The Vampire Diaries: Dracul Saved By Nonconformity

RAMOS, PATRICIA R61

153486 LIT13

Saved by Nonconformity Twilight. The Vampire Diaries. These are just two of the prime examples that prove the rise of the glossed-over vampire series of the new generation. Vampires are no longer characterized by their pointy teeth and bloodlust, but romanticized to the point that they become love interests and heroes. No longer are they considered to be poster boys for scary Halloween costumes; Dracula is not the face of this race, but Edward Cullen. However in the movie, Resureksyon, they broke off from some of these newfound clichés; and amidst the unclear plotline, unnecessary effects, and underwhelming characters, perhaps that is one of its redeeming qualities. While the plot may be straightforward and predictable, the premise of the story is quite interesting. It deals with an idea not normally associated vampires – Overseas Filipino Workers. The Philippines is not a stranger to horror-films, but the fact that the

Mara, shown to be hardworking and strong-willed, hopes to bring her family out of poverty. One thing that remains constant is her love for her son, Migs. It drives her, even as a vampire, to surpass whatever blocks her path. Her drive is a notable aspect of the movie, being unusual, almost making the audience sympathize with her. Mara retains parts of her loving character when she hesitates to hurt Migs. However her instincts overtake her rational side, causing her to become more violent. Despite playing her role as a mother well, the same cannot be said for her role as a vampire, because her goal is unclear throughout the movie. Does she want to turn her son into a vampire, or was she driven to bite him? Did she want to see him safe, as a sign of her motherly instincts being stronger? Why was she so intent on chasing after her son even as a vampire? It was not clear what she wanted to do, and why Migs was her main focus as a