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The yellow wallpaper the narrator analysis
A literary analysis of the Yellow Wallpaper
The symbolism in the yellow wallpaper
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Gilman shows the progression of the main character’s insanity through the woman in the wallpaper, John, and the bed. Like most individuals, the narrator in “The Yellow Wallpaper” gradually shows increased symptoms of insanity. She begins the summer as a sane individual. As time progresses, she starts acting
During her time in the room she felt the room “at night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars!” (Gilman 304). The narrator of the yellow wallpaper descends into madness to escape the cruel dominance of her society. As the story progresses the yellow wallpaper becomes a constant companion. She first dislikes the color and despises the pattern, but after closely studying the pattern “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” and after obsessing over the painting she finds bars hidden.
Have you ever wondered what you would do if you were trapped in a room with nothing to do? In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the main character Jane tells her husband about her unstable mental state, her husband John who is a doctor requires her to stay locked in a room with hideous yellow wallpaper, and not do anything she would normally do or what she would like to do. John had good intentions and believed that Jane being locked in a room will give her time to reflect on herself and get better. But, this just made Jane’s mental state even worse to the point where she thought that there was a woman moving in the yellow wallpaper and it drives her insane. John’s decisions were actually considered normal in the late 1800s,
As the narrator continues her writing, there is also evidence pointing towards a theme of self expression. The narrator describes how she enjoys the relief of writing, however she feels she has to hide it from those around her, as though her self expression is not allowed or at the very least frowned upon. The character develops to the point of full hysteria, losing her self control and sense of reality in order to discover her understanding of her state and position in the world. Setting plays a large hand in Gilman’s “The Yellow Wallpaper.” Upon moving into the new home, the narrator gives detailed descriptions of her dwelling.
Secondly, throughout the story, the narrator describes seeing an evolving woman trapped inside of the wall. Although readers can assume that this woman is merely a product of the narrator’s mind, the woman can also be seen as a symbol of the narrator and her feelings of being trapped. Eventually, the woman in the wall aids the narrator in her escape. In conclusion, many elements of the narrator’s increasing madness throughout The Yellow Wallpaper contributed to her freedom from the confines of the room, the confines of society, and the confines of her
The house is in a super-isolated place. The house represents the narrator 's personal emotions; restricted and isolation. In the story, “The Yellow Wallpaper”, the symbolism of the the wallpaper and the diary demonstrate the psychological difficulties, that were caused by being disrespected and thought less of, during the 19th century for women across the United States. In the “Yellow Wallpaper”, the woman 's husband John neglects her symptoms of postpartum and says she has a slight hysterical tendency.
The protagonist of The Yellow Wallpaper anthropomorphizes the floral elements of the yellow wallpaper, wherein wallpaper is typically a feminine floral decoration on wall interiors. These elements signify the scrutiny Victorian society makes of lives of its womenfolk, particularly of women who are creative and insubordinate to their spouses. The protagonist is one such woman; her writing denounces her imaginative character and the surreptitious persistence of her writing denounces her matrimonial and feminine disobedience which were considered radical in her contemporary society. Gilman expresses the suppression felt by women from societal scrutiny to be one of “strangling”, through the narrator, who in one instance describes the wallpaper pattern like so: “it strangles so; I think that is why it has so many heads… the pattern strangles them off and turns them upside down, and makes their eyes white!” Her anthropomorphizing of the pattern of the wallpaper adopts a grimmer facet when she writes that “when you follow the lame uncertain curves for a little distance they suddenly commit suicide.”
In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the female narrator is greatly troubled by the suppression of her imagination by her husband and her ultimate isolation due to this subordination. These feelings are reflected through the author’s use of setting as the narrator’s dreary and malicious descriptions of the house and the wallpaper mirrors her emotional position. Throughout the reading, the reader is exposed to the narrator’s in-depth loss of touch with reality as she sinks further and further into her own reality. As she becomes more isolated, her descriptions of the house become more abstract as she begins to focus on the wallpaper and starts to see herself as being hidden behind it.
She wrote “The Yellow Wallpaper” in an effort to open the public’s eyes to the unfairness of this treatment. By infusing Jane’s narrative with childish language and actions without ever actually calling “Jane” by her name, Gilman creates a universal experience any woman of the time could insert herself into. This allowed women to fully realize the injustice they faced. John’s belittlement of Jane also serves to create both a universal and eye opening experience for the women reading it. Additionally, for those who were willing to read into the symbolism, the nursery and the meaning underlying it added to the injustice Gilman conveys.
In "The Yellow Wallpaper" the biggest symbol in the story is the room itself. When Gilman writes about the room it sounds like a prison cell. Bars on the window, the bed is nailed to floor, and the fact that the room itself was a former nursery brings up the idea that
The short story “The Yellow Wallpaper” by Charlotte Perkins Gilman is a story full of imaginative symbolism and descriptive settings. However, without the narrator’s unique point of view and how it affects her perception of her environment, the story would fail to inform the reader of the narrator’s emotional plummet. The gothic function of the short story is to allow the reader to be with the narrator as she gradually loses her sanity and the point of view of the narrator is key in ensuring the reader has an understanding of the narrator’s emotional and mental state throughout the story. It’s clear from the beginning of the story that the narrator’s point of view greatly differs from that of her husband’s and other family in her life.
To be trapped in one's own mind may be the worst prison imaginable. In Charlotte Perkins Gilman's "The Yellow Wallpaper", the narrator of the story is constantly at battle with many different forces, such as John, her husband, the yellow wallpaper that covers the walls of her room, and ultimately herself. Throughout the story the narrator further detaches herself from her life and becomes fixated on the yellow wallpaper that surrounds her in her temporary home, slowly driving her mad. The narrator of "The Yellow Wallpaper" is a major and dynamic character as she is the main character of the story, and throughout the story her personality and ways of thinking change drastically.
To capture the reader’s attention Charlotte Gilman uses a short story demonstration fear and insanity. In “The Yellow Wallpaper”, Charlotte Gilman uses imagery to illustrate how a limited role of a female in society can drive her insane. The house portrays the narrator's isolation.
Throughout short fiction, Charlotte Gilman is most famously noted for her ability to create strong gothic themes in her writing. This is especially true in her 1890s story “The Yellow Wallpaper.” Overall, an important theme in Charlotte Gilman short story “The Yellow Wallpaper” is that when combined, isolation and oppression often lead to negative consequences such as insanity and mental instability. Gilman achieves this through her thorough use of symbolism and settings that helps to highlight and establish the overall theme.
The yellow wallpaper is not just the dreadful décor the narrator is stuck within the story but the most important symbol in the story. It symbolizes how women were not allowed to change or free to make their own decisions. The narrator once said that the wallpaper "sticks horribly and the pattern just enjoys it" (Gilman). She felt like the wallpaper stuck and not able to succumb to change she demonstrates this as well when she says "The faint figure behind seemed to shake the pattern, just as if she wanted to get out" (Gilman). The narrator herself became the women she saw in the wallpaper that she felt trapped in a life without change which manifested itself into the wallpaper further increasing the symbolism and importance of yellow wallpaper.
