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The Unappreciated Final Chapter Of Anthony Burgess A Clockwork Orange

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This article discusses the widely unappreciated final chapter of the book released in 1987. Davis
(2002) states that, though many critics claim that the ending is unsatisfying and unrealistic, they “neglect to consider the tremendous ethical import of A Clockwork Orange’s twenty-first chapter as a rejoinder to the vacuous moral and family systems that fail Alex” (p. 20) and that critics don’t seem to see how the added chapter truly shows Burgess’s intentions to stress the importance of family in the process of individual change and reformation. Davis also identifies that Alex’s obsession with violence, music and drugs along with how he dresses is used to cover up the fact that he feels as if he lacks any true depth of character and worth.
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