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Thematic Statement For Frankenstein Essay

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Thematic Statement: The underlying purpose of creation can go awry, even though it was meant for the greater good.
Explanation: In the gothic novel Frankenstein by Mary Shelley, the character Victor develops the monster in an effort to become famous in the scientific field and remembered for his contributions to science. However, he never takes into account the vast consequences that life's creation entails. As soon as the creation starts to come alive, Victor starts to run away in fear and disgust. This causes the creature to spiral down an isolated path, which leads him to build hatred towards his creator. Similarly, in the film Rise of the Planet of the Apes, Will Rodman decided to create the drug ALZ-112 in hopes of curing his father’s …show more content…

Many women were not educated or had jobs. Mary Shelley, on the other hand, broke this stereotype by publishing her novel while being such a young woman and going through miscarriages. Shelley published the book anonymously, in fear of losing her children, which led others to believe that her husband wrote the novel. Mary Shelley endured a lot of pain and has become an inspirational woman. She stayed true to herself and found who she is in the world, which is an amazing author and storyteller. Shifting to Victor’s creation, although he did not break any gender norms, he rebelled against Victor’s expectations of him. The creature did not turn out to be the scientific creation that could bring fame to Victor’s life. The creature rebelled against Victor by killing all those close to him. Although the creature died in the end, he ended up learning things about the world and making peace with the fate that he would endure. Similarly to the creature, Caesar rebels against Will’s expectations of him. He no longer wanted to feel like a trial of the drug and wanted to be within his own community. Through his time in the shelter, he created a community of apes that were just like him. After escaping the shelter and freeing all the apes in the zoo, they were able to be free in the woods and nature. Caesar found his true self and sense of belonging in the

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The concept of villainy is viewed in many novels and blockbuster films, with each villain having a meaning behind their terrible actions. Mary Shelley's Frankenstein is a great example, where both Victor and the creature commit horrendous acts, yet the true villain of the story can be drawn to be Victor Frankenstein. While the creature's actions certainly have a negligent impact, Victor's arrogance, ambition, lack of parental guidance, and responsibility towards the creature lead to his destruction and downfall of himself and to those around him. Victor Frankenstein can be seen as the true villain in Frankenstein because of his ambition and arrogance that leads to the destruction and horrific deaths throughout the story. One example that

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A responsible scientist would have taken care of the creation, and would have made sure that it wasn’t exposed to the general public – Victor does the exact opposite. The creature then goes on to try to help a family of villagers, who reject the creature at first sight. From this event, the creature is corrupted: “I am malicious because I am miserable”(Shelley 147). If Victor did the responsible thing – nurture the creation, and guide it carefully -, the creature wouldn’t have caused so much destruction. The reason the creature gets “malicious” in the first place is because Victor let the creature be exposed to human society, which made it “miserable”.

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Choose a complex and important character in a novel or a play of recognized literary merit who might on the basis of the character’s actions alone be considered evil or immoral. In a well-organized essay, explain both how and why the full presentation of the character in the work makes us react more sympathetically than we otherwise might. Avoid plot summary. I. Introduction: A. In Mary Shelly’s novel, Frankenstein, the reader is tasked with answering the central question of who is the truest evil.

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While Victor is in Ireland, attempting to create a female companion for the creature , he gives up on his efforts, which ends up angering the creature and leading to the death of his beloved friend Henry Clerval. Victor basically wants nothing to do with the creature and this makes the creature furious, because when looked upon from a religious point of view, the creator is obliged to take care of the being created. This is significant, because if Victor had just followed the creatures wants for a female companion, or not even create him in the first place ,his friend Henry would still be alive, and the ordeals of death wouldn’t keep following Victor. Tragically for Victor ,the creature vows to be there at his wedding day to take the life of his loving Elizabeth. The creature’s persistence to take away everything Victor loves and everything he couldn’t have himself, is what drives the monster to make Victor’s life a living hell.

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He fulfills this and creates the creature. Victor is horrified by the monster's appearance however. He later abandons the creature despite being his own successful creation. What does this say about the creature? If its own creator was horrified, then the rest of society would be horrified as well, but the creature does not know this.

