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The Watermelon Woman Analysis

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Question One: According to some of the scholars we have read during the semester, one of the most important projects of black independent filmmaking is to create an “oppositional gaze” on screen. Through an in-depth discussion of Cheryl Dunye's's film The Watermelon Woman, write about how creation of such oppositional gaze on screen contributes to the creation of a black queer/lesbian memory.

The Watermelon Woman film created an interacial lesbian gaze that will be unforgettable for me due to how attracted these two women were to each other and the events that the gaze lead to. How, as it were, could a film like The Watermelon Woman build up a lesbian, black female gaze. Something that I don’t think has ever been spoken to on the screen …show more content…

While the 1854 journal by Solomon Northup, on which the film is based, portrays a few stories of endeavored escapes and battling back with respect to the oppressed, none of these show up in the film. It shows Northup's passionate resistance to his subjugation and there is one scene where he battles back against the man to whom he was sold, however no one else in the film is by all accounts permitted that. The film stays consistent with Northup's choice to remain on the ranch until he was "lawfully" ready to free himself, yet overlooks the many individuals who reliably did whatever it took to escape oppression: "Despite the conviction of being caught, the forested areas and marshes are, in any case, ceaselessly loaded with runaways," the diary lets us know. Take Harriet Tubman, who was naturally introduced to subjection however intentionally got away – and went ahead to help substantially more individuals to opportunity. "There are two things I have a privilege to and these are demise or freedom either I intend to have," Tubman said. "Nobody will ever take me back alive; I should battle for my freedom." It appears that once the main endeavor to develop a shipboard rebellion by three subjugated men does not succeed, the film is not ready to exhibit whatever other genuine types of

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