance of personal narratives, where the reality is irrelevant (prompt). This topic is broadly known as controversial due to the fact that some people believe artifice is necessary to be successful in life. However, others believe there are various other skills one can possess while being just as successful.
Mental Battles at Sea 227. The number of days Pi survived at sea with little food, little water and, even a Bengal Tiger..or so he thought. Life of Pi, written by Yann Martel, describes the journey of a young boy named Piscine Patel, also known as Pi, whose father owns a zoo in India. When his family decides to sell the zoo and move to Canada, the freighter they travel in breaks down and sinks. Luckily, Pi gets on a life boat just in time but weirdly enough, with four zoo animals who were also in the freighter.
Penelope and Odysseus’ use of tricks and deception are both a help and a hinderacne in allowing the former to avoid a second marriage and confirm her husband’s identity and the latter to attain nostos. Odysseus is wise not to tell his crew of Skylla, but should have divulged the contents of the bag of winds. Similarly, Penelope’s trick with the bed was harmless and successful, whereas undoing her work on the shroud has severe consequences when she is caught. As Homer’s Odyssey demonstrates, tricks and deception must be used wisely in order to avoid problematic
Now, tricksters are characters that engage in deceitfulness or magic, in order to get what they want. The character Anansi is a spider from West African folklore. Meanwhile, Iktomi is half -human and half-spider, known to be a cultural hero in the Native American tribe of Lakota. Each of the cultures associated these two characters in tales called trickster tales. Anansi and Iktomi have differences; thus, they are not the same character.
This shows that both character archetypes- the trickster, show up in “MSND” and “PAP” and relate to the overall theme of
The archetype of the weaver is ancient and represented in many cultures worldwide. Many of us are familiar with the Goddess Athena and the Three Fates from Greek Mythology; the Goddess Frig hails from the Norse Myths; the Goddess Iyamoopo from West Africa and Spider Woman is sacred to the Navajo people. These are only a few examples of Weaving Goddesses. The Archetype of the Weaver. To learn more I 've posted some helpful links at the bottom of the page.
The trickster is a source of life lessons throughout the copious myths that exist, from behaviors to morals. The character filling this role is generally neither virtuous or evil and shows duality in human nature. They are primarily perplexing and abnormal,
In great literature there are often characters who are deceitful to others to carry out a greater purpose. By doing so the character often compromises relationships with friends and family but it can also compromise the safety of the character and others around them. In the play Hamlet Shakespeare uses Hamlet’s character to elaborate on this situation, Claudius is deceiving his family and friends for a greater purpose which at times seems to do more bad than good. Claudius deceives many people in the tragedy Hamlet.
Do you like animated films? Well, Finding Nemo is the ninth most grossed animated film of all time. Finding Nemo was an adventure and comedy film, that taught the world the importance of teamwork, collaboration, and cooperation to everyday life. Archetypes are used in many films, movies, and/or books to help both enhance and advance the audiences/readers understanding of the story.
In Shakespeare’s Othello and George Orwell’s Animal Farm, characters ability to manipulate others with ease is the flaw in societies structure, consequently, leading both works into tragic outcomes. This is done by blurring the perception of appearance versus reality, limitlessly committing to one’s desires, and taking advantage of others flaws. Throughout both novels, the villains mislead the other characters by forcing them to misinterpret what they see. This in result, allows the villain to gain obstructive power.
On a basic level a trickster, just as his name signifies, is a trick-player who uses deception and manipulation in his travels. The fact that he deceives to obtain base pleasures such as food, sex or just the entertainment of tricking someone, is also an aspect to be considered in defining trickster behavior. But Trickster is too complex to only be considered a trick-player. In the process of his deception he tends to overturn and demonstrate rebellion against the established social order and customs. This is not a way to fight against establish society as it may seem, but a way to reaffirm the necessity of rules and customs in maintaining social order in the minds of the younger generations who may hear these stories.
