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Theme Of Complexity In Othello

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Othello’s Complexity
In the play Othello by William Shakespeare, the main protagonist Othello may not be as simple of a character as you might think. This notion stems from two different ideas that create an aura of complexity around Othello’s character. The first idea is that even though Othello is a black man living in Venice during the sixteenth century (a predominantly white and racist city during that time) he is able to obtain a high status in society. The second idea is how drastically different Othello’s personality is at the beginning of the play compared to the end of the play.
Throughout the play, the fact that Othello could become the General of Venice becomes more and more astonishing. Even from the very beginning of the play when Othello’s character is first introduced into the play, he is exclusively referred to by his so-called ‘trusted’ colleague Iago as a “Lascivious Moor” (Othello 1.1.141), an “old black ram” (Othello 1.1.97), and even a “Barbary Horse” (Othello 1.1.124). It isn’t until after the ending of the first part of the play that we eventually learn Othello’s real name.
This unapologetic display of racism is only trailed by more even more racism. For example, when Brabantio confronts Othello in regards to his daughter, he proclaims that Othello “hast enchanted her” (Othello 1.2.284)by giving her “drugs or minerals that weaken motion” (Othello 1.2.294) because he did not believe that his daughter could fall for a “Moor” on her own free will. The
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