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Upon witnessing his creation's animation, Victor is quick to reject him as he flees from his dwelling, mistakenly allowing the Creature to escape into the world. After escaping, the Creature commits a series of crimes, leaving Victor consumed by his own guilt from the realization that he is responsible for bringing the unstoppable monster into existence. Victor’s erosion of subjectivity is evident as he “considered the being whom I cast among mankind…my own spirit let loose from the grave, and forced to destroy all that was dear to me” (Shelley 84). Aware that the Creature's existence has caused the devastation of all he held dear, Victor also emphasizes the negative effects of his arrogance in breaking natural principles. He understands that the Creature is uncontrollable and that he is a source of this chaos.

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Other than this, he was happy when he eventually achieved his goal of bringing his creation to life, but he quickly met the effects of his actions. Victor's pursuit of glory and his ideology, finally brought his downfall since he did not factor in the potential risks of his experiment. Victor’s creation and experiment are a warning about the

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As soon as Victor’s creation came alive, Victor turned his back on the creature, leading to it lashing out at the world around it. When Victor sees his creation, he thinks to himself, “How can I describe my emotions at this catastrophe, or how delineate the wretch whom with such infinite pains and care I had endeavored to form?” (Shelley 48). Without considering what the Creature was going through, Victor immediately starts judging it, calling it disgusting names such as “catastrophe” and “wretch”. Victor’s irresponsibility led to the Creature holding feelings of hatred against the human race.

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Regrettably, this fails to be the case. The creature is spurned once more by the girl and shot by the father. The creation once again dejected says, “my daily vows rose for revenge- a deep and deadly revenge.” At this point, Victor’s creation was more resound in holding onto his bestial passions, but again he did not let them overcome his being. However, the fact that he refuses to let all of his monstrous passions flutter away exemplifies that the creature has taken the next step toward

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Furthermore, Victor's decision to neglect the Creature furthers nature's retribution. Initially, the nature of the Creature is kind, thoughtful, and curious. However, as he interacts with humanity, he devolves into a malicious nature. Rather than this being the Creature's true nature, it is the result of his environment. Nobody was there to nurture the Creature because it was grotesque; thus, society rejected it, resulting in its malicious nature.

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In the novel Frankenstein by Mary Shelley, the creature is consistently rejected, causing him to harm others. First, Victor abandons the creature, and he is left roaming the world alone with no one to guide him. Then, society rejects the creature, leading him into isolation. Society views the creature as an ugly wretch. Therefore, he has a hatred for Victor: his creator.

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He initiates the hostile relationship, threatening the creation, “We are enemies. Begone, or let us try our strength in a fight in which one must fall” (103). Just as Victor abandons the creation from the day he creates him, Victor demands for the creation to leave him. Victor’s first instinct is to escape, avoiding his creature, and the responsibility he has to him as the creator. He rejects love in the relationship, while the creation seeks it from his estranged author.

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Because Victor turns a blind eye to the creation, he vows revenge against him and all the people Victor loves. Even though the man receives little guidance and support, he becomes a monster similar to Victor because of his choices to do evil: murder and take revenge. Critic Magill explains, “His revenge, although excessive, is motivated” (322). The creation could have the decency to move on with his life, but one factor prevents him. His appearance restrains him from having a normal life despite the capacity for love and affection he harbors in his heart.

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Victor selfishly creates the Creature to gain prestige, pretentiously claiming himself as a human god when he succeeds and saying it was for the sake of humanity. In reality, he creates a grotesque being and abandons it the moment his illusions shatter, making the creature a victim because he denies the responsibility of raising it causing hardships for it. Victor also believes the creature is a reprobative individual since it kills his brother and foists Justine’s execution, thus he acts inimical towards it throughout the whole novel as he invectively exclaims, “Abhorred monster! Fiend that thou art! The tortures of hell are too mild a vengeance for thy crimes” (93).

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Mary Shelley’s Frankenstein Critical Analysis About the author Naomi Hetherington is a member of the University of Sheffield, the department of lifelong learning. She is an early researcher in sexuality, religious culture, the 19th-century literature, and gender. She holds a BA in Theology and religious studies, an MA and a Ph.D. in Victorian Literature. She currently teaches four-year pathway literature degree at Sheffield University for students who have already attained foundation degrees. Among the books, she has written the critique of Frankenstein.

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