He has a choice to make, so he has to decide if living is worth living and if it is how he will deal with the situation that he has. Hamlet was conflicted he didn 't understand the value of his life in that exact moment. In Hamlets soliloquy the was thinking about the pro and cons of wether to end his life or deal with the problem that his dead father brought to him. He was starting to come to a decision when he’s thoughts were interrupted. This soliloquy brought to light the peoples that most people go through or think about.
Is he crazy or is he just grieving? Or is he grieving incorrectly? The Kübler-Ross model, otherwise known as the Five Stages to Grief say that one must go through Denial, Anger, Bargaining, Depression and Acceptance before they have properly grieved. While there is no wrong or right way to grieve, the stages are listed as an example of what might happen. Hamlet, in the play Hamlet is made out to be crazy but in reality he is not grieving correctly.
He doesn't even consider his friends’ suggestions or pay them any attention. Hamlet draws a sword on his friends forcing them to let him go and follows the mysterious ghost into the forest without any contemplation. Hamlet is basically thinking to himself “what is there to lose?” He doesn't find much value in his life. This is known because of how many times he contemplates life or death in the story.
Throughout the play, Hamlet has various points where he is confronted with suicidal thoughts or attempts. Throughout Hamlet’s first soliloquy “Oh, that this too, too sullied flesh would melt, / Thaw resolve itself into a dew, / Or that the Everlasting had not fixed/ His canon ‘gainst self-slaughter! Oh God, God!”
In Shakespeare’s Hamlet, Hamlet struggles to cope with his late father’s death and his mother’s quick marriage. In Act 1, Scene 2, King Claudius, Queen Gertrude, and Hamlet are all introduced. Hamlet has just finished publicly speaking with his mom and the new king, and after he is interrupted by his good friend Horatio, who reveal the secret about King Hamlet’s ghost. Hamlet’s soliloquy is particularly crucial because it serves as his initial characterization, revealing the causes of his anguish. Hamlet’s grief is apparent to the audience, as he begins lamenting about the uselessness of life.
Hamlet, after being left alone in the hall, begins to argue with himself about whether “To be or not to be?”(III.i.57). Hamlet discusses the topic on whether he should end his life or keep on living. Throughout Hamlet’s soliloquy he comes up with reasons to support each side of his argument. Hamlet’s sanity is still intact at the moment because if someone who had lost their sanity began to contemplate killing themselves they would commit the act right away without even thinking. In addition, Hamlet manages to list reasons on whether he should go through with killing himself or not which an insane person would not do.
He was to the point where he thought it would just be easier to die than to live with all these struggles. Hamlet’s uncle Claudius killed his father which put a huge burden on his shoulders because he loved his father so much. What made it even worse was his mom, Gertrude, ended up marrying Claudius short after King Hamlet 's death. After the king was murdered, Hamlet saw his father’s “ghost” which told him that Claudius was in fact the one that killed him and that he wanted Hamlet to seek revenge for him by killing Claudius, but not to punish his mother for remarrying. He said it is not his place to do so and that heaven will judge her when it comes time.
He is depressed and suicidal as indicated in his infamous quote, “To be, or not to be: that is the question.” (3.1.57). However, while many may choose to carry on after the death of a loved one, Hamlet chose to hold on to his sorrow and pretended to be mad so he can know the truth behind his father’s death. Hamlet’s tragic life is not the cause for his madness. Hamlet drives himself to the brink of insanity
I define despair as losing all hope or confidence and the feeling of complete hopelessness. This definition can be applied or referred to by any individual but can be shown from different viewpoints. For example, setbacks have driven a person to the depths of despair. Shakespeare's play Hamlet, tells the story of Hamlet's transformation into a helpless man who is determined to find the unsolved truth. Throughout the play, Hamlet leaves the readers to grasp these unresolved mysteries.
“But o, how bitter a thing it is to look into happiness through another man’s eyes” Hamlet written by William Shakespeare during the Elizabethan age revolves around the setting, time and the nature of its characters. Happiness in Hamlet is a vague theme that involves almost all the characters, who are significantly influenced by the time and place of the play, the sexuality of the characters and also, how they practice deception. The tragedy of Hamlet presents various characters who pursue or compromise their happiness to satisfy their conscience. This is shown through characters such as Hamlet, Claudius and Ophelia. In addition, to how their differences and similarities shape their personalities, which causes them to pursue or compromise their happiness.
The idea that our actions could be meaningless is one that is not uncommon for one to ponder; though a troubling thought, it cannot be denied that once an individual is dead, their previous actions don't make any difference to things anymore. This idea is elaborated on by two great writers, William Shakespeare and T. S. Eliot. A universal theme about the futility of life is shared in Shakespeare's Hamlet and Eliot's The Wasteland. In Shakespeare's play, the main character, Hamlet, regularly has doubtful and somewhat nihilistic views on his life.
Redemption, is the action, regaining or gaining possession of something in exchange for payment, or clearing debt. In William Shakespeare’s play Hamlet, redemption is a common focus for the protagonist Hamlet, followed by Old King Fortinbras’ son, Fortinbras, and Laertes. These ambitious men embark on a quest for truth and redemption because of the loss of their father’s. In spite of the fluctuations in their quest, their journey for truth and redemption is successful because Fortinbras, Laertes and Hamlet all avenge their fathers’ deaths. Through Active Reversal, Fortinbras’ quest was successful, by Laertes’ Fear of Betrayal his quest to kill Hamlet was successful.
The pain that he is experiencing due to his father’s death and his mother’s dalliances can only be resisted by his faith and his belief in better and worse. Hamlet fears a damnation to Hell, and hopes for an easy passage to heaven, yet in a situation that many find hopeless, it is through his faith in God that Hamlet is able to resist the temptations of death. Throughout the play, Shakespeare emphasizes this intense faith that Hamlet possess and how it is a guiding force in many of his choices. Yet lack of faith can be even more telling. “My words fly up, my thoughts remain below;/ Words without thoughts never to heaven go” (Shakespeare,
Shakespeare presents death as an inevitable act of life, noting that all that is living must eventually come to an end. Due to “Hamlet” being a Shakespearean tragedy, the theme of death recurs throughout the play. Additionally, Shakespeare can be seen as using revenge as the main motive of a character’s murder, which makes “Hamlet” a revenge tragedy. The tragic nature means that by the end of the play, majority of the characters would have died. In this case, many of the characters have died due to murder or suicide.
Hamlet’s ability to overthink situations or decisions makes him conclude that committing suicide might be the easy way out of his indecisiveness. Hamlet overthinks every problem that is happening. He overthinks so much that he cannot make up his decision about what to do with the problem. The cluelessness that is going on within his mind makes him lose his mental status, life and the love of his life. Hamlets actions are hypnotized by his thoughts: “Thus Conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o’er with the pale cast of thought, And enterprises of great pitch and moment, With this regard their currents turn awry, And lose the name of action” (3.1.85-90).
