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The Unnatural And Horror Setting In Bram Stoker's Dracula

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Whether it 's an alien planet or a spooky house in a forest, setting often plays an important role in establishing meaning in stories. The setting is responsible for creating the mood and developing characters throughout the story. In some cases, the setting could even serve as a symbol, but most importantly the setting helps keep the story stay focused because if there was no setting, the story would cease to make sense. In Bram Stoker’s novel Dracula, the story begins in a hidden castle that is owned by a mysterious man whom everyone in town is afraid of. When Jonathan Harker arrives at the castle it is dark, and he describes the house as being old, creepy, and uninviting. For instance, if the castle was described as a bright and full of life …show more content…

Count Dracula 's castle is an imprisoning and frightening place, it is remote and isolated, far from England, and in Transylvania, one of the "wildest and least known portions of Europe," (Stoker 10) according to Jonathan. Harker also can 't find the castle 's exact location on a map. Thus, from the beginning, we encounter hints of the supernatural and horror genres in the isolated, mountainous, mysterious location of Castle Dracula. When Jonathan tells local people where he is going, they cross themselves and look fearful. Furthermore, the locals who take Harker to the castle treat the location with fear and dread. The deeper we read the more we begin to suspect how dangerous and dark this castle truly is because if the castle was otherwise the locals would not be so scared. As Jonathan gets closer to the castle, he feels "a strange chill" and a strong sense of anxiety. Then the wind begins to “blow” and “moan” and the wolves begin to howl in the night. The way Stoker uses the setting in this part of the novel, gives the reader a hint that Jonathan’s journey is not going to end well. Stoker also uses personification to make the wind more

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Theme Of Deception In Bram Stoker's Dracula

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His novel, Dracula, tells the tale of five people who encounter and have to deal with the evil undead vampire Count Dracula, who terrorizes them and even causes two out of the five to become undead like himself. Thankfully, the group eventually discovers a way to eventually vanquish Dracula once and for all, and by the end of the book they destroy him, preventing him from terrorizing the people of Europe once and for all. Stoker explores several significant themes in this book, including the theme of deception. In Dracula, Stoker uses the theme of deception with the characterization of Dracula,

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Everybody knows the classic tale of Bram Stoker’s Dracula. It is most famous for its introduction of the character of Count Dracula into both deep-rooted and contemporary literature and media. One critic claimed,” Bram Stoker set the ground rules for what a vampire should be.” It follows the story of Jonathan Harker, an English solicitor who visits Count Dracula in his castle in Transylvania – soon realising that he is being kept as a prisoner. Dracula forms a liking to the character of Lucy which ultimately leads to her death.

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The Central Idea Of Fear In Bram Stoker's Dracula

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The central idea of this excerpt from Dracula was the fear of the prisoner living in the castle of Count Dracula who felt trapped and alone. The authors use of first person point of view of the prisoner was able to develop this central idea of fear because prisoner was able to describe his feelings first hand living in the castle with the Count as well as emphasize the thoughts that were scattered inside of his head during this time. An example of the author using first person point of view to help develop the central idea of fear was when the prisoner had realized that he was helpless in the situation of his current living conditions. The prisoner said "I think I must have been mad for the time, for I have behaved much as a rat does in a trap" (lines 4-5).

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Violence In Bram Stoker's Dracula

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Bram Stoker, describes one of the verbal taboos of the Victorian era, violence, through the representation of vampires as “monsters” through the point of view of their victims in his novel Dracula. Stoker portrays violence in three distinct categories- physical, visual and psychological. Each one of these categories is described by one of the antagonists in the Novel, with Count Dracula as the physical aspect of violence, his underlings, the female vampires as the visual and Renfield, the patient at Dr. Seward’s mental asylum, as the psychological aspect of violence. This essay looks at the portrayal of such Categorical violence as different renditions of a “monster” and considers why Stoker would segregate violence in such a manner.

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Bram Stoker's Dracula is filled with interesting symbology and religious comparisons. Dracula is a gothic novel set in late 1800s Britain and Transylvania. Dracula is an epistolary, meaning it is told through a series of journal entries, news clippings, etc. It’s like the written version of found film. Dracula draws from many old myths for its villain and is the basis for the modern vampire.

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Bram Stoker’s Dracula, is a classic that has been enjoyed by readers for many years. It is one that involves fantasy, gore and even has the potential of scaring readers. It is a story that has been enjoyed and feared by readers for centuries. With that said, even though it is commonly known as a classic horror novel, it can also be seen as an erotica. Throughout the novel, Stoker incorporates sexual scenes, and scenes of desire that may or may not capture readers’ attention due to the presence of horror.

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Seeing is believing, especially when it comes to the supernatural. Throughout Dracula, by Bram Stoker, the clash between science and the supernatural is a recurring theme. At the time, London, England, was in the middle of modernizing society and the science behind it. This included the invention of the phonograph, typewriter, and the way people were thinking. Because of this new era, the English began to discharge the ideas of superstitions.

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The Importance Of Dracula In Stoker's Dracula

1253 Words | 6 Pages

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A good answer is given by Carol A. Senf in his book The Vampire in the 19th Century English Literature where he notes that such beliefs go far beyond the place itself, and that “the vampire was simply one more example of a mysterious subject that appealed” (1988: 21) by virtue of its Orientalism. As he explains it Dracula symbolized an idea of the sensational that attracted the reader, and not the essence of Transylvania or its historical richness. Nevertheless, fundamental in Dracula are the constant journeys that the characters undertake: across Europe, in between cities, across provinces or from America. All these journeys have a fundamental aspect in common: they all start from or finish in the capital city of the largest empire of the world in the nineteenth century: London. This city represents one of the key locations that the author uses for the development of the plot because of the importance it had at that moment.

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