The short story “Cathedral” by Raymond Carver, takes place in the days where black and white televisions are starting to become obsolete. And when cassette tapes were the latest technology. The basic setting of this short story is a middle-class home somewhere in New York, in the middle day. The meaning behind the title “Cathedral” after lots of drinks, a huge meal, and some marijuana, the living room itself transformed into what could be considered a sacred place, kind of like a cathedral.
Carver uses a first-person when tell the short story “Cathedral” to underline the incredible parts of the remarkable moments that he relates to the story. The unnamed narrator is self-assimilated, concerned just with how the visit from Robert will influence
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The narrator demonstrates that he is completely fit for looking. He takes a gander at his home and wife, and he takes a gander at Robert when he arrives. The narrator is not visually impaired and instantly expect that he's therefore better than Robert. Robert's blindness, the narrator reasons, makes him not able to fulfill a lady, not to mention having any sort of ordinary life. The narrator is sure that the capacity to see is everything and puts no exertion into seeing anything past the surface, which is without a doubt why he doesn't generally know his wife exceptionally well. Robert, be that as it may, can "see" on a much more profound level than the narrator. Despite the fact that Robert can't physically see the narrator's wife, he comprehends her more profoundly than the narrator does on the grounds that he really tunes in. The wife clearly has a great deal to say and has put in the previous ten years trusting in Robert on the audiotapes she sends him. The main communication we see between the narrator and his wife, be that as it may, are rude trades in which the narrator does minimal more than irritate her. Genuine "seeing," as Robert illustrates, includes significantly more than simply