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The Dual Nature of Humanity in Frankenstein
Analysis of frankenstein and modern societal issues
Analysis of frankenstein and modern societal issues
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Recommended: The Dual Nature of Humanity in Frankenstein
Have you ever judged a person by how they look? Or Ran away from your problem but they seem to come back and haunt you? Well in the book Gris Grimly 's Frankenstein, Victor Frankenstein had created a creature so horrible looking that he ran away from it. Everyone believed that he wasn’t a human being, but I believe that everything he 's done was the most humane thing he could have done. The creature was a kind and "benevolent soul" that cared for everyone until he would be turned away from humanity all because he looked different.
He is a young child thrown into a world where he doesn't belong. Curious of his surroundings, the monster stumbles upon Frankenstein and is immediately met with disgust. The first thing the monster receives in his fresh existence, is hate and rejection. Frankenstein instills hate into the monster’s
The creature thinks of Frankenstein to be an “Unfeeling, heartless creator” (121). After punished from helping a young girl, the creature declares, “This was then the reward of my benevolence!” (123). Although Frankenstein grows up surrounded by care, he develops to provide none. And although the creature never receives care, he strives to be benevolent.
Frankenstein even admit to his refusal of support simply because of the appearance the creature has. Not only is it Frankenstein’s fault that the creature has the appearance of a “monster”, he is also guilty of leaving the creature to its own devices without any guidance. Without the guidance of a creator, it is quite possible to end up misguided and
The use of the word monster in the book also correlates to appearance, and when the creature is called a monster, he feels forced to act like one. After being rejected by society because of his appearance the creature cries to Frankenstein, “Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust” (Shelley 93). This shows that the creature internalized all of the hate he received from his appearance, to the point where he viewed himself as a monster. When he internalizes all this negativity about himself that stems from his appearance, and begins to see himself as a monster, he then begins to behave as one.
In the book Frankenstein by Mary Shelley, the creature is an outcast in society, without a friend in the who world is thrust away by humanity due to his appearance. The creature devolves due to a series of events feeling different emotions for the first time in his life. These experiences due to the fact his creator, Victor Frankenstein turns his back on the creature leaving him to his own instincts on learning how to survive and integrate into society. devices to learn how to survive. becoming helpless, discouraged leading into leading into retaliation of anger and violence.
While Frankenstein, written by Mary Shelley, and The Prestige, directed by Christopher Nolan, are both works of art that distinctly follow the codes and conventions of an epistolary story, they contain several other similarities and differences within their elements of fiction that can be used for analysis purposes. In both the novel and film, there is a strong overarching theme of appearance vs. reality, which, when studied closely, can tie in to other elements of fiction in each text. Appearance vs. reality could, arguably, be the main reason for both Victor and Angier descending into obsession, as well as being a primary source for the character relations establishing in the way that they do.
In Frankenstein and also in Dr Jekyll there is a great deal of secrecy and deception throughout the book. In Frankenstein, Mr. Utterson doesn’t know the truth about the relationship between Dr. Jekyll and Mr. Hyde, and he desperately wants to find out. Also, by withholding the scenes of Mr. Hyde’s supposedly crazy revelry, Stevenson allows our imaginations to run to wild and bizarre places. In Dr Jekyll, betrayal in the form of secrecy is one of Victor’s worst flaws. His inability to share his secret about the monster brings the destruction of those he loves.
Joel Coen once stated, “We create monsters and then we can’t control them.” The same can be told about Frankenstein by Mary W. Shelley. The book shows us how the creature is made and eventually abandoned by Victor. Throughout the following chapters, there is a noticeable shift in the creature’s personality as he discovers more about his upbringing. The creature is truly kind by nature, but the circumstances of his life lead him to hate humanity and take his rage out on them.
The creature wishes to live in peace, but because he does not look like a normal human, he can not live in peace. Additionally, Frankenstein does not help the creature or nurture him with love, thus, he causes the creature to develop a deep resentment towards Frankenstein. The creature, whom is optimistic until now, says, “ Cursed, cursed creator! Why did I live?” (161).
Would you hurt or abandon a baby? In the fictional novel Frankenstein, written by Mary Shelley the main character Victor Frankenstein believes that he can bring life to a body he makes from human parts. He does successfully create this creature but ends up being terrified and disgusted by it so he runs and abandons it. The creature then departs in solitude and later sets out for revenge against Victor for abandoning him. Shelley conveys the creature as a child learning about life using several different techniques in order for the audience to feel sympathy towards it.
Perhaps, if a human such as Frankenstein had accepted the creature, onlookers would have had an easier time welcoming someone with his appearance into their presence. Society’s false perception of what makes someone “normal” is what altered their first impression of The Creature. People had a hard time distinguishing the difference between mind and body, which resulted in The Creature’s undesired abandonment and a gut filled with hatred towards his creator. In contrast, Victor Frankenstein refers to his family in a positive way several times throughout the novel.
Whereas the real monster throughout the story is no other than Victor Frankenstein. Frankenstein displays many of the characteristics any monster would have. He was cruel and manipulative in order to become and valued like God. However, the odds were not in his favor after rejecting the monster the minute he came to life, "A flash of lightning illuminated the object, and discovered its shape plainly to me; its gigantic stature, and the deformity of its aspect, more hideous than belongs to humanity, instantly
Qi QinYi, Jasmine Mr. Nikolich English 9 Jan 2018 Frankenstein: The Search for Identity Mary Shelley 's Frankenstein, or The Modern Prometheus, is a pioneering science fiction work about the story of a young scientist Victor Frankenstein who created life out of dead matter. On the surface, Frankenstein seemed to be only a horror story about unorthodox scientific experiments and grotesque monsters. But by diving deeper into the novel, Shelley also addressed larger philosophical ideas. Throughout the story, Victor Frankenstein and his monster have both parallel and contrasting elements, and their search for identity is one of the most important ones. Identity is defined a “the distinguishing character or personality of an individual” (Merriam-Webster).
Frankenstein seems to show a prejudice towards his own creation; though he purposefully made the monster large to make it easier to add smaller things—such as nails and eyelashes—he chooses to look at his newly-awakened creation with repugnance. “For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (Shelley 35) This disgust motivates him to run away, thus abandoning his monster.
